Home Screenwriting Products Screenwriter Community Screenwriting Store
ScriptBuddy - Screenwriting Software for the Web

Screenwriter Community

Back to List of Published Screenplays
View/Leave Feedback

WHO CAN YOU TRUST
by ryan (nycityboy621@aol.com)

Rated: R   Genre: Drama   User Review:
NOT YET
RATED



This screenplay is copyrighted to its author. All rights reserved. This screenplay may not be used or reproduced without the express written permission of the author.



WHO CAN YOU TRUST

FADE IN:

EXT. APARTMENT BUILDING - DAY
                                                            
SEAN EXITS THE APARTMENT BUILDING WHERE HE LIVES. WALKS DOWN
THE STOOP AND ENTERS HIS CAR
                                                            
                                         CUT TO
                                                            
 
INT. SEANS CAR 2004 ESCALADE EXT - DAY
                                                            
SEAN STARTS HIS CAR THEN PULLS DOWN THE REARVIEW MIRROR TO
CHECK HIS HAIR LINE AND EYEBROWS HE THEN FIXES HIS MIRROR
GOES IN TO THE MIDDLE CONSUL TAKES OUT A HARD CORE RAP/HIP
HOP CD INSERTS IT INTO THE CD PLAYER TURNS UP THE VOLUME AND
PULLS OFF
                                                            
                                         CUT TO
                                                            
 
EXT. SPA - DAY
                                                            
SEAN PULLS UP AND PARKS IN FRONT OF THE SPA AND EXITS HIS
CAR. AS HE IS ABOUT TO ENTER THE SPA TONY EXITS, THEY ALMOST
WALK IN TO EACH OTHER BOTH LOOKING SUPRISED
                                                            
                       TONY
      (PUTTING HIS RIGHT
       HAND ON SEAN'S
       LEFT SHOULDER)
SEAN! HOW YOU BEEN?
                                                            
                       SEAN
      (WITH HIS RIGHT
       HAND ON TONY'S
       LEFT SIDE)
NOT BAD TONY! HOWS THE FAMILY?
                                                            
                       TONY
      (FACE GESTURE)
GOOD!
                                                            
SEAN AND TONY DROP THEIR HANDS FROM EACH OTHER AND STEP
ASIDE FROM THE FRONT DOOR
                                                            
                       SEAN
YOU COME HERE ALOT? I NEVER SEEN
YOU HERE BEFORE
                                                            

2.

                       TONY
NAH, JUST HEARD ABOUT THIS SPOT.
THEY DO PRETTY GOOD EYEBROWS.
                                                            
                       SEAN
      (SMIRKING)
YEAH,YOU TRY THE PEDICURES
                                                            
                       TONY
O WATTA YA THINK I'M A FRUIT OR
SOMTHIN.
                                                            
SEAN LAUGHS
                                                            
                       TONY
AH, MAYBE NEXT TIME. YOU IN A RUSH
                                                            
                       SEAN
NAH! WHAT'S UP?
                                                            
                       TONY
COME ON LETS WALK.
                                                            
TONY AND SEAN BEGIN TO WALK
                                                            
                       TONY
      (LOOKING STRAIGHT
       AHEAD)
HEY SEAN! LISTEN, WE BEEN FRIENDS
FOR A VERY LONG TIME, AND I HOPE
THAT IF YOU EVER NEEDED ME FOR
ANYTHING, YOU WOULD COME TO ME.
                                                            
                       SEAN
      (LOOKING AT TONY)
TONY! THAT GOES WITH OUT SAYIN
                                                            
TONY AND SEAN STOP WALKING THEY TURN TO EACH OTHER AND
                                                            
                       TONY
      (CONCEREND)
THEN WHAT'S THE SHIT I HEAR YOU
STCK YOUR BALLS ON THE STRRET.
                                                            
                       SEAN
      (CARELESS ATTITUDE)
I GOT CAUGHT UP IN GAMBLIN FOR A
WHILE. WHY WHATS THE BIG FUCKIN
DEAL
                                                            
                       TONY
I'LL TELL YOU WHAT THE BIG FUCKING
DEAL IS.WHEN WE MET AND STARTED
HANGIN TIGHT I LIKED YA STYLE.YOU
            (MORE)

3.

                       TONY (cont'd)
WERE DA HARD WORKIN KID DAT GOT
EVERYTHING HE WANTED,
GIRLS,CARS,THE FANCY CLOTHES
ANYTHING,YOU ALWAYS HAD A STACK OF
MONEY IN YOUR POCKET TO DO
WHATEVER YOU WANTED, AND NOBODY
CAN SAY ANYTHING CAUSE YOU DID
THINGS RIGHT.
                                                            
                       SEAN
TONY WHAT ARE YOU TALKIN ABOUT? WE
WERE THE SAME WAY, WHATEVER I GOT
YOU GOT WHATEVER I HAD YOU HAD
                                                            
                       TONY
YOUR RIGHT! BUT YOU HAD ONE THING
I DID'NT HAVE.
                                                            
                       SEAN
AND WHAT WAS THAT?
                                                            
                       TONY
A CLEAR HEAD, SEAN YOU WERE LEGIT
EVERYTHING YOU HAD AND EVERYTHING
YOU GOT WAS YOURS NO ONE COULD
EVER TAKE IT FROM YOU WHY WOULD
YOU WANNA GIVE IT AWAY FOR.
                                                            
                       SEAN
COME ON TONY, WATTA U KNOW ABOUT
ME. WE HAVE'NT BEEN AROUND EACH
OTHER SINCE YOU CAME HOME.
                                                            
                       TONY
I DONT NEED TO BE AROUND YOU, I
KNOW WHAT GOES ON IN YOUR LIFE.I
HEAR AND SEE EVERYTHING YOU DO.
EVERYBODY KNOWS WHO YOU ARE TO ME
AND WHAT YOU DID FOR ME AND MY
FAMILY WHILE I WAS AWAY
                                                            
                       SEAN
I KNOW THAT.
                                                            
                       TONY
LISTEN ITS NOT THAT I DONT WANNA
BE AROUND YOU ITS
                                                            

4.

                       SEAN
SO WHAT IS IT? YOU CAME HOME AND
STARTED MAKIN MONEY. YA NEVER PUT
YOURSELF AROUND ME, YOU MAKE ME
LAUGH
                                                            
                       TONY
SEAN I KNOW YOU GOT THE HEART FOR
ANYTHING AND THE BALLS TO TAKE ON
THE WORLD, BUT I LOST TEN YEARS OF
MY LIFE, AND ALOT OF GUYS I
THOUGHT WERE MY FRIENDS CAUSE THEY
WERE RATS, THEY COULD'NT HANDLE
THE PRESSURE! LISTEN NOBODY EVER
REALLY KNOWS WHO THEY ARE TILL
THEY GET THERE, THESE FEDS THEY,
THEY PLAY MIND GAMES WIT YOU, THEY
CAN MAKE YOU THINK YOUR MOTHERS
RATTIN YOU OUT TO GET YOU TO
TALK,YOU GOTTA BE MIND STRONG
SEAN! WOULD YOU REALLY WANNA BE
PUT IN THAT POSITION
                                                            
                       SEAN
LISTEN TONY I, I REALLY GOTTA RUN.
WHERE YOU GONNA BE LATA AROUND TEN
                                                            
                       TONY
I'LL BE AROUND.
                                                            
                       SEAN
GOOD! WHY DONT YOU PASS BY THIS
PLACE TONIGHT.
                                                            
SEAN GOES INTO HIS POCKET AND HANDS TONY A BUSINESS CARD
TONY LOKKS AT IT
                                                            
                       SEAN
WE'LL HAVE A COUPLE OF DRINKS.
                                                            
                       TONY
SEE YA THERE
                                                            
SEAN AND TONY TURN FROM EACH OTHER AND WALK AWAY
                                                            
                                         CUT TO
                                                            
 
INT. SPA - DAY
                                                            
SEAN ENTERS THE SPA AND WALKS STRAIGHT TO THE BACK WHERE
THERE IS A DOOR THAT LEADS DOWN STAIRS
                                                            

5.

                                         CUT TO
                                                            
 
INT. SPA DOWN STAIRS - DAY
                                                            
SEAN ENTERS AND SEES MARIA HUGGING HER AND KISSING HER ON
THE LIPS
                                                            
                       SEAN
ANYONE COME IN YET TODAY
                                                            
                       MARIA
NO I JUST OPENED UP ABOUT A HALF
HOUR AGO
                                                            
SEAN LET'S GO OF HUGGING MARIA
                                                            
                       SEAN
YOU GOT THE THING READY FOR NICKY
                                                            
                       MARIA
      (WITH A WORRIED
       LOOK)
YEAH, LET ME GET IT FOR YOU
                                                            
MARIA WALKS AWAY TOWARD THE BACK AND SEAN HEADS BEHIND THE
COUNTER TO A SMALL REFRIGERATOR OPENS IT AND GRABS A BOTTLE
OF WATER PUTS IT ON THE COUNTER THEN MARIA WALKS UP WITH AN
ENVELOPE AND HANDS IT TO SEAN
                                                            
                       SEAN
IS IT ALL HERE?
                                                            
                       MARIA
NO!
                                                            
                       SEAN
NO! WATTA YA MEAN NO!
                                                            
                       MARIA
      (WORRIED)
IT WASN'T THAT BUSY THIS WEEK
SEAN!
                                                            
                       SEAN
      (PISSED OFF)
WHAT THE FUCK! MARIA YOU KNOW I
GOTTA COME UP WIT AT LEAST
TWENTY-FOUR HUNDREAD A WEEK TO
COVER THE VIG.HOW MUCH IS HERE?
                                                            
                       MARIA
SIX-TEEN HUNDRED
                                                            

6.

                       SEAN
FUCK!
                                                            
SEAN PUTS THE ENVELOPE IN HIS POCKET AND TAKES A SIP OF
WATER THEN SLAMS IT DOWN ON THE COUNTER AND SLOWLY SHAKES
HIS HEAD
                                                            
                       SEAN
I'LL MAKE IT UP NEXT WEEK.
                                                            
SEAN TURNS TOWARD MARIA
                                                            
                       SEAN
AND WHERE DA FUCKS HEAVY? HE
SUPPOSE TO BE HERE WATCHIN YOU AND
DA PLACE.
                                                            
                       MARIA
SEAN I'M FINE, NOBODY BOTHERS ME.
                                                            
                       SEAN
YOU SURE?
                                                            
                       MARIA
YEAH, I'M SURE
                                                            
                       SEAN
ALRIGHT, LET ME RUN I GOT SOME
ERRANDS I GOTTA DO, AND TELL HEAVY
TO CALL WHEN HE GETS HERE.
                                                            
SEAN BEGINS TO WALK AWAY AND MARIA STOPS HIM
                                                            
                       MARIA
SEAN LISTEN, I KNOW YOU DON'T WANT
ME TO WORK BY NICKY'S BUT, I COULD
REALLY USED THE EXTRA MONEY. CAN
YOU JUST THINK ABOUT IT.?
                                                            
SEAN KISSES HER ON THE FOREHEAD
                                                            
                       SEAN
I'LL CALL YOU LATA
                                                            
                                         CUT TO
                                                            
 
EXT. SPA - DAY
                                                            
SEAN EXITS THE SPA AND REACHES FOR HIS PHONE FLIPS IT OPEN
AS HE IS WALKING TOWARD HIS CAR REACHES HIS CAR TURNS AROUND
AND LEANS ON THE HOOD HE BEGINS DIALING PLACEING THE PHONE
TO HIS EAR
                                                            

7.

                       SEAN
      (TALKING ON THE
       PHONE)
YO NICKY WHATS UP?
                                                            
                       SEAN
NAH EVREYTHING'S GOOD. I'M LEAVING
MY SPOT TO DO MY ROUNDS BUT A I
WANNA ASK YA SOMETHIN
                                                            
                       SEAN
NAH, ITS MY GIRL SHE BEEN BREAKING
MY BALLS TO COME WORK FOR YOU, CAN
YA FIT HER IN?
                                                            
                       SEAN
TONIGHT! WHAT TIME?
                                                            
                       SEAN
TEN SOUNDS GOOD.I'LL TELLA NOW
                                                            
SEAN PULLS THE PHONE FROM HIS EAR AND BEGINS TO DIAL PUTS
THE PHONE BACK TO HIS EAR
                                                            
                       SEAN
YO MARIA
                                                            
                       SEAN
I JUST TALK TO NICKY YOU START
TONIGHT AT TEN
                                                            
                       SEAN
      (WITH A LAUGH)
CALM DOWN! CALM DOWN!
                                                            
                       SEAN
I KNOW YOUR EXCITED.YOU COULD MAKE
SOME GOOD MONEY OVA DER.JUST DO DA
RIGHT THING AND DON'T LET NOBODY
DISRESPECT YOU.
                                                            
                       SEAN
YEAH I'LL BE DERE
                                                            
                       SEAN
ALRIGHT BABY LOVE YOU TOO.BYE
                                                            
SEAN CLOSES THE PHONE LOOKING STRAIGHT AHEAD WITH A SMIRK
AS IF HE'S HAPPY TO HAVE PUT A SMILE ON HIS GIRLS FACE. HE
THEN LEANS UP OF THE HOOD OF HIS CAR AND BEGINS TO WALK
AROUND TO THE OTHER SIDE TO LEAVE.
                                                            
 

8.

EXT. NICKY'S PLACE CAFE/LOUNGE/BAR/PRIVATE CLUB - NIGHT
                                                            
SEAN PULLS UP IN FRONT PARKS AND GETS OUT GREETED OUTSIDE BY
A COUPLE OF LOCALS THAT HANG OUT THERE
                                                            
                       LOCAL #1
WHATS UP SEAN?
      (HAND SHAKE)
                                                            
                       SEAN
      (HAND SHAKE)
HEY! HOW YOU DOIN?
                                                            
                       LOCAL
HEY SEAN
      (PAT ON BACK)
                                                            
                       SEAN
SUP PAL?
                                                            
                                         CUT TO
                                                            
 
INT. NICKY'S PLACE - NIGHT
                                                            
SEAN WALKS IN (RAP HIP HOP PLAYING) STOPS BY THE BAR
                                                            
                       SEAN
HEYY..... VITOO WATTA YOU DOIN
                                                            
                       VITO
NUTTIN MUCH! HOW ARE YOU?
                                                            
                       SEAN
GOOD....GOOD.
                                                            
                       VITO
CAN I GET YOU ANYTHING?
                                                            
                       SEAN
YEAH..PLEASE CRANBERRY AND GREY
GOOSE HOLD THE ICE
                                                            
                       VITO
YOU GOT IT MY MAN COMEING RIGHT UP
                                                            
                       SEAN
YOU SEE NICKY AROUND?
                                                            
                       VITO
HE WAS HEAR...CHECK THE BACK
                                                            

9.

                       SEAN
ALRIGHT THANKS
                                                            
                                         CUT TO
                                                            
 
INT. BACK ROOM OF NICKY'S/ POKER TABLES - NIGHT
                                                            
sean enters back poker room and closes door behind him to
where the music from the front is at a muffle he sees nicky
sitting at poker table playing poker with three other guys
all have stacks of chips in front of them and two guys
sitting behind nicky watching the game
                                                            
                       SEAN
whats up? fellas?
                                                            
                       POKER GUYS
      (simutaniously)
HEY IRISH
                                                            
                       SEAN
HEY NICKY YOU GOTTA MINUTE
                                                            
NICKY PUSHING CHAIR BACK TO STAND UP
                                                            
                       NICKY
YEAH WHATS UP KID?
                                                            
                       SEAN
TAKE A WALK DOWN STAIRS
                                                            
NICKY TURNS TO PLAYER # 1
                                                            
                       NICKY
      (SOFT SPOKEN)
PLAY A COUPLE OF HANDS FOR ME
                                                            
PLAYER #1 REACTS SEAN AND NICKY TURN AWAY
                                                            
                                         CUT TO
                                                            
 
INT. BASEMENT OF NICKYS PLACE/STOCK ROMM - NIGHT
                                                            
SEAN ENTERS THE BASEMENT AND NICKY FOLLOWS CLOSING THE DOOR
BEHIND HIM NICKY TURNS ON THE LIGHTS
                                                            
                       NICKY
WHATS UP?
                                                            
SEAN HANDING NICKY A STACK OF ENVOLOPES
                                                            

10.

                       NICKY
HOW MUCH IS HERE?
                                                            
                       SEAN
NINTY-SIX HUNDREAD!
                                                            
                       NICKY
WHY ONLY NINTY-SIX HUNDG? YA SEEN
EVRYONE.
                                                            
                       SEAN
YEAH I'M SHORT.
                                                            
                       NICKY
SO WHAT ARE YOU SHORT? EIGHT
HUNDREAD
                                                            
                       SEAN
YEAH!


                                                            
NICKY TURNS TO A STACK OF BOXES OPENS THE ENVOLOPES STACKS
ALL THE MONEY TOGETHER AND BEGINS COUNTING TO HIMSELF AS
SEAN STANDS THERE AND WATCHES WHEN NICKY FINISHES COUNTING
HE TURNS BACK TO SEAN WITH THE MONEY IN HIS HAND
                                                            
                       NICKY
SO I GOTTA GIVE YOU TWO THEN AND
WERE EVEN FOR THIS WEEK
                                                            
NICKY LOOKS DOWN AT THE MONEY AND PEELS OFF TWO ONE HUNDREAD
DOLLAR BILLS AND HANDS THEM TO SEAN
                                                            
                       SEAN
YEAH I GUESS
                                                            
                       NICKY
WATTA YOU MEAN GUESS I PAY YOU A
GEE A WEEK FOR COLLECTING YOUR
SHORT EIGHT
                                                            
                       SEAN
NAH..NAH..ITS NOT THAT..IT JUST
FUCKS ME UP THAT I CAME UP SHORT
AT MY SPOT.
                                                            
                       PLAYER #1
      (OFF SCREEN
       YELLING)
YO NICKY THE GAMES BREAKIN UP
                                                            

11.

                       NICKY
      (YELLING)
ALRIGHT TAKE CARE OF IT I'LL BE
RIGHT UP
                                                            
                       NICKY
I'M SURE IT WAS JUST A BAD WEEK
                                                            
                       SEAN
YEAH I HOPE YOUR RIGHT
                                                            
NICKY PUTS HIS ARM AROUND SEAN
                                                            
                       NICKY
COME ON LETS GO GET A DRINK
                                                            
                                         CUT TO
                                                            
 
INT. LOUNGE AREA NICKY'S PLACE - NIGHT
                                                            
(MUSIC PLAYING)SEAN AND NICKY ENTER THE LOUNGE THROUGH A
VELOUR CURTAIN AND SEE TONY SITTING ON THE COUCH WITH A SHOT
OF COGNAC IN HIS LEFT HAND AND MARIA'S BOTH HANDS COMING OFF
OF TONY'S CHEST WITH HIS RIGHT HAND SLIDING DOWN HER ARM AS
SHE IS MOVING TO WLAK AWAY NICKY AND SEAN CONTINUE TO WALK
TOWARD TONY WITH SEAN HAVING A DISTRAUGHT LOOK ON HIS FACE
                                                            
                       SEAN
      (DISTRAUGHT LOOK)
TONY GLAD YOU COULD MAKE IT.(LEANS
IN AND GIVES A KISS ON THE CHEECK)
YOU REMEMBER NICKY RIGHT?
                                                            
                       TONY
HEY NICKY HOW YOU DOIN?
                                                            
                       NICKY
PRETTY GOOD THANKS FOR ASKING HOW
YOU DOIN? I HEAR THE BUSINESS IS
TAKING OFF
                                                            
SEE VITO WALK IN THEN BACK TO TONY
                                                            
                       TONY
YEAH I'VE BEEN VERY FORTUNATE
                                                            
                       VITO
EXCUSE ME GUYS! HEY SEAN I DIDNT
SEE YOU SO I KEPT YOUR DRINK ON
ICE
                                                            

12.

