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by thomas mcclure (thomasmcclurester@gmail.com)
Rated: 
Genre: Film Noir
User Review: 0 stars
Miles is a player with Kyrie and Ally. Kyrie is the lyrical chorus girl of his dreams and Ally is the red dress girl of his schemes. Kyrie finds Ally in Miles' Room. Miles cannot play in her band. Miles cannot play in her life.
Some rights reserved under Creative Commons License.
NOIR PORTLAND by ProfessionallcFilm Company is licensed under a Creative Commons Attribution 3.0 United States License.
Based on a work at www.box.net.
Permissions beyond the scope of this license may be available at www.ffw.com.
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MILES A SHORT FILM
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FADE IN:
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INT. MILES' ROOM - DAY |
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NOIR PORTLAND by ProfessionallcFilm Company is licensed
under a Creative Commons Attribution 3.0 United States
License.
Based on a work at www.box.net.
Permissions beyond the scope of this license may be
available at www.ffw.com. |
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Noir Author Reni Fou1
Portland Noir Voiceover12
VOICE OVER Noir23 |
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scene 9
A glow of light-hearted happiness seemed to radiate from
her. 15857
She tucked one of the many loose tussles of hair behind her
ear,15958
"No not at all, but I find it a ridiculous notion that they
could keep 16059
the slightest thing from me. Although it is pleasant to hear
that they care 16160
so much!" she responded. 16261
With a look of uncertainty, he said in a questioning 16362
manner,16463
"Any idea why that is?".16564
Letting go a youthful smile she said16665
"Well, because O. H."
scene 10
"I'm Yours Truly, a reckless, irresponsible Playgirl". 16766
Even he, the cold and complacent man he always was said to
be16867
couldn't help but be attracted to her bluntness. 16968
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2.
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She said what needed to be said and herself,17069
Oh you poor thing!" she exclaimed with her hand covering her
mouth.18370 |
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scene 14
He had to finish this and settle it like 20891
nothing more than business. 20992
"No, I can't…I won't. Despite what you think, lady we're not
friends or lovers here, so, I'm not going to Europe with you
or anyone for that matter. Okay kid?". 21093
As he said those harsh bitter words, the sounds seemed to
pierce 21194
him as he spoke them, his face was cold but inside he became
a mess. growing 21295
Chaos within him, he argued with every side of himself and
every core of 21396
his being. |
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scene 20
Sitting in the darken room, silhouettes' cast by the
moonlight, a single strand of white smoke is seen from the
end of his cigarette, dimly lit in the room. 255133
He sits in the corner, on the chair by the window. 256134
He came for her to this place under the stars that skipped
her by. 258135
He ran away with her….136
Time seemed to elude him now.
And like the old flicker shows he used to see on cold autumn
Brooklyn nights these memories played out before him.
Author Reni Fou on www.storywrite.com261137 |
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Stopping by Woods
on a Snowy Evening
Robert Frost
The woods are lovely, dark and deep,
But I have promises to keep,
And miles to go before I sleep, …
The Maltese Falcon 1941
"You killed Miles and you're going over for it."
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3.
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Spade to Brigid, Miss Wonderly
SPADE
Oh, that...
(lightly)
We didn't exactly believe your story,
Miss -- Miss -- is your name Wonderly
or Leblanc?
KYRIE - MILES
KYRIE
What's going on?
Why weren't you at
practice?
MILES
Don't worry about it.
KYRIE
But the band is kicking you out.
MILES
Don't worry.
KYRIE
Do you not understand?
MILES
Everything will work out.
KYRIE
No, it won't.
It doesn't work like
that.
KYRIE - ALLY
KYRIE
What are you doing here?
ALLY
Hot boxing the room with my
boyfriend... having fun.
KYRIE {SILENT}
ALLY
Well, you guys aren't together...
Oh, don't be hurt!
You don't even have the right to be.
Miles chose who he wants to be with,
and he chose me.
KYRIE
I don't have the…
MILES - ALLY
MILES
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4.
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It's not like that.
ALLY
Yes, it is.
MILES
Shut up.
MILES
Look. I was just seeing
if Ally was a trustworthy friend
because she kissed me
at this party a week
before we started dating,
and I didn't want you to have any friends
that weren't like good for you.