                       SEAN
THANKS V
                                                            
VITO LOOKING AT NICKY
                                                            
                       VITO
NICKY CAN I GET YOU ANYTHING?
                                                            
                       NICKY
YEA GET ME A CORONA AND BACK THESE
GUYS UP ON DA HOUSE I GOT IT
                                                            
NICKY SITS DOWN ACROSS FROM TONY
                                                            
                       SEAN
GUY'S I'LL BE RIGHT BACK GOTTA GO
CHECK SOMETHING
                                                            
SEAN TURNS AND WALKS AWAY
                                                            
                                         CUT TO
                                                            
 
INT. FRONT BAR NICKY'S PLACE(MUSIC PLAYING) - NIGHT
                                                            
SEAN ENTERS AND LOOKS FOR MARIA SEES HER BEHIND THE BAR
                                                            
                       SEAN
MARIA..COME HERE A SECOND
                                                            
MARIA WALKS TOWARD SEAN HE TAKES HER BY THE ARM GENTLY AND
WALKS WITH HER TO THE FRONT LETS GO OF HER ARM AND FACES HER
                                                            
                       SEAN
      (ANGRILY)
WHAT DA FUCK WAS THAT?
                                                            
                       MARIA
      (NERVOUS)
WHAT....WHAT SEAN
                                                            
                       SEAN
I WALKED IN AND SEEN YOU ALL OVER
TONY.WHAT DA FUCK?
                                                            
                       MARIA
      (NERVOUS LAUGH)
I WAS'NT ALL OVER HIM I BARELY
KNOW HIM I HAD JUST WALKED IN TO
START MY SHIFT AND VITO ASKED ME
TO BRING TONY HIS DRINK CAUSE HE
WAS BUSY SERVING OTHER CUSTOMERS
AND HE DIDNT WANT HIM TO
WAIT....WHAT DA FUCK SEAN DONT YOU
            (MORE)

13.

                       MARIA (cont'd)
TRUST ME..IF YOUR GONNA LET ME
WORK HERE TO MAKE EXTRA MONEY I
DONT WANNA HAVE TO DEAL WITH SHIT.
THIS IS WHY WE CAN GET ALONG YOUR
ALWAYS MAKING ME FEEL LIKE I'M
DOING SOMETHING WRONG AND I'M NOT
THEN I GOTTA SIT HERE AND EXPLAIN
TO YOU IN DETAIL WHAT HAPPENED
                                                            
                       SEAN
THEN WHAT DA FUCK WERE YOUR HANDS
DOIN ON HIM...I SEEN HIM HOLDING
YOUR ARM
                                                            
                       MARIA
      (CALM)
OK SEAN WHEN I WALKED IN THE FOUR
GUYS SITTIN BEHIND YOUR TABLE HAD
ASKED ME TO GET THEM ANOTHER ROUND
I THEN TURN TOWARD TONY BENT DOWN
TO PUT HIS DRINK ON THE TABLE AND
WHEN HE LEANED UP TO GET IT HIS
LEG LIFTED AND KICKED ME AND I
FELL TOWARD HIM ALL HE DID WAS
GRAB ME TO STOP ME FROM FALLING ON
HIM......JESUS CHRIST(SHAKING HER
HEAD IN DISBELIEF)I CANT DEAL WITH
THIS SHIT
                                                            
SEAN RESTING HIS FOREHEAD ON HERS AND PUTTING HIS ARMS
AROUND HER LOWER BACK
                                                            
                       SEAN
      (CALMLY)
I'M SORRY BABY ITS JUST THAT YOU
KNOW I LOVE YOU AND...JUST FORGET
IT I'M SORRY
                                                            
                       MARIA
ITS OK SEAN FORGET IT...LET ME GET
BACK TO WORK I GOT CUSTOMERS
WAITIN FOR THERE DRINKS
                                                            
SEAN AND MARIA TURN AND WALK TOWARD THE LOUNGE MARIA STOPS
TO GRAB TRAY OF DRINKS OF THE BAR SEAN CONTINUES TO WALK
THEN STOPS AND TURN BACK TOWARD MARIA
                                                            
                       SEAN
HEY BABE!BY THE WAY DID YOU TELL
HEAVY TO CALL ME
                                                            

14.

                       MARIA
YES I DID.
                                                            
SEAN TURNS AND CONTINUES TOWARD THE LOUNGE GRABING HIS PHONE
FROM HIS WAIST AND LOOKING AT IT
                                                            
                       SEAN
      (MUMBLES)
WAT DA FUCK
                                                            
                                         CUT TO
                                                            
 
INT. LOUNGE NICKY'S PLACE - NIGHT
                                                            
SEAN ENTERS THROUGH A VELOUR CURTAIN WITH MARIA FOLLOWING
BEHIND WITH THE TRAY OF DRINKS SHE BENDS DOWN TO PUT THE
DRINKS ON THE TABLE OF FOUR MALE PATRON WHEN SEAN HEARS
                                                            
                       PLAYER #1
      (ABNOXIOUS)
HEY SWEETHEART IS IT POSSIBLE TO
ASK FOR JUST ONE MORE THING BEFORE
YOU GO
                                                            
                       MARIA
      (SWEET AND POLITE)
SURE ANYTHING FOR MY CUSTOMERS
                                                            
                       PATRON #1
      (SMILING)
SO I GUESS A BLOW JOB AINT TO MUCH
TO ASK FOR THEN
                                                            
AS SEAN TURNS WITH VIOLANT REACTION VITO WALKS IN WITH THE
ROUND OF DRINKS THAT NICKY ORDERD SEAN QUICKLY IN ONE MOTION
AS HES TURNING GRABS THE NECK OF NICKY'S CORONA BOTTLE AND
CRACKS IT OVER PATRON#1'S HEAD
                                                            
                       SEAN
      (FURIOUS)
I GOT YOUR FUCKIN BLOW JOB YOU
MUTHA FUCKA
                                                            
PATRON#1 FALLS OFF HIS CHAIR TO THE FLOOR AS PATRON#1,#2,AND
#3 STAND UP VITO BACKS AND SEAN THROWS A SIDE KICK TO
PATRON#2'S CHEST BACKING HIM UP TO THE WALL AS HE MOVES IN
WITH POUNDING BLOWS TO PATRON#2'S BODY AND HEAD TONY AND
NICKY MOVE IN. MARIA RUNS AWAY
                                                            
                       MARIA
      (SCREAMING)
O MY GOD!
                                                            

15.

NICKY BEGINS BITCH SLAPPING PATRON#3 NUMEROUS AMOUNT OF
TIMES AS PATRON#3 BENDS DOWN AND COVERING HIS HEAD AND FACE
WITH HIS HANDS
                                                            
                       NICKY
      (ANGRILY)
YOU DISRESPECT MY PLACE...MY
PEOPLE YOU MUTHA FUCKER
                                                            
TONY GRABING A GUN FROM HIS WIAST BAND STEPS UP TO PATRON#4
AND BEGINS PISTAL WHIPPING PATRON#4 IN HIS HEAD FOUR TIMES
KNOCKING HIM TO THE FLOOR HE THEN TURNS TOWARD NICKY AND
SEAN
                                                            
                       TONY
      (ANXIOUSLY)
COME ON LETS GET DA FUCK OUTA HEA
AS NICKY AND SEAN TURN TO LEAVE
SEAN TAKES THREE KICKS AT PATRON#1
WHILE HE'S LAYING ON THE FLOOR
                                                            
                       SEAN
      (OUT OF BREATH)
THERE..THERES YOUR FUCKIN BLOW JOB
                                                            
                                         CUT TO
                                                            
 
EXT. OUTSIDE NICKY'S PLACE - NIGHT
                                                            
TONY EXITS NICKY'S PLACE FOLLOWING BEHIND IS NICKY AND SEAN
TONY TURNS TO NICKY AND SEAN
                                                            
                       TONY
      (A LITTLE
       AGGITADED)
MUTHA FUCKA'S ARE LUCKY I DIDN'T
PUMP TWO IN EACH OF THERE HEAD
                                                            
NICKY LOOKING AT SEAN AND TONY
                                                            
                       NICKY
      (PISSED OFF)
FUCK... DIS IS BAD FOR BUSINESS.AH
FUCK IT WATTA YOU GONNA DO.
                                                            
SEAN TURNS AND LOOKS AT NICKY
                                                            
                       SEAN
      (HUFFIN)
NICKY I'LL TAKE THE HIT FOR THIS
DONT WORRY ABOUT IT
                                                            

16.

                       NICKY
NAH ITS NOT A PROBLEM I GOTTA
COUPLE OF COPS ON DA ARM ANYWAY
THEY'LL TAKE CARE OF IT....ALRIGHT
LETS GET DA FUCK OUTA HEA.. DEAL
WIT DIS SHIT TOMORROW. TONY SEE
YOU AROUND.
                                                            
                       TONY
ALRIGHT NICKY TALK TO YA
                                                            
TONY WALKS OFF SCREEN
                                                            
                       NICKY
SEAN CALL ME TOMORROW.
                                                            
                       SEAN
YOU GOT IT
                                                            
NICKY BEGINS TO TURN AND WALK QUICKLY SEAN WALKS TO HIS CAR
                                                            
 
INT. SEANS CAR - NIGHT
                                                            
SEAN BEGINS TO PILL AWAY AND NOTICES COPS ARE COMING TOWARD
HIM HEARING THE SIRENS AND SEEING THE LIGHTS SEAN WITH HIS
LEFT HAND ON THE STEERING WHEEL RAISES HIS ARM A BIT AS TO
WANTING TO COVER HIS FACE AND TURNS TOWARDS COPS IN CARS
PASSING HIM TO SEE IF THEY TAKE NOTICE OF HIM AND OR HIS
VEHICLE THEY SEEM TO PAY NO MIND SO HE TURNS HIS HEAD
STRAIGHT AND LOOKS THROUGH REARVIEW MIRROR JUST TO BE SURE
NO ONE IS POINTING HIM OUT TO COPS AS HE'S DRIVING AWAY
MAKES THE NEXT LEFT TURN POSSIBLE AND GLANCES ONE MORE TIME
TO BE SURE THEN TAKES A DEEP BREATH AND RUBS HIS HAND OVER
HIS HEAD AS A SIGH OF RELIEF
                                                            
                                         CUT TO
                                                            
 
EXT. PARKING LOT IN MALL GYM/SPORTS CLUB - DAY
                                                            
SEAN PULLS IN AND PARKS
                                                            
 
INT. GYM/SPORTS CLUB - DAY
                                                            
SEAN ENTERS THE SPORTS CLUB WITH A GYM BAG IN HIS LEFT HAND
AND A BOTTLE OF WATER IN HIS RIGHT HAND WALKS TO THE FRONT
DESK WHERE KEVIN AND STEVE ARE STANDING SIDE BY SIDE WAITING
                                                            
                       SEAN
WHAT'S UP BOY'S?
                                                            

17.

STEVE LOOKING AT SEAN
                                                            
                       STEVE
NUTTIN PLAYIN WIT OUR DICKS WAITIN
FOR YOU.
                                                            
KEVIN LOKKING AT SEAN
                                                            
                       KEVIN
MAN YOU LOOK LIKE SHIT WHAT
HAPPENED TO YOU?
                                                            
SEAN LOKKING AT KEVIN AND STEVE WAVING HIS BOTTLE OF WATER
                                                            
                       STEVE
RUFF NIGHT
                                                            
SEAN,STEVE AND KEVIN BEGIN TO WALK TOWARD THE BENCH PRESS
MACHINES
                                                            
                       SEAN
HAD A LITTLE BEEF LAST NITE BY MY
FRIEND NICKY'S PLACE
                                                            
                       STEVE
GET OUTA HERE WHAT HAPPENED
                                                            
                       SEAN
REMEMBER I TOLD YOU MARIA WANTED
TO WORK BY NICKY'S
                                                            
                       STEVE
YEAH AND
                                                            
                       SEAN
AND I TOLD YOU GUYS I DONT THINK
IT WOULD BE A GOOD IDEA
                                                            
SEAN LAYING DOWN ON THE BENCH REACHING UP TO GRAB THE BARS
AS HE BEGIN TO START DOING HIS WITH STEVE BEHIND HIM
SPOTTING HIM
                                                            
                       STEVE
YEAH
                                                            
SEAN BENCH PRESSING USING ENERGY
                                                            
                       SEAN
      (PUSHING UP
       WEIGHTS)
WELL...I WAS RIGHT.
                                                            
ON KEVIN WHILE HE'S DOING CURLS
                                                            

18.

                       KEVIN
GET DA FUCK OUTA HERE
                                                            
ON SEAN STILL PRESSING
                                                            
                       SEAN
YUP
                                                            
SEAN PUTTING THE WEIGHT BAR BACK ON THE RACK WITH STEVES
HANDS ON THE INSIDE OF THE BAR GUIDING HIM
                                                            
                       STEVE
SO WHAT HAPPENED
                                                            
SEAN SITTING UP GRABING HIS TOWEL IN FRONT OF HIM BETWEEN
HIS LEGS THEN STANDING UP AND MOVING OFF THE BENCH AS STEVE
WALKS AROUND TO GET ON THE BENCH WITH KEVIN MOVING TO SPOT
STEVE AND SEAN GOING TO GRAB THE DUMB BELLS AS HE BEGINS HIS
SET OF CURLS
                                                            
                       SEAN
SOME JERK OFF ASK HER FOR A BLOW
JOB BEING BEIN A DICK AND I HEARD
SO HIM AND HIS BOYZ GOT IT
                                                            
KEVIN STANDING BEHIND STEVE SPOTTING HIM
                                                            
                       KEVIN
WHO WAS WIT YOU ANYONE
                                                            
SEAN STILL DOING CURLS
                                                            
                       SEAN
YEAH NICKY AND TONY
                                                            
SEAN DROPPING THE DUMB BELLS STEVE PUSSING UP HIS LAST REP
WITH KEVIN BEHIND HIM WITH HIS HANDS ON THE INSIDE OF THE
BAR GUIDING HIM TO THE RACK STEVE SITS UP SEAN TURNS FACING
STEVE AND KEVIV
                                                            
                       SEAN
GUYS LISTEN WE GOOTA TALK
                                                            
                       STEVE
WHATS ON YOUR MIND
                                                            
                       SEAN
NOT HERE LISTEN WHY DONT YOU GUYS
MEET ME FOR DINNER TONIGHT AT MC
BRADY'S
                                                            
                       KEVIN
WHAT TIME?
                                                            

19.

                       SEAN
EIGHT SOUNDS GOOD
                                                            
                       STEVE
GOOD FOR ME
                                                            
                       KEVIN
I CAN DO THAT
                                                            
                                         CUT TO
                                                            
 
INT. SEANS CAR - DAY
                                                            
SEANS DRIVING WITH THE MUSIC ON AND HIS PHONE RINGS THROUGH
THE CAR SPEAKER CUTTING THE MUSIC OF HE HIT A BUTTON TO TALK
                                                            
                       SEAN
HELLO
                                                            
ON TONY SITTING AT HIS DESK IN HIS OFFICE
                                                            
                       TONY
SEAN
                                                            
ON SEAN DRIVING
                                                            
                       SEAN
TONY?
                                                            
ON TONY
                                                            
                       TONY
YEAH
                                                            
ON SEAN
                                                            
                       SEAN
WHAT'S UP BABY?
                                                            
ON TONY
                                                            
                       TONY
NUTTIN MUCH! LISTEN
                                                            
ON SEAN A BEEP COMING OVER THE SPEAKERS INDICATING ANOTHER
CALL COMING IN
                                                            
                       SEAN
TONY HOLD ON A SEC I GOTTA TAKE
THIS CALL
                                                            
SEAN HITS A BUTTON TO SWITCH OVER
                                                            

20.

                       SEAN
YEAH
                                                            
ON HEAVY AT THE MASSAGE POLAR
                                                            
                       HEAVY
SEAN
                                                            
ON SEAN
                                                            
                       SEAN
HEAVY WAT DA FUCK WHERE ARE
                                                            
ON HEAVY
                                                            
                       HEAVY
I'M AT DA SPOT WHAT HAPPEN TO YOU
YESTERDAY
                                                            
ON SEAN
                                                            
                       SEAN
WHAT HAPPEN TO ME WHERE DA FUCK
WHERE YOU ALL DAY
                                                            
ON HEAVY
                                                            
                       HEAVY
I GOT YOUR MESSAGE
                                                            
SEAN CUTS HEAVY OFF
                                                            
ON SEAN
                                                            
                       SEAN
LISTEN HEAVY FORET IT I'M ON DA
OTHA LINE I TALK TO YO LATA
                                                            
SEAN HITS A BUTTON TO SWITCH BACK TO TONY
                                                            
                       SEAN
TONY
                                                            
ON TONY
                                                            
                       TONY
YEAH
                                                            
ON SEAN
                                                            
                       SEAN
IM SORRY BOUT DAT WHAT WERE YOU
SAYIN
                                                            

21.

ON TONY
                                                            
                       TONY
WANNA TALK ABOUT A COUPLE OF
THINGS YOU BUSY TONIGHT
                                                            
ON SEAN
                                                            
                       SEAN
YEAH TONE I GOTTA MEET UP WIT A
COUPLE OF GUYS FOR DINNER WHY
EVRYTHING ALRIGHT
                                                            
ON TONY
                                                            
                       TONY
YEAH EVERYTHING'S FINE CALL ME
WHEN YOU GOT SOME TIME TA MEET UP
AND TALK
                                                            
ON SEAN
                                                            
                       SEAN
AIRIGHT TONE YOU GOT IT
                                                            
THE CALL ENDS AND THE MUSIC COMES BACK ON SEAN CONTINUES
DRIVING HE PULLS UP TO A RED LIGHT AND STOPS HE THEN NOTICES
A FLORIST ON THE CORNER HE PULLS OVER PUTS HIS CAR IN PARK
SHUTS THE ENGINE AND GETS OUT
                                                            
                                         CUT TO
                                                            
 
EXT. OUTSIDE MARIA'S CONDO - DAY
                                                            
SEAN WALKS UP THE STEPS WITH A DOZEN RED ROSES IN HIS HAND
RINGS THE BELL AND PUTS THE ROSES BEHIND HIS BACK.THERE IS
SLIGHT DELAY THEN MARIA OPENS THE DOOR IN T-SHIRT AND SHORT
SHORTS SHE LOOKS AT HIM THEN GRABS HIM AND GIVES HIM A BIG
HUG HOLDING HIM
                                                            
                       MARIA
SEAN THANK GOD YOUR ALRIGHT I WAS
CALLING YOU BUT IT KEPT GOING
STRAIGHT TO VOICEMAIL
                                                            
SEAN TAKING HIS ARMS FROM BEHIND HIS BACK AND HUGGING MARIA
WITH THE ROSES BEHIND HIS BACK LIFTS HER UP SHE WRAPS HER
LEGS AROUND HIS WAIST AND WALKS IN HER APARTMENT KICKING THE
DOOR CLOSED WITH HIS FOOT
                                                            
                                         CUT TO
                                                            
 

22.

INT. MARIA'S CONDO - DAY
                                                            
                       SEAN
I KNOW BABY THATS WHY I'M HERE
                                                            
WALKING WITH HER IN HIS ARMS TO HER SOFA AS HE'S LAYING HER
DOWN WITH HIMSELF ON TOP OF HER HE PULLS THE ROSES OUT FROM
BEHIND HER BACK AND HANDS THEM TO HER
                                                            
                       SEAN
THESE ARE FOR YOU
                                                            
MARIA TAKES THE ROSES AS SEAN IS ON TOP OF HER SOFTLY RUBING
HER HEAD AND DOWN THE SIDE OF HER FACE WHILE KISSING HER ON
HER NECK UNDERNEATH HER EAR
                                                            
                       SEAN
      (WHISPERING)
I LOVE YOU BABY YOU MEAN SO MUCH
TO ME
                                                            
MARIA WITH HER HEAD LEANING BACK PLACES THE ROSES ON THE
COFFEE TABLE THEN TAKING HER HAND AND RUBBING THE BACK OF
SEAN'S HEAD THEN MASSAGING THE BACK OF HIS NECK BRINGING HER
MOUTH UP TO HIS EAR
                                                            
                       MARIA
      (WHISPERING
       /MOANING)
O GOD SEAN I LOVE YO SO MUCH
                                                            
SEAN THEN GRABS HER AND THEY GENTLY ROLL FROM THE SOFA TO
THE FLOOR WHERE MARIA IS NOW ON TOP. SEAN GENTLY MOVES HER
UP TO A SITTING POSITION.HE TAKES HIS FINGERS AS HE IS
LOOKING AT HER AND GENTLY RUBS THEM BOTH DOWN THE SIDES OF
HER FACE WITH HIS FINGERS MOVING TO HER SHOULDERS DOWN HER
ARMS TO HER HANDS THAT ARE RESTING ON HER THIGHS HE THEN
RUBS UP INSIDE HER THIGHS TO THE BOTTOM OF HER SHIRT AS
MARIA SLOWLY BEGINS TO LIFT HER ARMS UP SEAN FOLLOWS WITH
REMOVING HER SHIRT SHE THEN LAYS BACK DOWN ON TOP OF HIM
SLOWLY ROLLING EACH OTHER OVER HE BEGINS REMOVING HIS PANTS
THEN HER SHORTS SHE THEN BEGINS TO TAKE OF SEANS SHIRT TO
WHERE HE IS NOW TOTALY BEAR AND THER ENGAGING IN HOT
PASSIONAT SEX WITH MARIA'S LEGS WRAPPED AROUND SEANS WAIST
SHES MOANING HEAVILY AS SHE HAS BOTH OF HER HANDS RUBING HIS
HEAD IN CIRCULAR MOTION SHE BEGINS TO PUSH DOWN ON HIS HEAD
INDICATING ORAL SEX SEAN BEGINS KISSING HER NECK DOWN THE
MIDDLE OF HER CHEST AS HE TAKES HIS HAND AND BEGINS
CARESSING HER BREAST HE BRINGS HIS MOUTH TO HER NIPPLE
GENTLY KISSING AND LICKING HER NIPPLE WORKING HIS WAY DOWN
HER STOMACH PASSING HER BELLY BUTTON GENTLY TAKING HIS OTHER
HAND CARESSING THE SIDE OF HER BODY DOWN TO HER THIGH
LIFTING HER LEG IN THE AIR AND BEGINS GIVING HER ORAL SEX

23.

WITH MARIA'S BACK ARCHED AND HER HEAD SLOWLY GOING SIDE TO
SIDE SHE BEGINS TO TAKE HER FINGER TIPS AND RUBS THEM UP AND
DOWN HER STOMACH TO HER BREAST AND AROUND HER NIPPLES IN
CIRCULAR MOTIONS AS SHE BEGINS TO HAVE MUTIPLE ORGASIMS
                                                            
                       MARIA
      (MOANING)
O...O GOD SEAN IT FEELS SO GOOD
(BREATHING HEAVY)PLE...PLE..DON'T
STOP DONT STOP MOANING..MOANING
UHH.UHH.
                                                            
MARIA TAKES A DEEP BREATH IN A SIGH OF RELIEF SEAN SLOWLY
MOVES UP HER BODY TO HE REACHES FACE SOFTLY KISSING HER FACE
AND HOLDING HER TIGHTLY
                                                            
                       SEAN
      (IN A WHISPER)
I LOVE YOU
                                                            
                                         CUT TO
                                                            
 
INT. MC BRADY'S BAR/RESTAURANT - NIGHT
                                                            
SEAN ENTERS AND SEES KEVEN AND STEVE SITTING AT THE BAR
                                                            
                       SEAN
HEY GUYS LETS GRAB A TABLE IN DA
BACK.
                                                            
KEVIN AND STEVE STAND UP AND FOLLOW SEAN TOWARD THE BACK
WHERE THEY FIND A TABLE IN A QUITE CORNER AWAY FROM THE
NOISE THEY ALL TAKE A SEAT WITH SEAN SITTING ACROSS FROM
STEVE AND KEVIN
                                                            
                       KEVIN
SO WHATS GOIN ON YOUR LOOKING
PRETTY SERIOUS
                                                            
                       SEAN
THIS IS SERIOUS
                                                            
                       STEVE
WELL WHATS UP
                                                            
                       SEAN
STEVE WHATS GOING ON WITH YOU
                                                            
                       STEVE
WATTA YA MEAN
                                                            

24.

                       SEAN
WITH WORK YA KNOW FINACIALLY YOU
DOIN ALRIGHT OR
                                                            
                       STEVE
COME ON MAN YOU KNOW I'M JUST
ALWAYS GETTIN BY
                                                            
SEAN WITH HIS LEFT ARM ON THE TABLE AND HIS HAND RUBBING HIS
CHIN WITH HIS ELBOW RESTING ON THE TABLE
                                                            
                       SEAN
YEA...YEA.. DATS WHAT I FIGIURED
                                                            
SEAN LOOKING AT KEVIN
                                                            
                       SEAN
AND WATTA BOUT YOU
                                                            
WAITER STEPS IN
                                                            
                       WAITER
EXCUSE ME GUYS CAN I START WITH
GETTING YOU SOME DRINKS
                                                            
                       STEVE
YEA I'LL TAKE A CORONA
                                                            
                       KEVIN
YA KNOW WHAT MAKE THAT TWO
CORONA'S
                                                            
                       SEAN
MATTA OF FACT MAKE IT THREE WERE
EASY
                                                            
                       WAITER
VERY WELL THREE CORONA'S WOULD YOU
LIKE TO HEAR THE DINNER SPECIALS
                                                            
                       STEVE
YOU KNOW WHAT HOW ABOUT GIVING US
THREE OF THEM STEAK DINNERS
                                                            
STEVE LOOKING AT SEAN AND KEVIN
                                                            
                       STEVE
YOU GUYS OK WIT THAT I HAD IT LAST
TIME IT WAS REALLY GOOD
                                                            
                       SEAN
YEAH SOUNDS GOOD
                                                            

25.

                       KEVIN
THATS FINE
                                                            
WAITER WALKS AWAY
                                                            
                       SEAN
SO WHAT ABOUT YOU KEV
                                                            
                       KEVIN
I'M ALRIGHT.......WHY WHERE YOU
GOING WITH THIS
                                                            
                       SEAN
LISTEN GUYS MY SITUATION AINT NO
SECRET.I FUCKIN BURRIED MYSELF AND
I GOTTA GET DA FUCK OUT OF IT
                                                            
                       STEVE
SO WATTA YA LOOKIN TO DO
                                                            
                       SEAN
THATS THE THING I GOT A IDEA BUT I
WANT YOU GUYS TO PUT YOUR HEADS
TOGETHER TO SEE IF YOU CAN COME UP
WITH SOMETHING
                                                            
                       KEVIN
YOUR SERIOUS ABOUT THIS
                                                            
SEAN WITH A SERIOUS LOOK
                                                            
                       SEAN
KEV DO I LOOK LIKE I'M JOKIN
                                                            
                       STEVE
SO YA SAYIN YOU WANNA DO A JOB
                                                            
                       SEAN
YEAH
                                                            
                       STEVE
I THINK YOU BEEN HANGIN AROUND
YOUR ITALIAN FRIENDS TOO MUCH IF
YA ASK ME
                                                            
                       SEAN
YO STEVE IF YA NOT GONNA TAKE ME
SERIOUS WALK DA FUCK OUT
                                                            
                       STEVE
YO IF YOUR REALLY SERIOUS IM DOWN
                                                            

26.

                       SEAN
KEV AND YOU
                                                            
                       KEVIN
I GOT SOMETHING ALREADY I'M GONNA
LOOK INTO IT AND WE'LL TALK IN A
FEW DAYS
                                                            
                       SEAN
GOOD
                                                            
WAITER STEPS IN WITH THERE DRINKS AND PUTS THEM ON THE TABLE
SEAN KEVIN AND STEVE GRAB THERE BEERS AND TAP THEM TOGETHER
                                                            
                                         CUT TO
                                                            
 
EXT. TONY'S CONSTRUCTION SITE - DAY
                                                            
SEAN PULLS IN AND PARKS NEXT TO TONY'S OFFICE TRAILER
                                                            
SEAN BEGINGS TO EXIT HIS TRUCK
                                                            
                                         CUT TO
                                                            
 
INT. INSIDE TONY'S OFFICE TRAILER - DAY
                                                            
SEAN WALKS IN
                                                            
                       TONY
HEYYY SEAN
                                                            
TONY STANDS UP GREETIN SEAN WITH A KISS ON HIS CHEECK
                                                            
                       SEAN
HEY TONE
                                                            
                       TONY
ME I THOUGHT I DID SOMETHIN I
CALLED YOU LAST WEEK
                                                            
                       SEAN
YEAH I BEEN KINDA BUSY AND SHIT
RUNNIN AROUND FIGURE JUST STOP BY
AND CHECK OUT THE SITE
                                                            
                       TONY
NO NO I'M GLAD YA DID COME ON I'LL
SHOW YOU AROUND
                                                            
                                         CUT TO
                                                            
 

27.

EXT. TONY'S CONSTRUCTION SITE - DAY
                                                            
TONY AND SEAN ARE WALKING THROUGH THE SITE
                                                            
                       TONY
HEY SEAN I BEEN WANTIN TO TALK TO
YOU ABOUT SOMETHIN
                                                            
SEAN ACKNOWLEDGES WITH A HEAD AND HAND GESTURE
                                                            
                       TONY
I HEAR YOU BEEN DOIN SOME
COLLECTIN FOR YOUR FRIEND NICKY
                                                            
SEAN STOPS AND TURNS TOWARD TONY
                                                            
                       SEAN
TONE YOU MAKE ME LAUGH WATTA U
SOME KIND A FED (WITH A LAUGH)
                                                            
                       TONY
      (SMIRK/LAUGH)
SEAN I SHOULD KILL YOU JUST FOR
SAYIN DAT
                                                            
                       SEAN
YEAH I DO SOME COLLECTIN WHY?
                                                            
                       TONY
WELL HOW MUCH
                                                            
                       SEAN
WHAT VIG
                                                            
                       TONY
YAEH
                                                            
                       SEAN
TONE IF YOU DONT MIND ME ASKIN WHY
ALL THE QUESTIONS?
                                                            
                       TONY
SEAN I DID TEN YEARS YOU DONT
TRUST ME
                                                            
                       SEAN
YEAH I TRUST YOU
                                                            
                       TONY
SO HOW MUCH
                                                            
                       SEAN
EIGHT THOUSAND A WEEK
                                                            

28.

                       TONY
AND HE'S PROBABLY CHARGING FOUR
POINTS THAT MEANS HE GOT ABOUT TWO
HUNDREAD LARGE OUT THERE RIGHT
                                                            
                       SEAN
TWO HUNDREAD PLUS THE SIXTY I OWE
HIM
                                                            
                       TONY
AND WHATS HE CHARGING YOU
                                                            
                       SEAN
FOUR
                                                            
                       TONY
JESUS CHRIST SEAN HOW DA FUCK DID
YOU GET YOUR SELF IN THIS MESS
                                                            
                       SEAN
I THOUGHT YOU HEARD THINGS
                                                            
                       TONY
SEAN I'M TALKIN IN GENERAL YOU
NEVER GOT YOURSELF CAUGHT UP IN
SHIT
                                                            
TONY AND SEAN BEGIN TO WALK
                                                            
                       TONY
WATTA YOU MAKIN
                                                            
                       SEAN
HE GIVES ME A HALF ON THE TWO SO
IT ACTUALLY DROPS MY VIG A
THOUSAND
                                                            
                       TONY
LISTEN I WANNA HELP YOU
                                                            
                       SEAN
I'M LISTENIN
                                                            
                       TONY
I WANNA PUT MY MONEY OUT DARE YOU
CHARGE THEM TREE POINTS AND YOU
TAKE ONE
                                                            
                       SEAN
TONE ITS IMMPOSSABLE
                                                            
                       TONY
AND WHY'S DAT
                                                            

29.

TONY AND SEAN STOP WALKING
                                                            
                       SEAN
CAUSE THESE GUYS THERE DOING
ALRIGHT BUT THEY AINT GOT MONEY
LIKE THAT NICKY WOULD NEVER
BELIEVE IT
                                                            
                       TONY
SEAN I'M NOT TALKING ABOUT NEXT
WEEK.OVER TIME THE NEXT COUPLE OF
WEEKS COLLECT DA VIG THEN COME SEE
ME AND I GIVE YOU SOME MORE ON TOP
                                                            
                       SEAN
YEAH BUT TONE I DONT WANNA BACK
DOOR DA GUY HE'S BEEN GOOD TA ME
                                                            
                       TONY
LISTEN THATS THE THING YOUR NOT
BACK DOORIN HIM YA HELPIN HIM
DOES'NT HE GOTTA HEAT RIGHT NOW
THATS WHY YOUR COLLECTIN FOR HIM
                                                            
                       SEAN
HE NEVER SAID ANYTHING TO ME ABOUT
HAVING HEAT HE JUST ALWAYS SAID
HAVING ME DO THE COLLECTING WOULD
HELP ME OUT.I MEAN I KNOW THE FEDS
ARE WATCHING HIM
                                                            
                       TONY
SO NOW WHAT HAPPENS WHEN IF ONE
DAY THESE GUYS CANT PAY ANYMORE
NOW YOU HIM OR SOMEONE ELSE IT
BECOMES A BIGGER PROBLEM DARES
GONNA HAVE BE SOME TYPE OF ACTION
TAKEN AND WIT DA HEAT HE'S GOT
RIGHT NOW IT'S JUST ANOTHER CHARGE
HE DONT NEED OR IS GONNA WANT YA
UNDERSTAND WAT I'M SAYIN
                                                            
                       SEAN
TONE I GOTTA THINK ABOUT THIS I'M
NOT SURE I COULD DO THAT TO HIM
                                                            
                       TONY
IT WILL BE BETTER FOR ALL OF
US.I'LL HAVE SOME MONEY OUT THERE
YOU COLLECT IT DOUBLE WHAT YOUR
MAKING NOW AND NICKY HE MADE HIS
FAIR SHARE ALREADY PLUS MAYBE HE
WONT HAVE TO WORRY ABOUT THIS
            (MORE)

30.

                       TONY (cont'd)
LATER ON
                                                            
SEAN LOOKING PAST TONY
                                                            
                       SEAN
TONE I'M GONNA HAVE TA SAY NO NOT
NOW ITS GOING AGAINST WHAT I
BELIEVE IN I COULD'NT DO IT TO YOU
AND I CANT DO IT TA HIM I'M SORRY
                                                            
                       TONY
HEY I RESPECT YOUR DECISON BUT DA
OFFA STANDS IF YA CHANGE YA MIND
                                                            
SEAN AND TONY SHAKE HANDS AND KISS ON THE CHEECK GOOD-BYE
                                                            
                                         CUT TO
                                                            
 
INT. SPA DOWN STAIRS - DAY
                                                            
SEAN ENTERS (MUSIC PLAYIN) HE SEES MARIA BEHIND THE COUNTER
TALKING TO HEAVY SEAN LOOKS AT HEAVY
                                                            
                       SEAN
WE GOTTA TALK
                                                            
SEAN LOOKS AT MARIA
                                                            
                       SEAN
HEAVY JUST LOOK AT HER ISNT SHE SO
BEAUTIFUL GOD I LOVE YOU
                                                            
MARIA SMILING AND WALKING TO SEAN WITH A HUG AND KISS
                                                            
                       MARIA
HEY BABY
                                                            
SEAN HUGGING HER BACK THEN BACKING HER UP A LIITLE BIT WITH
HIS HANDS ON HER SHOULDERS JUST ENOUGH TO LOOK AT HER IN THE
FACE
                                                            
                       SEAN
SWEETIE CAN YOU LEAVE ME ALONE WIT
HEAVY FOR A MINUTE
                                                            
                       MARIA
I'LL BE IN THE BACK IF YOU NEED ME
                                                            
MARIA WALKS OFF SCREEN WITH SEAN WATCHING HER THEN SEAN
TURNS TO HEAVY
                                                            

31.

                       SEAN
LISTEN
                                                            
                       HEAVY
SEAN I BEEN TRYING TO CALL YOU
BUT......
                                                            
                       SEAN
FORGET IT HEAVY. I GOT A JOB
                                                            
                       HEAVY
WHAT LIKE A REAL ONE
                                                            
                       SEAN
NO YOU STUPID FUCK A SCORE I'VE
BEEN TALKING TO STEVE AND KEVIN
WERE JUST TRYIN TO WORK OUT DA WAY
IT'S GONNA GO DOWN BUT WHEN WERE
READY YOU WANT IN
                                                            
                       HEAVY
I'M IN
                                                            
                       SEAN
GOOD I'LL LET YA KNOW WHEN WERE
READY.YOU GOT DA DING
                                                            
                       HEAVY
YEAH SEAN I GOT IT BUT ITS NOT ALL
HERE AFTER WE TAKE OUT EVERYTHIN
WE SUPPOSE TO TAKE OUT
                                                            
                       SEAN
WHAT DA FUCK WERE YOU HERE ALL
WEEK
                                                            
                       HEAVY
YEAH FROM OPEN TA CLOSE EXCEPT FOR
WHEN I MAKE THE DROP
                                                            
                       SEAN
FUCK HOW MUCH HEAVY
                                                            
                       HEAVY
FOUR-TEEN
                                                            
                       SEAN
      (YELLIN)
SHORT
                                                            
                       HEAVY
NO NO DARES FOUR-TEEN HERE
                                                            

32.