KYRIE
We don't want you in the band, Miles.
And I don't want you in my life.
MILES - ALLY
MILES
Don't make things up! You're not my
girlfriend. Get outta here.
ALLY
(snappy)
Don't talk to me like that.
MILES
Okay... GET OUT! |
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INT. AFTER FIRST VOICEOVER SCENE 9 - DAY |
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KYRIE (to)
(MILES)
KYRIE
What's going on? Why weren't you
at
practice?
MILES
Don't worry about it.
KYRIE
But the band is kicking you out.
MILES
Don't worry.
KYRIE
Do you not understand?
MILES
Everything will work out.
KYRIE
No, it won't. It doesn't work like
(MORE)
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5.
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INT. AFTER SECOND VOICEOVER SCENE 10 - DAY |
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KYRIE (TO)
(ALLY)
KYRIE
What are you doing here?
ALLY
Hot boxing the room with my
boyfriend... having fun.
Kyrie looks way confused and hurt
and looks back between
Miles and Ally. Miles doesn't say
anything.
ALLY
Well, you guys aren't together...
Oh, don't be hurt! You don't even
have the right to be. Miles chose
who he wants to be with, and he
chose me.
KYRIE
I don't have the.. |
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INT. AFTER THIRD VOICEOVER SCENE 14 - DAY |
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MILES (TO)
(KYRIE)
MILES
It's not like that.
ALLY
Yes, it is.
MILES
Shut up.
Miles shuts the door on Ally.
MILES
Look. I was just seeing if Ally
was
a trustworthy friend because she
kissed me at this party a week
before we started dating, and I
didn't want you to have any
friends
that weren't like good for you.
Kyrie shakes her head and walks
down the hallway. She turns
around.
KYRIE
We don't want you in the band,
Miles. And I don't want you in my
(MORE)
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6.
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INT. AFTER FOURTH VOICEOVER SCENE 20 - DAY |
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MILES (TO)
(ALLY)
MILES
Don't make things up! You're not
my
girlfriend. Get outta here.
ALLY
(snappy)
Don't talk to me like that.
MILES
Okay... GET OUT! |
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INT. MILES'S HOUSE/ROOM - DAY |
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INT. MILES' HOUSE/ROOM -- DAY
Kyrie arrives at Miles' house. No one comes to the door, so
she slowly opens it. She walks up to his room. On the way
up, she sees his guitar on the ground, and a couple strings
aren't on it. Kyrie looks really sad/confused.
Kyrie slowly turns Miles' door handle, but finds that it is
locked. RAP MUSIC is playing loudly in the room. She starts
to nock on the door. Miles opens the door. His eyes are
super red. He smiles at her. Some smoke comes out.
A LAUGH comes from behind the door. Kyrie pushes the door
open. Ally is sitting there LAUGHING.
Kyrie looks way confused and hurt and looks back between
Miles and Ally. Miles doesn't say anything.
Kyrie shakes her head and steps out of the room.
Miles shuts the door on Ally.
She leaves. Miles opens the door and goes back in his room.
He picks up a bottle and throws it against the wall. It
breaks. He turns to Ally.
She quickly grabs her things while Kyrie's car starts and
drives away. Ally walks out. Miles leans against the wall
and slowly slides down against the wall to sit on the
ground. He puts his hands over his face. |
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THE END |
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| Feedback |
| From Jake Williams |
Date 7/25/2010 |
0 stars |
| It looks like I'm reading some 001001 computer stuff. This website helps you to format this stuff and you still screw it up. Do you even know what film noir is? |
| From Abdallah Saleh |
Date 1/23/2009 |
0 stars |
| Sorry, but I believe a zero is necessary for this one. If you just read other people ssreenplays, you'd have a better understanding of the format. |
| From Jason Morgan |
Date 1/21/2009 |
0 stars |
| I seriously have no idea what I just read. You might want to learn how to write a screenplay before you attempt to actually write one, because you're not gonna anywhere with stuff like this. I have no idea what the story was either, or why this is even being considered as a "film noir". So go do some research into writing screenplays, then come back and touch this up. It needs it. |
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