                       SEAN
MUTHA FUCKA YOU BEEN HERE ALL WEEK
YOU SURE
                                                            
                       HEAVY
YEAH SEAN
                                                            
                       SEAN
HOW CAN WE BE DOIN THIS BAD
                                                            
                       HEAVY
NOT SURE WE BEEN BUSY
                                                            
SEAN TURNS WITH A LOOK OF CONCERN TOWARD THE BACK WHERE
MARIA IS
                                                            
FLASH BACK
                                                            
                       MARIA
MARIA
(WORRIED)
IT WAS'NT THAT BUSY THIS WEEK SEAN
I'M NOT SURE WHATS GOIN ON I NEVER
SEEN IT LIKE THIS
                                                            
                       MARIA
MARIA
SEAN LISTEN I KNOW YOU DONT WANT
ME TO WORK BY NICKY'S BUT I COULD
REALLY USED THE EXTRA MONEY CAN
YOU JUST THINK ABOUT IT.
                                                            
SEAN LOOKING BACK AT HEAVY
                                                            
                       SEAN
HEAVY I GOTTA GO WATCH DA PLACE
KEEP YOUR EYES OPEN
                                                            
HEAVY ACKNOWLEDGES WITH A HEAD GESTURE
                                                            
                                         CUT TO
                                                            
 
INT. NICKY'S PLACE BACK POKER ROOM - DAY
                                                            
SEAN WALKS IN AND NICKY'S SITTING AT THE POKER TABLE GOING
OVER SOME PAPPER WORK
                                                            
                       SEAN
HEY NICKY
                                                            
SEAN GOES IN TO HIS POCKET AND TAKES OUT SOME ENVOLOPES
PLACES THEM ON THE TABLE AND SITS DOWN
                                                            

33.

                       NICKY
HOW'D WE DO THIS WEEK
                                                            
                       SEAN
NO GOOD I'M SHORT THOUSAND
                                                            
NICKY SHAKING HIS HEAD
                                                            
                       NICKY
COWBOY YOUR WORKING FOR FREE
                                                            
                       SEAN
YA TELLIN ME.
                                                            
SEAN PUTS HIS HEAD DOWN THEN LOOKS UP AT NICKY
                                                            
                       SEAN
HEY NICKY LISTEN YOU THINK YOU CAN
GIMME A POINT
                                                            
                       NICKY
COWBOY LISTEN YOUR MAKIN GOOD
MONEY HEAR I.M LETTING YOU COLLECT
SO ITS NOT SO MUCH MONEY OUT OF
YOUR POCKET EVERY WEEK I MEAN IF
YOUR SPOTS DOIN BAD RIGHT NOW YOU
CANT EXPECT ME TO TAKE THE HIT
                                                            
                       SEAN
WELL NICK THATS NOT THE ONLY
REASON WHY I'M ASKING
                                                            
                       NICKY
WHAT OTHER REASON CAN THERE BE?
                                                            
                       SEAN
BECAUSE I THINK ITS TIME TO PUT
PRESSURE ON THESE GUYS
                                                            
                       NICKY
WHAT KINDA PRESSURE WHATA YOU
TALKING ABOUT
                                                            
                       SEAN
TO GET THEM TO SETTLE UP AND I
FIGURE IF I CAN MAKE A COUPLE
                                                            
                       NICKY
O COWBOY WHY WOULD I WANT THEM TO
SETTLE UP I'M MAKIN EIGHT GRAND A
WEEK OFF THESE GUYS
                                                            

34.

                       SEAN
THATS MY POINT THEY GOT THE MONEY
RIGHT NOW THEY HAVE NO PROBLEM
PAYING DA VIG ITS THERE BUSIEST
TIME OF THE YEAR GIVE IT ANOTHER
MONTH OR TWO AND WHATEVER THEY GOT
THERE GONNA STACK AWAY TO MAKE IT
THROUGH THE WINTER
                                                            
                       NICKY
THEY CAN STACK AWAY ALL THEY WANT
THEY STILL GOT PAY ME
                                                            
                       SEAN
IF THEY AINT GOT IT HOW THEY GONNA
PAY
                                                            
                       NICKY
I'LL BREAK THERE FUCKIN HEADS
                                                            
                       SEAN
BREAK THERE HEADS THEN WHAT WONDER
EVERY DAY IF THERE EVER GONNA DIME
YOU OUT AND GO TO THE FEDS CAUSE
THERE SCARED AND THERE BROKE
                                                            
NICKY SITS THERE AND THINKS
                                                            
                       NICKY
MAYBE YOUR RIGHT GO AHEAD BUT
NUTTIN CHANGES YOU STILL GET A
HALF
                                                            
SEAN STANDS UP
                                                            
                       SEAN
ALRIGHT NICKY I GOTTA RUN
                                                            
NICKY STANDS UP AND THEY SHAKE HANDS
                                                            
                                         CUT TO
                                                            
 
INT. GENTLEMANS CLUB - NIGHT
                                                            
SEAN STEVE AND KEVEN ENTER WITH THE MUSIC PLAYING MEN AND
WOMEN ALL OVER BEUTIFUL WOMEN STRIPERS DANCING ON STAGE AND
WALKING THE FLOOR THEY TAKE A SEAT IN THE VIP SECTION AT A
TABLE WHERE A BEUTIFUL WITRESS WALKS UP
                                                            
                       WAITRESS
HEY GUYS! WHAT KIND OF BOTTLE
WOULD YOU'S LIKE
                                                            

35.

                       KEVIN
HEY SWEETIE HOW ABOUT GREY GOOSE
AND A GIMME A COUPLE OF ENERGY
DRINKS
                                                            
                       WAITRESS
YOU GOT IT BE RIGHT BACK
                                                            
WAITRESS WALKS OFF SCREEN STEVE LOOKS AT KEVIN AND SEAN
                                                            
                       STEVE
YO YOU SEE THE ASS ON THAT BITCH
                                                            
SEAN ACKNOWLEDGES WITH A HEAD GESTURE AND A SMIRK
                                                            
                       SEAN
COME ON STEVE WATTA SHE GOTTA BE A
BITCH FOR THATS SOMEONE DAUGHTER
WAT DA FUCK
                                                            
KEVIN LOOKING AT SEAN
                                                            
                       KEVIN
YOU MAKE ME LAUGH YOU THINK EVERY
GIRL IS MARIA LOOSEN UP
                                                            
                       SEAN
NAH.. IM NOT SAYIN ANYTHING JUST
CHILL A LITTLE SHE A GIRL YA KNOW
                                                            
STEVE LOOKING AT SEAN
                                                            
                       STEVE
YO IT AINT LIKE SHE HEARD ME CALL
HER A BITCH
                                                            
SEAN WITH A SMIRK
                                                            
                       SEAN
ALRIGHT ALRIGHT FORGET IT JESUS
YOU KNOW ME I'M JUST BIG ON THE
WHOLE RESPECT THING
                                                            
KEVEN LOOKING AT SEAN
                                                            
                       KEVIN
ALRIGHT LISTEN THIS IS WHAT I GOT.
YOU REMEMBER MY COUSIN JIMMY
                                                            
                       SEAN
YEAH FROM MANHATTEN.HOWS HE BEEN
                                                            

36.

                       KEVIN
HE'S DOING GOOD HE'S WORKING A
SECOND JOB NOW
                                                            
SEAN LOOKING AT STEVE THEN BACK AT KEVIN WITH A HEAD AND
HAND GESTURE
                                                            
                       SEAN
ALRIGHT GOOD FOR HIM HES MAKING
MONEY WHAT DA FUCK DOES DAT HAVE
TO DO WIT US
                                                            
WAITRESS STEPS IN AND PUTS TWO BUCKETS ON THE TABLE ONE
HAVING A BOTTLE OF VODKA AND THE OTHER ONE WITH ENERGY
DRINKS WITH THE BUS BOY FOLLOWING WITH A TUB OF ICE AND A
STACK OF GLASSES THE WIATRESS AND BUS BOY WALK OFF SCREEN
SEAN LOOKS AT STEVE
                                                            
                       SEAN
COME ON YOU FUCKIN PERVERT PUT
YOUR TOUNGE BACK IN YOUR MOUTH YOU
ACT LIKE YOU DONT GET LAID
                                                            
STEVE LOOKING AT SEAN LAUGHING
                                                            
                       STEVE
WATTA YOU WANT ME TO DO SHES HOT
                                                            
SEAN SHAKING HIS HEAD WITH A LAUGH LOOKS BACK AT KEVIN
                                                            
                       SEAN
SO ANYWAY GO AHEAD
                                                            
                       KEVIN
HIS SECOND JOB IS HE DRIVES A AMOR
TRUCK
                                                            
STEVE AND SEAN SITTING UP IN THERE CHAIRS LOOKING SERIOUS
                                                            
                       SEAN
YOU COULD TRUST HIM
                                                            
                       KEVIN
WE DONT HAVE TO TRUST HIM HE'S NOT
GONNA KNOW
                                                            
                       STEVE
YEAH BUT THESE GUYS PACK WHAT IF
SOME SHIT HAPPENES I'M GONNA DO
WHAT I GOTTA DO I DONT PLAN ON
HAVING ANYONE OF US LEAVE THERE IN
A BODY BAG AND THIS IS YOUR COUSIN
NOT JUST SOME STRANGER
                                                            

37.

                       SEAN
YEAH KEV WHY DONT WE JUST BRING
HIM IN ON IT HOW MUCH MONEY WE
TALKIN
                                                            
                       KEVIN
THE MOST IN HAND HE CARRY'S TO THE
TRUCK IS OVER THREE HUNDRED LARGE
AT THIS ONE BANK DOWN BY THE BEACH
                                                            
                       SEAN
SO WHAT DA FUCK WE MAKE HIM A
PARTNER WE SPLIT IT FIVE WAYS
                                                            
                       STEVE
WHO'S FIVE
                                                            
                       SEAN
I'M BRINGIN HEAVY IN ON IT
                                                            
                       STEVE
YO FORGET THESE ITALIAN MUTHA
FUCKA'S
                                                            
SEAN LOOKS WITH HIS EYES AND MOTIONS HIS HEAD
                                                            
                       SEAN
YO STEVE CHECK OUT THAT GIRLS ASS
                                                            
STEVE LOOKING AROUND
                                                            
                       STEVE
WHICH ONE...WHICH ONE
                                                            
SEAN ROLLIN HIS EYES LOOKING BACK AT KEVIN
                                                            
                       SEAN
THIS FUCKIN GUY
                                                            
                       KEVIN
LISTEN HES A FAMILY GUY I DONT
WANNA GET HIM CAUGHT UP HE DOESNT
HAVE TO KNOW
                                                            
                       SEAN
WELL LIKE STEVE SAID WHAT IF SOME
SHIT GOES DOWN THESE GUYS DO CARYY
GUNS YOU GONNA BE ABLE TO LIVE
WITH YOUR COUSIN OR ONE OF US
LOOSIN OUR LIFE
                                                            

38.

                       KEVIN
THE LAST TIME I TALKED TO HIM HE
TOLD ME HIS SHIT AINT LOADED CAUSE
HE ALMOST SHOT A KID RIDING TOWARD
HIM ON A BIKE YELLING GIMME DA
MONEY GIMME DA MONEY
                                                            
                       SEAN
      (WITH HAND AND
       HEAD GESTURE)
WATTA U MEAN ALMOST
                                                            
                       KEVIN
THE KID WAS TALKING TO HIS MOTHER
SHE TOLD HIM THAT IF HE FOUND
SOMETHIN FOR LESS THE TWENTY
DOLLARS THAT HE COULD GET IT
                                                            
                       STEVE
HOLY SHIT
                                                            
                       SEAN
AND WHAT ABOUT HIS PARTNER
                                                            
                       KEVIN
I'M SURE HE'S LOADED UP
                                                            
SEAN MAKING A DRINK
                                                            
                       SEAN
THIS SOUNDS GOOD WE GOTTA STAKE IT
OUT FOR A WHILE I WANNA DO THIS
RIGHT I WANN KNOW WHERE ALL
SURVALANCE CAMERA'S ON HOW BUSY
THE STREETS ARE WHERE THE CLOSEST
POLICE STATION IS AND FIGURE THE
RESPONSE TIME OUT AND THE BEST
ESCAPE ROUTE OUTA THERE
                                                            
                       STEVE
YO I CAN GET US SOME VEST
                                                            
                       SEAN
I GOT THE BURNERS
                                                            
                       KEVIN
I'LL GET THE CAR
                                                            
                       SEAN
WE GOTTA GET HEAVY AND WE ALL
GOTTA DO THIS TOGETHER NOBODY
MAKES A MOVE OR A DECISION WITH
OUT US ALL AGREEING AND KNOWING
WHAT THE FUCK IS GOIN ON I DONT
            (MORE)

39.

                       SEAN (cont'd)
WANT NOBODY HURT AND I WANNA MAKE
SOME MONEY
                                                            
                       KEVIN
WE'LL SCOPE IT OUT FOR A COUPLE OF
WEEKS I KNOW HE'S GOIN ON VACATION
AND WHEN HE COMES BACK WE'LL DO IT
                                                            
                       SEAN
AND YOUR ONE HUNDRED PERCENT YOUR
COUSIN AINT PACKIN LOADED
                                                            
                       KEVIN
LISTEN HE TOLD ME THAT DAY IS THE
DAY HE REALISED THAT ALL THE MONEY
IN THE WORLD AINT WORTH NOBODY'S
LIFE HE WOULD JUST HAND IT UP HE
JUST WANTS TO GO HOME TO HIS
FAMILY
                                                            
SEAN LOOKING AT STEVE FOLLOWING THE GIRLS WALKING BACK AND
FOURTH WITH HIS HEAD THEN LOOKING AT KEVIN WHILE HE BEGINS
TO STAND UP
                                                            
                       SEAN
DO ME A FAVOR GET THIS FUCKIN
PERVERT A LAP DANCE I GOTTA TAKE A
PISS
                                                            
SEAN WALKS OFF CAMERA STEVE LOOKING AT KEVIN BOTH HAVE
DRINKS IN THERE HANDS
                                                            
                       STEVE
YO WHATS HIS PROBLEM
                                                            
KEVIN WITH A FACE GESTURE
                                                            
                       KEVIN
YOU A FUCKIN PERVERT
                                                            
KEVIN TAKES A SIP OF HIS DRINK
                                                            
                       STEVE
WERE IN A TITTY BAR AND I'M A
PERVERT
                                                            
LOOKING IN THE DIRECTION OF THE RESTROMMS AT THE OTHER SIDE
OF THE BAR KEVIN AND STEVE TAKE NOTICE OF A MALE CUSTOMER
DISRESPECTFULLY GRABING AND HANDLEING A WAITRESS
                                                            
                       KEVIN
YO YOU SEE THIS
                                                            

40.

                       STEVE
YEAH I SEE IT MIND YOUR BUSINESS
WATTA WE GOTTA GET INVOLED FOR
                                                            
STEVE TAKING A SIP OF HIS DRINK
                                                            
                       KEVIN
CAUSE LOOK WHO'S WALKIN RIGHT IN
TO IT DA GREASTEST AMERICAN HERO
HIMSELF
                                                            
STEVE LOOKING
                                                            
                       STEVE
AH SHIT
                                                            
STEVE AND KEVIN BEGIN TO SATND UP SEAN WALKS UP TO THE MALE
CUSTOME AND PUTS HIS LEFT HAND ON HIS BACK AND BEGINS TO
TALK TO HIM LOOKING REASONABLE THE MALE CUSTOMER LETS GO OF
THE GIRL AND STEPS CHEST TO CHEST WITH SEAN....SEAN TAKES A
STEP BACK RAISING HIS HANDS AS IN NOT WANTING ANY TROUBLE
THEN THROWS A KNEE TO THE MALE CUSTOMERS GROIN THE MALE
CUSTOMER BENDS OVER HOLDING HIS GROIN IN PAIN STEVE AND
KEVEIN WALK ON SCREEN WITH STEVE BENDING OVER LOOKING AT THE
MALE CUSTOMER
                                                            
                       STEVE
      (TALKING LOUD)
YO HAVE A LITTLE RESPECT THATS
SOMEONE DAUGHTER
                                                            
STEVE STANDS UP AS THEY ALL START TO WALK AWAY LOOKS AT SEAN
WITH A SHRUG OF HIS SHOULDERS AND A FACE GESTURE SEAN SMIRKS
AND LOOKS AT KEVIN
                                                            
                       KEVIN
      (LAUGHS)
HE'S YOUR FRIEND
                                                            
                                         CUT TO
                                                            
 
INT. STEVES VAN - DAY
                                                            
STEVE DRIVING WITH SEAN IN THE FRONT AND KEVIN AND HEAVY IN
THE BACK
                                                            
                       SEAN
YO KEVIN WHICH WAY AT THE STRIP
RIGHT OR LEFT
                                                            
KEVIN LEANING FOWARD
                                                            

41.

                       KEVIN
MAKE A RIGHT ABOUT A HALF A MILE
THE BANK SHOULD BE ON THE LEFT SET
BACK OF THE STREET A LITTLE BIT
                                                            
DRIVING STEVE GETS TO THE STRIP AND MAKES A RIGHT CONTINUING
ABOUT A HALF A MILE KEVIN POINTS THE BANK OUT
                                                            
                       KEVIN
RIGHT THERE STEVE PULL OVER
                                                            
                       SEAN
NO DONT PULL OVER MAKE A RIGHT
WE'LL PARK ON THAT BLOCK
                                                            
STEVE MAKING A RIGHT
                                                            
                       HEAVY
HOW WE GONNA SEE ANYTHING FROM
HERE
                                                            
                       SEAN
YOU SAID WHEN YOU STAKED THIS OUT
THE TRUCK WAS SHOWING UP BETWEEN
ONE AND THREE RIGHT
                                                            
                       HEAVY
YEAH
                                                            
                       SEAN
ITS TWELVE O'CLOCK WE'LL GET A
BITE TO EAT AT THE DINER AND SCOPE
IT FROM THERE
                                                            
SEAN BEGINS TO EXIT THE VAN
                                                            
                                         CUT TO
                                                            
 
EXT. SIDEWALK IN FRONT OF DINER - DAY
                                                            
SEAN,STEVE,HEAVY AND KEVIN TURN THE CORNER WALKING IN FRONT
OF THE DINER SEAN LOOKING ACROSS THE STREET AT THE BANK
WHILE TRAFFIC IS PASSING IN HIS LINE OF SITE
                                                            
                       SEAN
FUCK ALOT OF ACTION OVER HERE HUH
                                                            
                       HEAVY
THAT WAS MY CONCERN
                                                            
                       SEAN
WE'LL WORK IT OUT COME ON
                                                            

42.

THEY TURN AND WALK INTO THE DINER
                                                            
                                         CUT TO
                                                            
 
INT. DINER - DAY
                                                            
SEAN,STEVE,HEAVY AND KEVIN SITTING AT A BOOTH WITH WITH A
TABLE OF FOOD AND DRINKS PARTIALLY GONE
                                                            
                       STEVE
HEAVY HOW MANY TIMES HAVE YOU
STAKED THIS OUT
                                                            
                       HEAVY
THREE TIMES
                                                            
                       KEVIN
AND YOU NEVER HAD A PROBLEM WITH
ANYONE OR ANYTHING WHILE YOU WERE
HERE
                                                            
                       HEAVY
I NEVER EVEN CAME IN HERE
                                                            
                       SEAN
HEAVY WHAT I THINK HE'S TRYING TO
SAY IS IN GENERAL WERE U POSSABLY
NOTICE BY ANYONE THAT WHEN THEY DO
AN INVESTIGATION THAT YOU WOULD
STICK IN SOMEONES HEAD CAUSE YOU
REALLY DONT COME AROUND HERE ALOT
                                                            
                       HEAVY
NO NOT AT ALL I WOULD ACTUALLY
PARK RIGHT THERE
                                                            
HEAVY LOOKING OUT THE WINDOW AT A PARKING SPOT IN FRONT OF
THE DINER JUST BEFOR THE INTERSECTION WHERE THERE IS A
TRAFFIC LIGHT
                                                            
                       HEAVY (CONT'D)
I'D GET HERE AROUND EIGHT AND I
LEAVE AFTER THE TRUCK LEFT
                                                            
                       KEVIN
ALRIGHT GOOD JUST MAKING SURE
SOMETHING STUPID LIKE BEING
NOTICED CAN BECOME A PROBLEM
                                                            

43.

                       STEVE
AND YOU DONT THINK SITTING IN A
CAR IN THE SAME SPOT FOR SIX SEVEN
HOURS AINT NOTICABLE
                                                            
                       SEAN
NAH IN A DESERTED AREA I'D SAY
YEAH AROUND HERE ITS ALL WALKING
TRAFFIC AND WITH THE BEACH DOWN DA
BLOCK PEOPLE PROBABLY LEAVE THERE
CARS HERE ALL DAY
                                                            
STEVE WITH A HAND AND FACE GESTURE
                                                            
                       STEVE
YEAH I GUESS YOUR RIGHT
                                                            
                       HEAVY
YO KEVIN IS YOUR COUSIN BACK YET
CAUSE I HAVE'NT SEEN HIM ON THE
TRUCK
                                                            
                       KEVIN
YEAH I SPOKE TO HIM HE GOT BACK
LAST NITE..HE'LL BE ON THE TRUCK
THIS WEEK
                                                            
                       SEAN
ALRIGHT LETS GET OUT OF HERE HEAVY
YOU GO WIT KEVIN STEVE YOU COME
WITH ME AND KEEP YOUR EYES OPEN
WHEN THE TRUCK LEAVES WAIT TEN
MINUTES AND MEET BACK AT THE VAN
THEN WE'LL GO OVER EXACTLY HOW
WERE GONNA DO THIS NEXT WEEK
                                                            
SEAN SLIDES OUT FROM THE BOOTH
                                                            
                                         CUT TO
                                                            
 
EXT. FRANKIE'S AUTO SPA - DAY
                                                            
SEAN PULLS UP AND EXITS HIS VEHICLE WALKING TOWARD FRANKY
WITH HIS HAND ETENDED THEY REACH EACHOTHER AND SHAKE HANDS
                                                            
                                         CUT TO
                                                            
 
INT. FEDS CAR - DAY
                                                            
SULLIVAN WATCHING FRANKY'S AND TAKING PICTURES WITH A HIGH
TECH CAMERA
                                                            

44.

                       AGENT SULLIVAN
WHO IS THAT
                                                            
SATORA SITTING UP AND GRABBING HIS BINOCULARS AS HE LOOKING
THROUGH THEM
                                                            
                                         CUT TO
                                                            
 
EXT. FRANKY'S AUTO SPA - DAY
                                                            
SEAN AND FRANKY LETTING GO OF THERE HAND SHAKE BUT SEANS
LEFT HAND STIIL ON FRANKY'S RIGHT SHOULDER AND BEGINS MOVING
HIS RIGHT HAND AS IF HE WAS TALKING AND EXPLAINING SOMETHING
                                                            
                                         CUT TO
                                                            
 
INT. FEDS CAR - DAY
                                                            
                       AGENT SATORA
YOU GOTTA BE KIDDING ME I CANT
BELIEVE THIS YOU GETTING THIS
                                                            
WITH SULLIVAN CONTINUSLY SNAPPING PICTURES
                                                            
                       AGENT SULLIVAN
YEAN I'M GETTING IT BUT WHAT WHO
AND WHAT AM I GETTING
                                                            
                       AGENT SATORA
      (LOOKING THROUGH
       BINOCULARS)
THATS SEAN RILEY TONY MONGIA'S
VERY GOOD FRIEND
                                                            
                       AGENT SULLIVAN
WHAT DO WE HAVE ON HIM
                                                            
                                         CUT TO
                                                            
 
EXT. FRANKY'S AUTO SPA - DAY
                                                            
FRANKY HANDING SEAN A ENVOLOPE
                                                            
                                         CUT TO
                                                            
 

45.

INT. FEDS CAR - DAY
                                                            
                       AGENT SATORA
NOTHING AT ALL TILL RIGHT NOW DID
YOU GET THAT
                                                            
                       AGENT SULLIVAN
I GOT IT
                                                            
                                         CUT TO
                                                            
 
EXT. FRANKY'S AUTO SPA - DAY
                                                            
SEAN STEPS AWAY FROM FRANKY WAVES GOOD BYE GET IN TO HIS CAR
AND PULLS OUT
                                                            
                                         CUT TO
                                                            
 
INT. FEDS CAR - DAY
                                                            
FEDS LOOKING IN SEANS DIRECTION
                                                            
                       AGENT SATORA
GO GO FOLLOW HIM
                                                            
                       AGENT SULLIVAN
WHAT ABOUT FRANKY
                                                            
                       AGENT SATORA
FRANKY JUST GOTTA BRAKE FOR A
LITTLE WHILE I WANT TONY
                                                            
FEDS BEGIN TO PULL AWAY
                                                            
                                         CUT TO
                                                            
 
INT. FEDS CAR - DAY
                                                            
FEDS PULL OVER TO A CURB AND TAKE NOTICE OF SEAN STOPING IN
FRONT OF A SIDE WALK CAFE
                                                            
                                         CUT TO
                                                            
 
EXT. SIDEWALK CAFE - DAY
                                                            
SEAN EXITS HIS CAR AND WALKS UP AND TAKE A SEAT AT ONE OF
THE OUTSIDE TABLES JONNYBOY COMES WALKING UP SHAKES HIS HAND
AND HAVES A SEAT THEY TALK FOR A FEW MINUTES THEN JONNYBOY
SLIDES HIM A ENVOLOPE SEAN PICKS IT UP AND PUTS IT IN HIS

46.

POCKET THEY SHAKE HANDS ACROSS THE TABLE AND SEAN WALKS
TOWARD HIS CAR AND LEAVES
                                                            
                                         CUT TO
                                                            
 
INT. FEDS CAR - DAY
                                                            
SATORA POINTS WITH HIS HEAD AS TO FOLLOW SEAN THEY BEGIN TO
PULL AWAY
                                                            
                                         CUT TO
                                                            
 
EXT. SAL AND SONS AUTOBODY - DAY
                                                            
SEAN PULLS UP AND SAL WALKS OVER TO HIS WINDOW HANDS HIM A
ENVOLOPE THEY TALK FOR A FEW SECONDS
                                                            
                                         CUT TO
                                                            
 
EXT. FEDS CAR - DAY
                                                            
FEDS CAR PULLS UP AND PARKS ON THE CORNER
                                                            
                                         CUT TO
                                                            
 
INT. FEDS CAR - DAY
                                                            
SULLIVAN PICKS UP CAMERA AND BEGINS TO TAKES PICTURES
                                                            
                                         CUT TO
                                                            
 
EXT. SAL AND SON AUTOBODY - DAY
                                                            
SEAN PULLING AWAY FROM SAL AND SONS AUTOBODY
                                                            
                                         CUT TO
                                                            
 
EXT. FEDS CAR PULLING AWAY - DAY
                                                            
                                         CUT TO
                                                            
 
EXT. INTERNATIONAL BAR AND GRILL - DAY
                                                            
SEAN PULLS UP AND PARKS EXITS HIS VEHICLE AND ENTERS THE BAR
AND GRILL
                                                            

47.

                                         CUT TO
                                                            
 
EXT. FEDS CAR PARKING - DAY
                                                            
SATORA GETS OUT AND JOGS ACROSS THE STREET DODGEING TRAFFIC
AND ENTERS THE BAR AND GRILL
                                                            
                                         CUT TO
                                                            
 
INT. BAR AND GRILL - DAY
                                                            
SATORA ENTERS AND NOTICES SEAN AT THE END TALKING TO PAULY
HE LOOKS AT A PAY PHONE ON THE WALL AND PRETENDS TO MAKE A
CALL WATCHING SEAN CLOSLEY
                                                            
                                         CUT TO
                                                            
 
INT. BAR AND GRILL - DAY
                                                            
SEAN AND PAULY TALKING AND SEAN TAKING A ENVOLOPE PUTING IT
IN HIS POCKET AND TURNING TO WALK AWAY SEAN EXITS
                                                            
                                         CUT TO
                                                            
 
EXT. INTERNATIONAL BAR AND GRILL - DAY
                                                            
SEAN PULLING AWAY AND SATORA JUMPING IN THE FEDS CAR AS
SULLIVAN PULLS UP
                                                            
                                         CUT TO
                                                            
 
EXT. EXTRAVAGENT HAIR AND NAIL SALON - DAY
                                                            
SEAN PARKS IN FRONT AND GETS OUT OF HIS CAR
                                                            
                                         CUT TO
                                                            
 
EXT. FEDS CAR - DAY
                                                            
PULLS UP ON THE CORNER AT LOOKS SEANS WAY
                                                            
                                         CUT TO
                                                            
 
EXT. EXTRAVEGANT HAIR AND NAIL SALON - DAY
                                                            
SEAN WALKS INSIDE
                                                            

48.

                                         CUT TO
                                                            
 
INT. FEDS CAR - DAY
                                                            
SATORA AND SULLIVAN GIVE A HI-FIVE
                                                            
                       AGENT SATORA
WERE ON TO SOMETHING
                                                            
                                         CUT TO
                                                            
 
EXT. TONY'S CONSTRUCTION SITE - NIGHT
                                                            
SEAN PULLS IN AND PARKS EXITS HE VEHICLE TONY COMES OUT OF
HIS OFFICE TRAILER WALKS UP TO SEAN
                                                            
                       TONY
COME ON LETS WALK
                                                            
TONY LOOKING AROUND TO SEE IF ANYBODY'S WATCHING EVERYTHING
LOOKS OK
                                                            
                       SEAN
TONE WHY WE MEETIN UP SO LATE FOR
                                                            
                       TONY
      (LOW)
LOOK AROUND........... YOU SEE
ANYTHING OR ANYONE
                                                            
                       SEAN
NO
                                                            
                       TONY
      (LOW)
THERES YOUR ANSWER
                                                            
SEAN WITH A FACE GESTURE UNDERSTANDING
                                                            
                       TONY
      (LOW)
DID U SEE THE GUYS TODAY
                                                            
                       SEAN
      (LOW)
YEAH AND I TOLD THEM NEXT WEEK
THAT THE VIG'S GONNA DROP THE
POINT
                                                            

49.

                       TONY
      (LOW)
THEY UNDERSTAND YOUR DOIN THEM A
FAVOR TO KEEP THERE MOUTH SHUT
RIGHT
                                                            
                       SEAN
I TOLD THEM I GOTTA GOOD FRIEND
LOOKING OUT FOR ME AND THAT I
WANTED TO DO THE SAME FOR THEM TO
MAKE SURE THEY KEEP IT QUITE
                                                            
                       TONY
ALRIGHT GOOD
                                                            
TONY LOOKS AROUND TO MAKE SURE NOBODYS AROUND
                                                            
                       TONY
      (LOW)
ALRIGHT GOOD....
                                                            
TONY AND SEAN STEP IN TO EACOTHER WHILE HUGGING TONY SLIPS A
ENVOLOPE INTO SEANS WAIST
                                                            
                       TONY
THATS THE REST OF THE MONEY PAY
NICKY OFF TOMORROW
                                                            
THEY STEP BACK FROM EACHOTHER
                                                            
                       SEAN
I'M NOT GONNA SEE HIM THIS WEEK I
TOLD HIM I SHOULD BE ABLE TO
SETTLE UP WITH THESE GUYS NEXT
WEEK I;M KINDA BUSY GOT SOME SHIT
I GOTTA TAKE CARE OF
                                                            
SEAN AND TONY BEGIN TO WALK BACK TOWARD THERE CARS
                                                            
                       SEAN
YO THE TEN YEARS YOU DID GOT YOU A
LITTLE PARNOID HUH
                                                            
                       TONY
SEAN BEING PARANOID AND BEING
SMART ARE TWO DIFFERENT THINGS
PARANOID IS ANOTHER WORD FOR
SCARED..I'M NOT SCARED BEING SMART
IS TOU SEE THAT RAT OVER THERE BY
THE DUMSTER RUNNING AROUND
                                                            
SEAN LOOKS AT THE DUMPSTER AND SEE A RAT SNIFFING AROUND
                                                            

50.

                       SEAN
YEAH I SEE IT
                                                            
                       TONY
TO ME.. THAT FUCKIN THING IS A FED
ITS PROBABLY GOTTA CHIP IN IT OR
SOME SHIT
                                                            
SEAN LAUGHS
                                                            
                       TONY
      (SERIOUS LOOKING
       AT SEAN)
DONT LAUGH SEAN..DONT TRUST
ANYTHING OR ANYONE
                                                            
SEAN STOPING AND LOOKING AT TONY
                                                            
                       SEAN
      (SERIUOS)
THEN WHY YOU TRUSTING ME NOW
                                                            
                       TONY
      (TONY LOOKING SEAN
       IN THE EYES)
YOU BEEN BY SIDE THROUGH EVRYTHING
YOU NEVER TURNED YOUR BACK ON ME
OR MY FAMILY YOU HELPED ME OUT IN
ALOT WAYS I WILL NEVER FORGET BUT
IF I EVER FELT THAT YOU WERE A
THREAT TO ME SEAN. I WOULD KILL
YOU LIKE YOU WERE MY WORST ENEMY
                                                            
SEAN LOOKING AT TONY WITH A DISTURBED LOOK
                                                            
                       SEAN
      (DISTURBED LOOK)
YOU DONT HAVE TO WORRY ABOUT THAT
                                                            
                       TONY
THEN NIETHER DO YOU
                                                            
SEAN AND TONY BEGIN TO WALK TOWARD THERE CARS WITH TONY
PUTTING HIS ARM AROUND SEAN
                                                            
                       TONY
      (TONY LOOKING AT
       HIS WATCH)
COME ON TAKE ARIDE WITH ME. I
GOTTA MEET SOMEONE
                                                            
                                         CUT TO
                                                            
 

51.

EXT. RUN DOWN FACTORY'S IN A DESERTED AREA - NIGHT
                                                            
TONY'S DRIVES DOWN THE STREET WITH HIS LIGHTS OFF
                                                            
                                         CUT TO
                                                            
 
INT. TONY'S CAR - NIGHT
                                                            
                       SEAN
WHATS OVER HERE
                                                            
TONY PULLS OVER AND POINTS TO SEAN TO GET OUT OF THE CAR
THEY BOTH EXIT THE CAR AND SEAN FOLLOWS TONY DO A DOORWAY
                                                            
                                         CUT TO
                                                            
 
EXT. DOORWAY - NIGHT
                                                            
TONY TURNS TOWARD SEAN GOES INTO HIS WAIST AND PULLS A GUN
OUT AND COCKS IT HANDS IT TO SEAN THEN GOES INTO HIS ANKLE
AND GRABS ANOTHER AND COCKS IT
                                                            
                       TONY
YOU SEE THAT CAR PARKED AT THE END
OF THE STREET
                                                            
SEAN LOOKS DOWN THE END OF THE STREET AND SEES A CAR
                                                            
                       SEAN
      (A LITTLE NERVOUS)
YEAH
                                                            
                       TONY
THATS MY BROTHER IN LAW AND HIS
PARTNER YOU SEE THSE FACTORY'S
                                                            
SEAN LOOKING AROUND
                                                            
                       SEAN
YEAH
                                                            
                       TONY
WELL I HAD THIS JOB TILL THIS
MUTHA FUCKA SAW MY PUPOSAL AND
UNDER BID ME
                                                            
                       SEAN
HOW DO YOU KNOW
                                                            

52.

                       TONY
THATS WHY THERE HERE HIS PARTNERS
SETTIN HIM UP
                                                            
                       SEAN
      (NERVOUS WHISPER)
TONY YOUR GONNA KILL YOUR BROTHER
IN LAW
                                                            
                       TONY
AND YOUR GONNA KILL HIS PARTNER
                                                            
                       SEAN
      (NERVOUS WHISPER)
TONY WHY WE GONNA CLIP HIS PARTNER
FOR HE DID THE RIGHT THING BY
TELLING YOU
                                                            
                       TONY
THATS MY POINT HE TOLD ME ABOUT MY
BROTHER-IN-LAW WHY WOULD'NT HE ONE
DAY TELL THE FEDS ABOUT ME....HE'S
GOTTA GO NO WITNESSES
                                                            
                                         CUT TO
                                                            
 
EXT. DESERTED STREET WITH FACTORY'S - NIGHT
                                                            
TONY BEGINS WALKING WITH SEAN AT HIS SIDE THERE HANDS IN
THERE JACKET HOLDING THE GUNS SEAN LOOKING A LITTLE NERVOUS
                                                            
                       TONY
      (TALKING LOW)
TAKE THE PASSENGER SIDE AS SOON AS
YOU GET TO THE WINDOW POP HIM AND
DONT STOP MAKE SURE HE'S DEAD ONE
MISTAKE ITS YOUR LIFE
                                                            
TONY AND SEAN MOVING UP ON THE BACK OF THE CAR TONY GOING
AROUND THE DRIVERS SIDE WITH SEAN GOING TO THE PASSENGER
SIDE AT THE SAME TIME THEY BOTH STOP BY THE BACK DOORS
DRAWING THERE GUNS AND POINTING THEM AT THE FRONT DOOR
WINDOWS SEAN LOOKING A LITTLE NERVOUS PULLING THE TRIGGER
NONE STOP CLICK CLICK CLICK CLICK CLICK CLICK HE DROPS THE
GUN TO HIS SIDE AND BEGINS TO BACK UP LOOKING AT TONY..TONY
BEGINS TO WALK AROUND THE OTHERSIDE OF THE CAR LOOKING AT
SEAN LOOKING CONFUSED AND NERVOUS
                                                            
                       TONY
RELAX SEAN CALM DOWN ITS NOT
LOADED I NEEDED TO SEE WHERE YOUR
AT
                                                            

53.

BROTHER IN LAW AND PARTNER EXIT THE VEHICLE AND STAND THERE
                                                            
                       SEAN
      (YELLING)
YO FUCK YOU TONY WHAT THE FUCK IS
WRONG WIT YOU MAN
                                                            
TONY PUTTING HIS LEFT ARM AROUND SEAN WHILE HE'S FACEING HIS
BROTHER-IN-LAW AND THE PARTNER
                                                            
                       TONY
SEAN COME ON.... COME ON CALM
DOWN......CALM DOWN
                                                            
TONY RAISES HIS GUN AND SHOOTS HIS BROTHER-IN-LAW AND THE
PARTNER IN THE HEAD
                                                            
                       SEAN
      (YELLING)
FUCK! I THOUGHT YOU WERE ONLY
TESTING ME?
                                                            
                       TONY
AND THATS WHAT THEY THOUGHT.... I
HAD TO GET THEM HERE COME ON
                                                            
TONY AND SEAN BEGIN TO WALK AWAY WITH SEAN LOOKING BACK AT
THE BODIES LAYING ON THE FLOOR EVERTHING FEELS LIKE ITS IN
SLOW MOTION
                                                            
                                         CUT TO
                                                            
 
INT. SEAN'S APARTMENT - NIGHT
                                                            
SEAN WALKS IN LOOKING DRAWN AND DISTRAUGHT WALKS IN TO HIS
LIVING ROOM DROPS HIS KEYS ON THE COFFEE TABLE SITS ON HIS
COUCH AND RESTS HIS HEAD IN HIS HANDS RUBING HIS HEAD WITH
HIS HANDS HE THEN LEANS BACK LOOKS UP AT THE CIELING HE
HEARS THE DOOR OPEN AND LOOKS TO SEE MARIA WALKED IN HE PUTS
HIS HEAD BACK AND MARIA LAYS ON THE COUCH WITH HER HEAD
RESTING ON HIS LAP HE YAKES HIS HAND AND BEGINS RUBBING HER
HEAD
                                                            
                       MARIA
SEAN IS EVERYTHING ALRIGHT
                                                            
SEAN WITH HIS HEAD BACK LOOKING UP AT THE CIELING
                                                            
                       SEAN
      (SOUNDING
       DEPRESSED)
MARIA I DONT EVEN KNOW ANYMORE
                                                            

54.

MAARIA SITS UP AND HOLDS SEANS ARM LOOKING AT HIM
                                                            
                       SEAN
I'M LOOSIN IT
                                                            
SEAN THEN RESTS HIS HEAD ON MARIA'S
                                                            
                                         CUT TO
                                                            
 
INT. SEANS APARTMENT - DAY
                                                            
MARIA WAKES UP LAYING ON THE COUCH AND SEES SEAN IN THE
KITCHEN
                                                            
                       MARIA
SEAN WHAT ARE YOU DOING
                                                            
SEAN TURNING AROUND AND DRESSED FOR THE DAY ALREADY
                                                            
                       SEAN
I'M SORRY BABY I WANTED TO SUPRISE
YOU I MADE BREAKFAST
                                                            
MARIA WALKS IN THE KITCHEN AND SITS DOWN AT THE TABLE
                                                            
                       MARIA
WHERE'S YOUR'S
                                                            
                       SEAN
I'LL GET SOMETHING LATA
                                                            
SEAN KISSES MARIA ON THE HEAD
                                                            
                       SEAN
I GOT SOME RUNNIN AROUND I GOTTA
DO I'LL BE BY THE SPA LATER TRY TO
GET THERE EARLY OK
                                                            
SEAN WALKS OFF SCREEN MARIA SITTING AT THE TABLE
                                                            
                       MARIA
OK. LOVE YOU
                                                            
                       SEAN
      (OFF SCREEN)
LOVE YOU TOO
                                                            
HEAR DOOR SHUT
                                                            
                                         CUT TO
                                                            
 

55.

INT. TINTED AND SOUPED UP 4DR STOLEN CAR BANK PK LOT - DAY
                                                            
KEVIN IN THE DRIVERS SEAT SEAN IN THE PASSENGER SEAT STEVE
BEHIND SEAN AND HEAVY BEHIND KEVIN THERE IS A SLIGHT SILENCE
THEN
                                                            
                       KEVIN
YO SEAN WHATS WRONG
                                                            
SEAN LOOKING VERY UNAWARE
                                                            
SEAN LOOKING VERY UNAWARE THEN SHAKING IT OFF
                                                            
                       SEAN
NAH....I'M JUST THINKING ABOUT
SOMETHING I'M ALRIGHT COME ON
SATTLE UP
                                                            
THERE IS SILENCE AS SEAN BENDS DOWN AND GRABS HIS BULLETE
PROOF VEST AT HIS FEET BEGINS TO LIFT IT OF THE FLOOR THEN
TO HEAVY PUTTING HIS FIRST ARM THROUGH HIS THEN TO STEVE
PUTTING HIS SECOND ARM THROUGH HIS THEN TO KEVIN ZIPPING HIS
UP THEN TO SEAN BUTTONING HIS SHIRT HEAVY PULLING OUT HIS
MAGAZINE THEN TO STEVE LOADING HIS REVOLVER THEN TO KEVIN
SLAPPING HIS MAGAZINE IN THEN TO SEAN COCKING HIS GUN
                                                            
                       SEAN
ALRIGHT GUYS........LETS DO THIS
AS QUICK AS POSSABLE AND I DONT
WANT ANYONE HURT........ANYONE!!!
BUT UNDERSTAND ONE THING IF
SOMETHING GOES WRONG MAKE SURE YOU
DO WHAT YOU HAVE TO DO NO MATTER
WHAT IT IS TO PROTECT EACHOTHER
AND LEAVE NOONE BEHIND....WE ALL
AGREE AND UNDERSTAND THAT RIGHT
                                                            
                       STEVE
I CAME HERE WITH YOU GUYS I'M
LEAVING WITH YOU GUYS
                                                            
                       KEVIN
I NEVER IN MY LIFE LET ANYONE DOWN
I AINT GONNA START NOW
                                                            
                       HEAVY
WHERE AM I GONNA GO KEVIN'S
DRIVING AND I'M TO FAT TO RUN
                                                            
                       SEAN
SEAN SMIRKS.....ALRIGHT WHEN THE
TRUCK PULLS UP ITS BEEN PAEKING
RIGHT IN FRONT OF THE ENTRANCE
WITH THE PASSANGER DOOR TO THE
            (MORE)

56.

                       SEAN (cont'd)
SIDEWALK RIGHT
                                                            
                       HEAVY
YEAH
                                                            
                       SEAN
ALRIGHT WE WAIT TILL YOUR COUSIN
GOES IN THE BANK AND HIS PARTNER
STANDS GUARD AS WE SEE YOUR COUSIN
LEAVING THE BANK.......KEVIN YOU
PULL UP TO THE DRIVER SIDE OF THE
TRUCK STAY IN THE CAR WE'LL USE
THE TRUCK AS A SHIELD SO THEY DONT
SEE US COMING IF ITS TIMED RIGHT
STEVE ME AND YOU GET OUT WALK
AROUND THE BACK OF THE TRUCK WE
SHOULD BE FACE TO FACE WITH THEM
AT THAT POINT I'LL PULL OUT ON HIS
PARTNER STEVE YOU GRAB THE MONEY
HEAVY YOU GO AROUND FRONT AND USE
THE TRUCK AS A SHIELD AND MAKE
SURE YOU HANDLE BANK SECURITY IF
THEY COME OUT STEVE WHEN YOU GRAB
THE MONEY GET BACK TO THE CAR BUT
MAKE SURE YOU GET BEHING
KEVIN...KEVIN WHEN HE GETS IN BACK
THE CAR UP SO I CAN GET IN THE
BACK SEAT WITHOUT TAKING MY GUN
OFF OF THEM WHEN I GET IN PULL UP
AS FAST AS YOU CAN DIP THE CAR IN
FRONT OF THE TRUCK JUST ENOUGH SO
IT WILL SHIELD HEAVY GETTIN IN AND
DRIVE THIS MOTHER FUCKER OUT HEAR
LIKE ITS THE LAST THING YOU'LL
EVER DO
                                                            
SEAN,KEVIN,STEVE AND HEAVY ALL ACKNOWLEGDE WITH A POUND OF
FISTS THEY SIT BACK AND WAIT THEN
                                                            
                       KEVIN
GET READY GUYS HERE THEY COME
                                                            
                                         CUT TO
                                                            
 
EXT. BANK PARKING LOT - DAY
                                                            
TRUCK TURNS IN OFF OF STRIP COMING UP TOWARD THE FRONT OF
THE BANK PARKS RIGHT IN FRONT WITH THE PASSANGER SIDE
AGAINST THE SIDEWALK JIMMY GETS OUT OF THE DRIVERS SIDE AND
WALKS AROUND THE FRONT HIS PARTNER GETS OUT OF THE PASSENGER

57.

SIDE AND OPENS THE SIDE BACK PASSENGER DOOR FOR A
UNSUSPECTED PARTNER OUT OF SEAN,STEVE,HEAVY AND KEVINS VIEW
                                                            
                                         CUT TO
                                                            
 
INT. STOLEN CAR - DAY
                                                            
SEAN,KEVIN,STEVE AND HEAVY WATCH AS JIMMY'S PARTNER WALKS IN
THERE VIEW AND STANDS GUARD AT THE FRONT DOOR OF THE BANK
                                                            
                                         CUT TO
                                                            
 
EXT. SIDEWALK PASSENGER SIDE OF TRUCK - DAY
                                                            
STANDING BY THE BACK SIDE PASSENGER DOOR TO THE TRUCK
                                                            
                       PARTNER#2
JIMMY YOU SURE YOUR OK OUT HERE
                                                            
                       JIMMY
YEAH I'LL BE FINE GOD FORBID
ANYTHING I GOT THE SHOT GUN RIGHT
INSIDE THE DOOR AND BESIDE THAT I
KNOW YOU CANT WAIT TO SEE YOUR
LITTLE GIRLFRIEND INSIDE
                                                            
PARTNER # 2 PATTING JIMMY ON THE SHOULDER
                                                            
                       PARTNER#2
      (SMIRKING)
ALRIGHT......THANKS
                                                            
PARTNER #2 BEGINS TO WALK AWAY
                                                            
                                         CUT TO
                                                            
 
INT. STOLEN CAR - DAY
                                                            
SEAN,KEVIN,STEVE AND HEAVY TAKE NOTICE OF THE BACK SIDE OF
PARTNER #2 BELIEVING ITS JIMMY ENTERING THE BANK
                                                            
                       SEAN
ALRIGHT GUYS THIS IS IT
                                                            
THERE IS A SLIGHT WAIT AND THEN STEVE TAKES NOTICE OF WHO
THEY BELIEVE JIMMY IS WALKIG FROM INSIDE THE BANK ON HIS WAY
OUT
                                                            
                       STEVE
GO GO HE'S COMING
                                                            

58.

KEVIN STARTS TO PULL OUT OF THE PARKING SPOT WHICH IS ONLY A
FEW SPOTS AWAY FROM WHERE THERE TRUCK IS.HE STOPS ON THE
DRIVERS SIDE OF THE TRUCK
                                                            
                                         CUT TO
                                                            
 
EXT. BANK PARING LOT DRIVERS SIDE AND BACK OF TRUCK - DAY
                                                            
HEAVY EXITS AND HEADS TOWARD THE FRONT OF THE TRUCK STEVE
AND SEAB EXIT AND QUICKLY WALK TOWARD THE BACK OF THE TRUCK
AS THEY TURN BEHIND THE TRUCK THEY COME FACE TO FACE WITH
PARTNER #1 AND PARTNER #2 SEAN AND STEVE QUICKLY RAISE THERE
GUNS WITH SEAN HOLDING HIS AT PARTNER #1 HEAD LOKKING AT
STEVES EYES THROUGH HIS MASK AS STEVE MOVES AROUND PARTNER#1
HOLDING HIS GUN POINTING AT PARTNER #2 WITH STEVE LOOKING IN
SEANS EYES THROUGH HIS MASK BOTH WITH CONFUSED LOOKS IN
THERE EYES
                                                            
                       SEAN
DROP TO YOUR FUCKING KNESS AND
KISS THE FLOOR AND DONT EVEN THINK
ABOUT MOVING
                                                            
PARTNER #1 COMPLIES AS STEVE MOVES CLOSER TO PARTNER #2
                                                            
                       STEVE
YOU HAND ME THE FUCKING MONEY AND
DO THE SAME TRY ANTHING AND I
SWEAR TO YOU YOU'LL EAT A BULLET
                                                            
                       PARTNER#2
PARTNER#2 COMPLIES
                                                            
                                         CUT TO
                                                            
 
EXT. BANK PARKING LOT FRONT AND PASSENGER SIDE OF TK - DAY
                                                            
JIMMY HEARS THE COMOTION AND QUICKLY OPENS THE SIDE
PASSENGER DOOR REACHING FOR THE SHOTGUN
                                                            
                                         CUT TO
                                                            
 
EXT. BANK PARKING LOT DRIVERS SIDE AND BACK OF TRUCK - DAY
                                                            
CAR BACKS UP STEVE RUNS AROUND BACK OF THE CAR OPENING THE
DOOR
                                                            
                                         CUT TO
                                                            
 

59.

INT. STOLEN CAR - DAY
                                                            
STEVE GETS IN SLAMMING THE DOOR REACHES OVER AND OPENS THE
DOOR FOR SEAN WHILE SEAN IS BACKING UP TO GET IN HE
CONTINUES TO HOLD HIS GUN ON PARTNER#1AND2
                                                            
                       STEVE
      (YELLING)
STEVE COME ON COME ON
                                                            
                                         CUT TO
                                                            
 
EXT. BANK PARKING LOT FRONT PASSENGER SIDE OF TRUCK - DAY
                                                            
JIMMY WITH THE SHOTGUN IN HIS HAND JERKS THE GUN TO COCK IT
SLAMS THE DOOR OF THE TRUCK SHUT TURNS AND BEGINS TOWARD THE
FRONT OF THE TRUCK AND RUNS INTO HEAVY HEAVY BEGINS TO BACK
UP A BIT
                                                            
                       HEAVY
      (YELLING)
DROP THE FUCKING GUN DROP IT NOW
                                                            
JIMMY QUICKLY RAISES THE SHOTGUN POINTING IT AT HEAVY
                                                            
                       HEAVY
      (YELLING)
NOOOOOOOO
                                                            
HEAVY BEGINS FIRING AT JIMMY CONTINUOUSLY
                                                            
                                         CUT TO
                                                            
 
INT. STOLEN CAR - DAY
                                                            
SEAN SLAMS THE DOOR SHUT AS THEY HEAR THE SHOT RINGING OUT
KEVIN BEGINS PULLS FOWARD AND DIPS IN FRONT OF TRUCK REACHES
OVER AND OPENS THE DOOR FOR HEAVY
                                                            
                       SEAN
      (YELLING)
HOLY SHIT WHAT THE FUCK
                                                            
                                         CUT TO
                                                            
 
EXT. BANK PARKING LOT FRONT SIDE PASSENGER OF TRUCK - DAY
                                                            
HEAVY BACKING UP TOWARD THE CAR STILL FIRING SHOTS
                                                            
                                         CUT TO
                                                            
 

60.

INT. STOLEN CAR - DAY
                                                            
HEAVY GETS IN SLAMMING THE DOOR KEVIN PEELS AWAY WITH SEAN
OUT THE BACK PASSENGER WINDOW SHOOTING AT PARTNER#1 AND
PARTNER# 2
                                                            
                                         CUT TO
                                                            
 
EXT. BANK PARKING LOT BACK DRIVERS SIDE TRUCK - DAY
                                                            
PARTNER #1 AND #2 FIRING AT THE STOLEN CAR AS IT PEELING
AWAY WATCHING IT AS IT TURNS OUT OF THE PARKING LOT
                                                            
                                         CUT TO
                                                            
 
INT. STOLEN CAR - DAY
                                                            
THE STOLEN CAR TURNING ON TO THE STRIP FISH TALEING OUT OF
THE PARKING LOT THE CAR STRAIGHTENS OUT KEVIN PALMING THE
DASH BOARD WITH FIERCE IN HIS EYES
                                                            
                       KEVIN
      (SCREAMING)
WHAT THE FUCK HAPPENED HEAVY WHAT
THE FUCK HAPPENED
                                                            
HEAVY RUBING HIS HEAD FROM HIS FOREHEAD UP OVER HIS HAIR
THEN BACK DOWN AND OVER HIS FACE
                                                            
                       HEAVY
      (IN SHOCK(CALMLY))
HE PULLED A SHOTGUN ON ME.......I
TOLD HIM TO DROP IT.HE....HE
POINTED IT RIGHT AT ME
KEVIN(SHAKING HIS HEAD) I'M SORRY
I'M SO SORRY
                                                            
                       KEVIN
      (YELLING)
HEAVY DONT TELL ME IT WAS MY
COUSIN
                                                            
HEAVY LOOKING FOWARD IN A DEAD STARE THEN KEVIN LEANING
FOWARD AND BACKWARD AS HE'S DRIVING THEN TURNS TOWARD HEAVY
                                                            
                       KEVIN
      (SCREAMING)
HEAVY TELL ME IT WAS'NT MY COUSIN
HEAVY
                                                            
HEAVY DROPS HIS HEAD KEVIN BEGINS PUNCHING THE DASHBOARD
                                                            

61.

                       KEVIN
      (SCREAMING)
FUUUUCCCK........... MOTHER FUCKER
SEAN IT WASNT SUPPOSE TO GO DOWN
LIKE THIS
                                                            
                       SEAN
      (YELLING)
CALM THE FUCK DOWN JUST CALM THE
FUCK DOWN
                                                            
KEVIN MAKING A TURN AT A HIGH SPEED
                                                            
                       KEVIN
      (SCREAMING)
YOUR TELLING ME TO CALM THE FUCK
DOWN MY COUSIN IS DEAD SEAN HE
SHOT MY FUCKIN COUSIN
                                                            
                       STEVE
      (YELLING)
I KNEW SOME SHIT LIKE THIS WAS
GONNA HAPPEN..... FUCK
                                                            
                       SEAN
      (YELLING)
HOW THE FUCK YOU EVEN KNOW HES
DEAD STOP FUCKING YELLING YOU
THINK WE WANTED THIS
                                                            
KEVIN TURNS ANOTHER CORNER SEAN LEANS UP TO HEAVY
                                                            
                       SEAN
      (LOUD VERY STERN)
HEAVY LISTEN SNAP OUT OF IT WHAT
DO YOU THINK YOU THINK YOU KILLED
HIM
                                                            
KEVIN LOOKING AT HEAVY.........HEAVY LOOKING OUT THE
PASSENGER WINDOW IN A DEAD STARE
                                                            
                       KEVIN
      (SOBBING)
AH SEAN HE HAS A FAMILY..HE HAS A
FAMILY SEAN
                                                            
SEAN LEANING BACK IN HIS SEAT RUBBING HIS FACE MAKES A FIST
                                                            
                       SEAN
      (LOUD)
FUCK!
                                                            

62.

                       KEVIN
      (SOBBING)
MY COUSINS DEAD JESUS CHRIST
                                                            
                                         CUT TO
                                                            
 
INT. SEANS OFFICE AT THE SPA - NIGHT
                                                            
SEAN ENTERS AND SHUTS THE BLINDS TO A SMALL WINDOW THAT
LOOKS OUT AT A COMMUNITY DRIVEWAY BEHIND HIS SPA KEVIN,HEAVY
AND STEVE FOLLOW IN BEHIND TAKING A SEAT ON THE SOFA SEAN
GRABS THE REMOT CONTROL AND TURNS THE TV ON THE NEWS COMES
ON
                                                            
                       NEWS REPORTER
I'M STANDING HERE LIVE AT THE
QUEENSBORO BANK WHERE EARLIER
TODAY THERE WAS AN AMORED CAR HOLD
UP AS THREE MASKED GUNMAN AND A
GETWAY DRIVER AMBUSED THREE ARMED
SECURITY GUARDS AS THEY WERE
LEAVING THE BANK WITH AN
UNSPECIFIED AMOUNT OF CASH.WITNESS
SAY IT APPEARED FOUR THUGS PULLED
UP NEXT TO THE AMORED TRUCK AND
USED IT AS A SHIELD TO BLOCK THE
VIEW OF ARMED SECURITY GUARDS FROM
SEEING THIS AMBUSH UNFOLD.COPS AND
EMT WORKERS CONFIRM ONE SECURITY
GUARD DIED TRYING TO FOIL THE
HIEST
                                                            
                       COP
WE HAVE TAKEN STATEMENTS FROM THE
TWO SURVING SECURITY GUARD OF THIS
COWARDLY ACT AND THEY BOTH CONFIRM
THAT INDEED THEY WERE AMBUSH BY
TWO THUGS AT POINT BLANK RANGE
WHEN THEY REACHED THE BACK OF THE
TRCUK. THE OTHER UNARMED SECURITY
GUARD WAS STANDING GUARD AT THE
PASSENGER SIDE OF THE TRUCK WHEN
HE HEARD THE COMOTION HE THEN
REACHED IN THE SIDE PASSENGER DOOR
AND ARM HIS SELF WITH A SHOTGUN
WHEN HE WENT TO RUN AROUND THE
FRONT SIDE OF THE TRUCK HE WAS
CONFRONTED BY THE THIRD THUG WHO
FIRED UPON HIM WITH NO APPARENT
WARNING
                                                            

63.

KEVIN STEVE AND HEAVY WATCHING KEVIN DROPS HIS HEAD INTO HIS
HANDS
                                                            
                       NEWS REPORTER
WITNESSES AND THE SECURITY GUARDS
SAY TWO OF THE THREE MEN WERE
MEDIUM BUILD AND THE SHOOTER A
LARGER MAN THE DRIVER OF THE
GETAWAY CAR WAS NEVER IN VIEW.WE
ARE IN THE PROCESS OF GETTING THE
BANK SURVALANCE TAPES TO AIR LATER
ON IN HOPES THAT SOMEONE CAN
RECONIZE THESE INDIVIDULES AND
BRING THEM TO JUSTICE.WE ALSO ASK
ANYONE WITH ANY FURTHER INFORMATIN
ON THIS HIEST TO PLEASE COME
FOWARD ALL CALL WILL BE
CONFIDENTAL
                                                            
SEAN HITS THE POWER BUTTON ON THE RMOTE AND TURNS THE TV OFF
THERE IS A SLIGHT SILENCE
                                                            
                       STEVE
YO I THINK WE SHOULD LAY LOW FOR A
WHILE
                                                            
                       SEAN
WE CANT LAY LOW WE GOTTA KEEP
DOING WHAT WE BEEN DOING
                                                            
                       KEVIN
YEAH ITS EASY FOR YOU TO SAY I GOT
A DEAD COUSIN AND A FAMILY IN
MOARNING
                                                            
                       SEAN
KEVIN I DONT WANNA SOUND LIKE I
DONT GIVE A FUCK BUT THERE'S
NOTHING WE CAN DO ITS DONE IF YOU
DONT GET MIND STRONG YOUR CONCIOUS
IS GONNA BRING YOU DOWN AND THEN
ITS GONNA BRING US ALL DOWN
                                                            
                       KEVIN
WHAT THE FUCK ARE YOU TRYING TO
SAY SEAN
                                                            
                       HEAVY
HE AINT TRYING TO SAY ANYTHING
                                                            

64.

                       KEVIN
HEAVY YOU NEED TO SHUT THE FUCK UP
RIGHT NOW YOUR THE LAST PERSON I
WANNA HEAR FROM
                                                            
                       STEVE
LISTEN KEVIN NONE OF US WANTED
THIS TO HAPPEN BUT IT DID NOTHINGS
GONNA CHANGE THAT
                                                            
KEVIN SLOWLY SHAKES HIS HEAD IN DISBELIEF
                                                            
                       KEVIN
I KNOW.......(ACKNOWLEDING WITH
HIS HEAD)..I KNOW
                                                            
                                         CUT TO
                                                            
 
INT. NICKY'S PLACE FRONT BAR - DAY
                                                            
SEAN ENTERS AND WALKS UP TO THE COUNTER
                                                            
                       SEAN
GOOD MORNING VITO
                                                            
VITO TURNING AROUND FROM MAKING EXPSRESSO
                                                            
                       VITO
HEY SEAN..YOU ALRIGHT YOU DONT
LOOK GOOD
                                                            
SEAN WITH HIS HANDS ON THE COUNTER LIFTS HIS HAND UP A
LITTLE AND PUTS IT BACK DOWN AS IN WHATEVER.VITO LOOKING AT
SEAN
                                                            
                       VITO
WANNA A FRESH COFFEE? I JUST MADE
IT
                                                            
                       SEAN
YEAH V PLEASE. THANKS
                                                            
VITO TURNS AND POORS A CUP OF COFFEE THEN TURNS BACK TO SEAN
PUTS IT ON THE COUNTER
                                                            
                       VITO
I KNOW ITS PROBABLY NONE OF MY
BUSINESS BUT YOU WANNA TALK ABOUT
IT
                                                            
SEAN TAKES A SIP OF COFFEE THEN RESTS IT BACK ON THE COUNTER
WITH HIS HAND STILL HOLDING THE CUP
                                                            

65.

                       SEAN
NAH ITS COOL V. YOU SEE NICKY?
                                                            
                       VITO
YEAH HE'S IN THE BACK
                                                            
SEAN LIFTS THE COFFEE OFF THE COUNTER WITH HIS RIGHT HAND
AND TURNS TO WALK AWAY TAPPING THE COUNTER TWICE WITH HE
LEFT HAND
                                                            
                       SEAN
THANKS V
                                                            
                                         CUT TO
                                                            
 
INT. NICKY'S PLACE BACK POKER ROOM - DAY
                                                            
SEAN ENTERS AND SEES NICKY PLAYING GYN WITH A POKER PLAYER
                                                            
                       SEAN
      (CALM)
YO NICKY WHATS UP
                                                            
NICKY LOOKING UP AT SEAN
                                                            
                       NICKY
COWBOY WHATS UP BABY
                                                            
NICKY STANDS UP AND SHAKES HANDS WITH SEAN
                                                            
                       SEAN
      (CALM)
YOU GOTTA MIN? LETS GO DOWN STAIRS
                                                            
NICKY LOOKS AT POKER PLAYER
                                                            
                       NICKY
GIMME A MINUTE
                                                            
NICKY BEGINS TO WALK AWAY
                                                            
                                         CUT TO
                                                            
 
INT. NICKY'S PLACE STOCK ROOM BASEMENT - DAY
                                                            
NICKY ENTERS SEAN BEHIND HIM NICKY TURNS TOWARD SEAN AND
SEAND HANDING HIM ENVOLOPES NICKY LOOKING SUPRISED AND
TAKING THE ENVOLOPES FROM SEAN
                                                            
                       NICKY
WHAT'S THIS
                                                            

66.

                       SEAN
THATS EVERYTHING
                                                            
                       NICKY
EVREYTHING? YOURS TOO
                                                            
NICKY TURNS TOWARD A STACK OF CRATES AND STARTS TAKING THE
MONEY OUT OF THEM AND STACKING THEM IN INDIVIDUALE PILES
                                                            
                       SEAN
NAH I JUST PAID FOR THE WEEK BUT
EVERYTHING ELSE
                                                            
NICKY TURNS BACK TOWARD SEAN
                                                            
                       NICKY
SEAN I'M NOT REALLY SURE IF YOU
DID ME A FAVOR BUT I KNOW YOU
FUCKED YOURSELF
                                                            
                       SEAN
WHY YOU SAY THAT FOR?
                                                            
                       NICKY
CAUSE YOU WERE COLLECTING KNOCKING
YOUR VIG DOWN A GEE A WEEK
                                                            
                       SEAN
I'M NOT EVEN WORRIED ABOUT IT I
GOT SOME MONET COMING TO ME IN THE
NEXT FEW WEEKS SO I'LL JUST TAHE
CARE OF IT
                                                            
                       NICKY
YEAH..WHAT YOU DO ROB A BANK OR
SOMETHING
                                                            
NICKY LAUGHS
                                                            
                       SEAN
YOU KNOW NICKY IT WOULD'NT BE A
BAD IDEA.....BUT NO
                                                            
SEAN BEGINS TO WALK AWAY
                                                            
                       NICKY
HEY SEAN SPEAKING OF BANKS YOU
HEARD ABOUT THAT AMORED TRUCK
HIEST DOWN BY THE BEACH A COUPLE
OF DAYS AGO
                                                            
SEAN STOPS AND TURNS BACK TOWARD NICKY
                                                            

67.

                       SEAN
YEAH ACTUALLY I JUST HEARD ABOUT
ON THE RADIO THIS MORNING
                                                            
                       NICKY
YEAH THEY SAID FOUR GUYS ONE WAS
FAT
                                                            
                       SEAN
O YEAH GOOD FOR THEM MAYBE THE
POOR BASTARD NEEDED THE MONEY TO
GET HIS STOMACH STAPLED
                                                            
SEAN SMIRKS TONY LAUGHS
                                                            
                       SEAN
ALRIGHT NICK I GOTTA RUN
                                                            
SEAN TURNS AND AND AS HE WALKING AWAY
                                                            
                       NICKY
HEY SEAN FOUR GUYS ONE FAT SOUNDS
LIKE YOUR CREW
                                                            
SEAN WALKING UP THE STAIRS
                                                            
                       SEAN
HEY NICKY I DONT HAVE A CREW AND
THATS A VERY BAD ACCUZATION
                                                            
NICKY LOOKS DOWN AT THE MONEY THEN LOOKS UP THE STAIRS WHERE
SEAN JUST WENT WITH A CONCERNED LOOK
                                                            
                                         CUT TO
                                                            
 
EXT. NITE CLUB ON A BUSY STREET - NIGHT
                                                            
SEAN PULLS UP TO VALET HE EXITS THE DRIVERS SIDE KEVIN EXITS
THE FRONT PASSENGER SIDE AND STEVE EXITS FROM THE BACK
PASSENGER SIDE SEAN WALKS AROUND FRONT AND MEETS THE VALET
ATTENDANT WHERE HE GETS HANDED A TICKET
                                                            
                       SEAN
KEEP IT UP FRONT AND THIS IS FOR
YOU
                                                            
                       VALET ATTENDENT
HEY THANKS PAL
                                                            
VALET ATTENDANT WALKS OFF SCREEN SEAN KEVIN AND STEVE WALK
TO THE OUTSIDE OF THE ROPES SEAN REACHES FOR HIS PHONE AND
BEGINS DIALING PLACING THE PHONE TO HIS EAR
                                                            

68.

                       STEVE
WE'RE NEVER GETTING IN HERE
                                                            
                       SEAN
I'M CALLING MY COUSIN MIKE HE DOES
SECURITY (TALKING LOUD)MIKE....
MIKE CAN YA HEAR ME....... ITS
SEAN I'M OUTSIDE
                                                            
SEAN CLOSE HIS PHONE AND PUTS ITS BACK ON HIS WAIST
                                                            
                       KEVIN
NOW WHO'S THIS PARTY FOR
                                                            
                       SEAN
ITS FOR ONE OF MY FRIEND TONY'S
FRIEND TONY HE FINISHES PAROLE
MONDAY SO THIER THROWING HIM A
BASH
                                                            
                       KEVIN
WHY DID'NT HEAVY COME
                                                            
                       SEAN
I DIDNT TELL HIM
                                                            
                       STEVE
WHY NOT?
                                                            
                       SEAN
I DONT KNOW MAYBE JUST BEING
CAUSTIOUS THIS GUYS COMING OFF
PAROLE WHO KNOWS WHO'S GONNA BE
HERE WATCHING AND THAT THING TWO
WEEKS AGO THREE MEDIUM BUILT GUYS
ONE FAT ONE
                                                            
                       SEAN
I DONT KNOW MAYBE JUST BEING
CAUSTIOUS THIS GUYS COMING OFF
PAROLE WHO KNOWS WHO'S GONNA BE
HERE WATCHING AND THAT THING TWO
WEEKS AGO THREE MEDIUM BUILT GUYS
ONE FAT ONE
                                                            
SEAN MAKES A FACE
                                                            
                       SEAN
I DONT WANT ANYTHING TO LOOK
ODVIOUS
                                                            
SEAN LOOKS TOWARD THE FRONT DOOR OF THE CLUB STANDINGG ON
HIS TOES
                                                            

69.

                       SEAN
COME ON THERES MY COUSIN
                                                            
SEAN BEGINS WALKING THROUGH A CROWD OF PEOPLE WITH HIS HAND
UP TRYING TO GET MIKES ATTENTION
                                                            
                       SEAN
YO MIKE
                                                            
MIKE LOOKING ACROSS THE CROWD TO SEE IF HE CAN SEE SEAN HE
TAKES NOTICE AND WAVES HIM ON MIKE WALKS UP TO ANOTHER
BOUNCER AND POINTS SEAN OUT SEAN MAKES IT TO THE FRONT AND
THE BOUNCER OPENS THE ROPE
                                                            
                                         CUT TO
                                                            
 
INT. NITE CLUB - NIGHT
                                                            
MUSIC PLAYING THE PLACE IS PACKED MIKES WALKING SEAN STEVE
AND KEVIN THROUGH THE CROWD MIKE TURNS TO SEAN
                                                            
                       MIKE
      (TALKING LOUD)
YO LISTEN YOU GUYS GOT A LOT HEADS
HERE TONIGHT DO ME A FAVOR DONT
START NO SHIT I GOTTA BREAK OUT
FOR BUT I'LL BE BACK LATA
                                                            
                       SEAN
      (TALKING LOUD)
MIKE I HEAR FOR A COUPLE OF DRINKS
THE I'M GETTIN THE FUCK OUT OF
HEAR MYSELF DONT EVEN WORRY ABOUT
IT
                                                            
THEY REACH THE BACK OF THE CLUB WHERE THERE IS A ROPED OFF
SECTION MIKE OPENS THE ROPE AND SEAN IS GREETED BY TONY WITH
EVERYONE DANCING IN THE BACKROUND
                                                            
                       TONY PAROLE
      (TALKING LOUD)
SEAN WHATS UP MY MAN
                                                            
TONY PAROLE PUUTING HIS RIGHT HAND ON SEANS LEFT SHOULDER AS
HE LEANS BACK CHECKING HIM OUT
                                                            
                       TONY PAROLE
      (SMILEING)
YOU LOOK GREAT
                                                            

70.

                       SEAN
      (TALKING LOUD)
YOU TOO BABY CONGRADULATIONS
                                                            
                       TONY PAROLE
O DONT CONGRADULATE ME YET I STILL
GOTTA GET THROUGH THE NITE
                                                            
                       SEAN
TONY THIS MY FRIEND KEVIN AND
STEVE
                                                            
TONY PAROLE SHAKES KEVINS HAND THEN STEVES
                                                            
                       TONY PAROLE
HEY GUYS HOW YOU DOING
                                                            
                       KEVIN
GOOD THANKS FOR ASKING
                                                            
STEVE ACKNOWLEDGEDS WITH HIS HEAD GOOD
                                                            
                       TONY PAROLE
YO GUYS WE GOT THE WHOLE BAR IN
HERE HELP YOURSELVES TO WHATEVER I
WANNA TRY TO BANG THIS BITCH OVER
HERE I'LL BE BACK
                                                            
SEAN SMIRKS TONY PAROLE TURNS AND WALKS OFF SCREEN SEAN
STEVE AND KEVIN CONTINUE TOWARD THE TABLE SAYING HELLO TO
EVERYONE SEAN STOPS TO HAVE A CONVERSATION STEVE AND KEVIN
START MAKING THEMSELF A DRINK
                                                            
                       STEVE
YO I'M GONNA POUND THIS DRINK AND
GO FIND ME A BITCH
                                                            
                       KEVIN
LEAD THE WAY
                                                            
STEVE AND KEVIN ON THE DANCE FLOOR SWEATING WITH THIER
SHIRTS UN BUTTONED ROCKIN IT WITH TWO GIRLS WHILE SEAN IS
STANDING OFF TO THE SIDE JUST MOVING TO THE BEAT TONY MONGIA
AND TONY PAROLE WALK UP TO SEAN WITH DRINKS IN THIER AND AND
HAND ONE TO SEAN
                                                            
                       TONY
      (LOOKING AT KEVIN
       AND STEVE)
THESE GUYS ARE GOOD GUYS HUH?
                                                            

71.

                       SEAN
      (SMILING)
YEAH TONE THIER MY BOYZ
                                                            
                       TONY
WHATS UP YOU SCARED TO DANCE
THERES ALOT OF BITCHES HERE
                                                            
                       SEAN
      (LAUGHING)
NAH MAN I GOT MY GIRL I LOVE HER
WHAT THE FUCK AM I GONNA DOE WITH
THESE HOES
                                                            
                       TONY
WELL I'LL SHOW WHAT I'M GONNA DO
WITH THEM
                                                            
SEAN LAUGHS AND TONY WALK TOWARD THE DANCE FLOOR
                                                            
                       TONY PAROLE
YO SEAN TAKE A WALK I GOTTA PISS
                                                            
TONY PAROLE BEGINS TO WALK AWAY WITH SEAN FOLLOWING
                                                            
                                         CUT TO
                                                            
 
INT. BATHROOM - NIGHT
                                                            
SEAN AND TONY TAKING A PISS SIDE BY SIDE WITH A CROWDED
BATHROOM
                                                            
                       TONY PAROLE
HEY SEAN YOU KNOW WHATS FUNNY
                                                            
                       SEAN
WHATS THAT KID?
                                                            
                       TONY PAROLE
TILL THIS VERY MOMENT I WOULD
SWEAR YOU HAD SOME ITALIAN IN YOU
                                                            
                       SEAN
O YEAH!!AND WHY NOT NOW
                                                            
TONY PAROLE LOOKS DOWN TOWARD SEAN AS HE PISSING
                                                            
                       SEAN
      (LAUGHIN)
GO FUCK YOURSELF
                                                            

72.

SEAN AND TONY PAROLE STEP BACK FROM THE URINALS AND PROCEED
TO THE SINK WHEN A COMOTION STARTS BETWEEN A GROUP OF GUYS
                                                            
                       SEAN
COME ON LETS GET THE FUCK OUT OF
BEFORE WE END UP IN THE MIDDLE OF
THIS SHIT
                                                            
SEAN AND TONY PAROLE START MAKING THIER WAY TOWARD THE EXIT
OF THE BATHROOM WHEN A FIGHT BREAKS OUT TONY PAROLE GRABBING
SEAN AND BRINGING HIM BACK TO THE WALL THE BOUNCERS COME
RUSHING IN MAN HANDLINH EVERYONE INSIDE AND BEGIN PUSHING
THEM OUT OF THE BATHROOM SEAN AND TONY PAROLE ARE AGAINST
THE WALL WITH THIER HANDS UP TRYING TO STAY OUT OF THE WAY
WHEN A BOUNCER GRABS SEAN
                                                            
                       BOUNCER
COME ON YOU GOTTA GO
                                                            
SEAN PUSHES THE BOUNCES HANDS OFF OF HIM
                                                            
                       SEAN
YO BUDDY I'M NOT WITH THOSE GUYS
                                                            
THE BOUNCER PUSHING SEAN WITH FORCE SEAN STUMBLE FOWARD
                                                            
                       BOUNCER
YO I SAID YOU GOTTA GO
                                                            
                       SEAN
YO MY MAN RELAX I TOLD YOU I AINT
WITH THOSE GUYS
                                                            
WITH ALL THE COMOTION STILL GOING ON AND PEOPLE GETTING
GRABED AND WRESTLED OUT OF THE BATHROOM THE BOUNCER AGAIN
GOES TO GRAB SEAN TONY PAROLE STANDING THERE WITH A FIERCE
LOOK IN HIS EYES STEPS UP
                                                            
                       TONY PAROLE
YO BOSS LISTEN YOUR MAKIN A
MISTAKE ME AND MY FRIEND HERE WERE
JUST TAKING A PISS WE TRIED TO
STAY OUT OF THE WAY
                                                            
WITH THAT THREE MORE HUGE BOUNCERS STEP IN SPRAYING SEAN
WITH MACE AND TACKLING HIM TO THE FLOOR TONY PAROLE TURNS
AROUND AND GRABS A BOTTLE OFF THE FLOOR AND BREAKS OVER THE
BOUNCER HEAD SPLITTING HIS HEAD OPEN
                                                            
                       TONY PAROLE
      (YELLING)
YO I TOLD YOU WE HAD NOTHING TO DO
WITH THIS
                                                            

73.

SEAN BLINDED BY MACE THE BOUNCERS PROCEED TO WRESTLE WITH
TONY PAROLE BRINGING BOTH OF THEM OUT THE BACK DOOR TO WHERE
COPS ON THE STREET ARE TRYING TO TAKE CONTROL OF THE FIGHT
THAT CONTINUED OUTSIDE TWO PLAIN CLOTHES OFFICERS GRAB TONY
PAROLE AND THROW HIM TO THE FLOOR HANCUFFING HIM AS SEAN IS
BENT OVER RUBING HIS EYES HOLDING THE WALL STEVE AND KEVIN
WALK UP AND GRAB SEAN
                                                            
                       STEVE
YO COME ON IT'S ME STEVE GRAB THE
BACK OF MY SHIRT
                                                            
                       SEAN
YO GET TONY
                                                            
                       STEVE
THEY GOT HIM IN CUFFS ALREADY COME
ON
                                                            
                       SEAN
SHIT!!!!
                                                            
                                         CUT TO
                                                            
 
INT. SEANS OFFICE SPA - DAY
                                                            
SEAN SITTING DOWN GO OVER PAPER WORK MARIA WALKS IN
                                                            
                       MARIA
HEY BABE
                                                            
MARIA WALKS OVER AND OPEN THE BLINDS TO LET SOME SUN LIGHT
IN THEN WALKS OVER TO SEAN AND KISSES HIM ON THE HEAD
                                                            
                       SEAN
SUP BABY
                                                            
                       MARIA
YOU OK LOOKS LIKE SOMETHING
BOTHERING YOU
                                                            
SEAN LOOKING AT MARIA
                                                            
                       SEAN
NAH I'M ALRIGHT JUST GOING OVER
SOME OF THE BILLS
                                                            
                       MARIA
YOU WANT SOME HELP THATS WHAT I'M
HERE FOR
                                                            

74.

                       SEAN
I GOT ONE BETTER
                                                            
SEAN GOES INTO HIS POCKET AND TAKES SOME MONEY OUT AND HANDS
IT TO MARIA
                                                            
                       SEAN
WHY DONT YOU TAKE OFF TODAY AND GO
SHOPPING FOR YOURSELF COME ON ITS
ON ME
                                                            
                       MARIA
THATS WHY I LOVE YOU
                                                            
MARIA LEANS IN AND GIVES SEAN A HUG
                                                            
                       MARIA
I WILL DEFINITLY TAKE THE DAY BUT
YOUR MONEY NO YOU ALWAYS BUY ME
THINGS ITS TIME I SPEND SOME MONEY
ON YOU
                                                            
MARIA TURNS AND WALKS OF SCREEN
                                                            
                       MARIA
      (OF SCREEN)
CALL ME IF YOU NEED ME
                                                            
SEAN LOOKING DISTURBED
                                                            
                                         CUT TO
                                                            
 
EXT. OUT DOOR CAFE - DAY
                                                            
SEAN SITTING AT A TABLE AND TONY WALKS UP THEY GREET
EACHOTHER AND TONY TAKES A SEAT
                                                            
                       TONY
YOU GOT THE THING
                                                            
SEAN GOES INTO HIS BACK POCKET AND SLIDES THE ENVOLOPE
ACROSS THE TABLE
                                                            
TONY GRABS IT LOOKING AROUND
                                                            
                       TONY
WHAT THE FUCK IS WRONG WITH YOU
                                                            
                       SEAN
YOU ASKED ME IF I HAD IT
                                                            

75.

                       TONY
YEAH I ASKED IF YOU HAD NOT TO
GIVE IT TO ME
                                                            
                       SEAN
TONY RELAX NOBODY'S WATCHING
                                                            
                       TONY
YOU GET ME NERVOUS WHEN YOU TALK
LIKE THAT SEAN YOU GOT ALWAYS BE
ON POINT ALWAYS EXPECT THE WORST
SO IF IT HAPPENES IT DONT COME AS
A SUPRISE
                                                            
                       SEAN
YEAH BUT THERE ARE JUST SOME THING
I DONT WANNA THINK THE WORST ABOUT
                                                            
                       TONY
JESUS CHRIST SEAN WHAT THE FUCK
                                                            
                       SEAN
TONY IT'S NOT WHAT YOUR THINKING
                                                            
                       TONY
THANK GOD I THOUGHT I WAS GONNA
HAVE TO CLIP YOU HERE
                                                            
SEAN SMIRKS
                                                            
                       TONY
WHATS THE MATTER TALK TO ME
                                                            
                       SEAN
ALRIGHT DONT GET AFFENDED BUT
REMEMBER WHEN I RAN INTO AT THE
SPA
                                                            
                       TONY
YEAH OF COURSE THE ONE WHERE YOUR
GIRL WORKS
                                                            
SEAN LOOKING DOWN AND THEN BACK TO TONY
                                                            
                       SEAN
YEAH WELL I WASNT JUST THERE TO SE
MY GIRL
                                                            
                       TONY
SO WHAT ARE YOU TELLING ME YOU
WERE GETTING YOUR TOES DONE WHO
GIVES A FUCK
                                                            

76.

                       SEAN
COME ON TONY I TRYING TO TALK TO
YOU HERE
                                                            
                       TONY
SO GET TO THE POINT WHAT ARE SAYIN
                                                            
                       SEAN
ITS MY PLACE
                                                            
                       TONY
O WAIT A MINUTE
                                                            
WAITER STEPS IN
                                                            
                       WAITER
CAN I GET YOU GUYS ANYTHING
                                                            
                       TONY
YEAH JUST GIVE US A COUPLE OF
BEERS
                                                            
WAITER WALKS OFF SCREEN
                                                            
                       TONY
THATS YOUR PLACE ITS A HOT SPOT
WHY DIDNT YOU TELL ME WHATS WRONG
WITH YOU
                                                            
                       SEAN
SEE TONY I DIDNT WANNA AFFEND YOU
                                                            
                       TONY
I'M NOT AFFENDED....WELL MAYBE A
LITTLE BIT BUT WHY WOULDNT YOU
TELL ME YOU KNOW HOW MANY PEOPLE I
COULD SEND OVER THERE I COULD MAKE
YOU A FORTUNE
                                                            
                       SEAN
THATS EXACTLY WHY WITH ALL THE
PEOPLE I KNOW AND ALL THE PEOPLE
THAT THEY KNOW EVERYBODY STARTS
COMING IN LOOKING FOR A FREE DAY
AT THE SPA SO I JUST FIGURE I KEEP
IT LOW AND LET BUSINESS BUILD ON
ITS OWN WITH NO HELP
                                                            
                       TONY
YOU SEE I UNDERSTAND WHAT YOUR
SAYING CAUSE I'M YOUR FRIEND BUT
YOUR RIGHT SOME PEOPLE DONT LOOK
AT IT LIKE WE DO THIS IS WHATS
            (MORE)

77.

                       TONY (cont'd)
BOTHERING YOU
                                                            
                       SEAN
TONY YOU ONLY MET MY GIRL A FEW
MONTHS AGO BUT I BEEN WITH HER FOR
ALMOST TWO YEARS AND I LOVE HER
LIKE THERES NO TOMORROW
                                                            
                       TONY
WHAT DO YOU NEED MONEY FOR A RING
YOU WANNA PURPOSE WHAT IS IT
                                                            
SEAN LOOKS UP AT THE WAITER STEPPING IN PUTTING THE BEERS ON
THE TABLE THEN LOOKS BACK AT TONY
                                                            
                       SEAN
TONY I THINK SEE'S ROBBING ME
                                                            
                       TONY
WHY DO THINK THAT FOR
                                                            
                       SEAN
I KNWO WHAT I BEEN DOING OVER
THERE SINCE I OPENED AND EVERY
WEEK IT WAS JUST GETTING BETTER
THEN ALL OF A SUDDEN I WAS COMING
UP SHORT EVERY WEEK SHE TELLS ME
IT HASNT BEEN THAT BUSY AND MY GUY
HEAVY'S TELLING ME HE CANT
UNDERSTAND ITS BEEN BUST AS HELL
                                                            
                       TONY
HOW DO YOU KNOW HEAVY AINT CLIPPIN
YOU
                                                            
                       SEAN
THATS WHAT I SAID TO MYSELF BUT HE
HASNT BEEN AROUND HE'S STAYING
AWAY FOR A WHILE AND I STILL COME
UP SHORT WHAT AM I SUPPOSE TO DO
                                                            
                       TONY
I'LL TELL YOU WHAT I WOULD'NT DO
DONT CONFRONT HER A REALATIONSHIP
IS BUILT ON TRUST AND IF YOU LOVE
HER YOUR GONNA TAKE A BIG CHANCE
IN LOOSING HER
                                                            
                       SEAN
SO WATTA I DO I WENT OVER ALL THE
PAPER WORK NOTHING ADDS UP WHEN I
WORK OUT ALL THE NUMBERS THE PLACE
COMES UP EXACTLY A GEE A WEEK
            (MORE)

78.

                       SEAN (cont'd)
SHORT THATS FOUR GRAND A MONTH
                                                            
                       TONY
FOR NOW LET IT RIDE JUST KEP YOUR
EYES OPEN LIKE I SAID BEFORE
ALWAYS EXPECT THE WORST SO IF AND
WHEN IT HAPPENES AND YOU KNOW ONE
HUNDREAD PERCENT IT WONT BE AS
SUCH A SUPRISE
                                                            
TONY LOOKING AT SEAN AND SEAN LOOKING TOWARD THE STREET TONY
TAKES A SIP OF BEER
                                                            
                                         CUT TO
                                                            
 
INT. FEDS CAR - DAY
                                                            
SULLIVAN IN THE DRIVERS SEAT AND SATORA IN THE PASSENGER
SEAT LOOKING IN TONY AND SEANS DIRECTION
                                                            
                                         CUT TO
                                                            
 
EXT. OUT DOOR CAFE - DAY
                                                            
SEAN AND TONY STAND UP TONY GOING INTO HIS POCKET AND
GRABING MONEY AND THROWS IT DOWN ON THE TABLE SEAN BEGINS TO
WALK OUT TOWARD THE SIDEWALK WITH TONY FOLLOWING
                                                            
                                         CUT TO
                                                            
 
INT. FEDS CAR - DAY
                                                            
SATORA CONTINUOUSLY TAKING PICYURES AS TONY AND SEAN ARE
WALKING
AND TALKING WHILE USING HAND GESTURES
                                                            
                                         CUT TO
                                                            
 
EXT. SIDEWALK BLOCK OF OUTDOOR CAFE - DAY
                                                            
SEAN AND TONY SLOWLY WALKING AND TALKING
                                                            
                       SEAN
OH TONY HOW DID YOUR FRIEND MAKE
OUT
                                                            
                       TONY
WHO TONY
                                                            

79.

                       SEAN
YEAH
                                                            
                       TONY
YOUR COUSIN MIKE TO CARE OF IT THE
SAME NITE THEY WENT DOWN TO THE
PRIECENT AND SAID IT WAS'NT HIM
                                                            
                       SEAN
O YEAH GOOD
                                                            
TONY AND SEAN STOP BY A CIGAR STAND AND TONY BUYS A CIGAR
THEY CONTINUE WALKING WITH TONY LIGHTING HIS CIGAR HE TAKES
A COUPLE OF PUFFS HE THEN STOPS AND TURNS TO SEAN
                                                            
                       TONY
YOU KNOW I BEEN THINKING ALOT
ABOUT WHAT HAPPENED THAT NITE
                                                            
                       SEAN
WHAT NITE
                                                            
                       TONY
WHO KNOW THE NITE WHY I A
                                                            
                                         CUT TO
                                                            
 
INT. FEDS CAR - DAY
                                                            
SATORA SNAPPING PICTURES AT TONY AND SEAN AND CATCHES TONY
MAKING A PISTOL SYMBOL WITH HIS FINGERS BETWEEN HIS AND
SEANS STOMACH
                                                            
                                         CUT TO
                                                            
 
EXT. SIDEWALK BLOCK OF OUTDOOR CAFE - DAY
                                                            
                       SEAN
WHAT ABOUT IT
                                                            
                       TONY
I WAS JUST THINKING MAAYBE I
SHOULD OF DONE IT DIFFERENT
                                                            
                       SEAN
THERES ONLY ONE WAY YOU COULD DO
WHAT YOU DID WHAT OTHER WAY COULD
YOU HAVE DONE IT
                                                            

80.

                       TONY
I MEAN WITH YOU THERE MAYBE I
SHOULD'NT OF DID IT WITH YOU THERE
                                                            
                       SEAN
I KNOW WHAT YOUR SAYING BUT LISTEN
I HAVE'NT TOLD ANYONE ABOUT THIS
BUT I'M GONNA TELL YOU
                                                            
SEAN LOOKS UP AND TAKES A BREATH
                                                            
                       SEAN
I'M SURE YOU HEARD ABOUT THE
AMORED TRUCK HIEST DOWN ON MAINT
ST A COUPLE OF WEEK AGO
                                                            
                       TONY
YEAH THE ONE WITH THE FOUR GUYS
THEY KILLED DA....WAIT A MINUTE
THAT WAS YOU
                                                            
                       SEAN
YEAH IT WAS THE DAY AFTER YOU
                                                            
                       TONY
      (WAVING HIS HAND)
YEAH YEAH YEAH FORGET ABOUT IT
                                                            
                       SEAN
WELL ANYWAY I KNOW WHAT YOUR
TRYING TO SAY SOMETIMES WOU WISH
YOU DID CERTAIN THINGS BY YOURSELF
CAUSE YOUR ALWAYS GONNA ASK
YOURSELF WHO CAN YA TRUST
                                                            
                       TONY
ALRIGHT LETS GET THE FUCK OUT OF
HEAR WELL TALK IN A COUPLE OF DAYS
                                                            
TONY AND SEAN SHAKES HANDS AND PART WAYS
                                                            
                                         CUT TO
                                                            
 
INT. FEDS CAR - DAY
                                                            
SATORA WITH HIS HEAD TO SULLIVAN TO LEAVE
                                                            
                                         CUT TO
                                                            
 

81.

EXT. NICKY'S PLACE - NIGHT
                                                            
SEAN PULLS UP
                                                            
                                         CUT TO
                                                            
 
INT. FRONT BAR NICKY'S PLACE - DAY
                                                            
SEAN ENTERES THE PLACE HAS NO CUSTOMERS AND MARIA IS WIPING
DOWN THE BAR SEAN WALKS UP AND GIVES HER A KISS
                                                            
                       SEAN
ARE YOU SURE THIS WAS A GOOD IDEA
                                                            
                       MARIA
WHAT A GOOD IDEA
                                                            
                       SEAN
YOU WORKING HERE IT LOOKS LIKE
YOUR BAD FOR BUSINESS
                                                            
SEAN SMILES MARIA GOES TO SMACK HIM SEAN BACKING HIS FACE UP
                                                            
                       MARIA
      (LAUGHING)
FUCK YOU SEAN
                                                            
                       SEAN
I'M ONLY KIDDING BABY
                                                            
SEAN BEGINS TO WALK TOWARD THE BACK
                                                            
                       SEAN
ANYBODY HERE
                                                            
                       MARIA
JUST TONY AND NICKY
                                                            
SEANS STOPS AND LOOKS TOWARD MARIA
                                                            
                       SEAN
      (CONFUSED LOOK)
MY FRIEND TONY
                                                            
                       MARIA
      (LOOK OF DISGUST)
YEAH.......YOUR FRIEND
                                                            
SEAN WALKS BACK TOWARD MARIA
                                                            
                       SEAN
YO WHATS YOUR PROBLEM WITH TONY
                                                            

82.

                       MARIA
I JUST DONT LIKE HIM
                                                            
                       SEAN
MARIA STOP THE SHIT HE'S A STAND
UP GUY AND HE'S MY GOOD FRIEND AS
LONG AS HE SHOWS YOU RESPECT YOU
RESPECT HIM BACK
                                                            
MARIA ROLLS HER EYES AND SHAKES HER HEAD SEAN CONTINUES
THROUGH VELOUR CURTAIN
                                                            
                                         CUT TO
                                                            
 
INT. LOUNGE ARE - NIGHT
                                                            
SEAN ENTERS CONTINUING TO WALK THROUGH THE LOUNGE TO ANOTHER
VELOUR CURTAIN WHERE THER IS A HALLWAY THAT LEADS TO THE
BACK POKER ROOM AND A DOOR TO THE BASEMENT
                                                            
                                         CUT TO
                                                            
 
INT. HALLWAY - NIGHT
                                                            
SEAN ENTERS THE HALLWAY AND HEARS TALKING HE NOTICES THE
DOOR TO THE BASEMENT IS SLIGHTLY OPEN HE WALKS UP TO THE
DOOR AND LISTENS
                                                            
                                         CUT TO
                                                            
 
INT. BASEMENT STCK ROOM NICKY'S PLACE - NIGHT
                                                            
                       NICKY
I THINK HE HAD SOMETHING TO DO
WITH THAT HIEST
                                                            
                       TONY
SO WHAT IF HE DID......THE KID
CANT EARN
                                                            
                       NICKY
I'M NOT SAYING HE CANT EARN GOD
BLESS HIM BUT ITS A COINSIDENCE
THAT NOT ONLY MY MONEY'S OFF THE
STREET BUT HE KNOCKED HIS BILL OFF
TWO WEEKS LATER
                                                            
                                         CUT TO
                                                            
 

83.

INT. HALLWAY - NIGHT
                                                            
SEAN STANDING BY THE DOOR
                                                            
                       SEAN
      (UNDER HIS BREATH)
FUCK......SHIT
                                                            
SEAN WALKS BACK TOWARD DOWN THE HALLWAY MAKING NOISE SO HE
CAN BE HEARD
                                                            
                       SEAN
YO NICKY... TONY
                                                            
                                         CUT TO
                                                            
 
INT. NICKY'S PLACE BASEMENT - NIGHT
                                                            
NICKY WALKING OVER TOWARD THE BOTTOM OF THE STAIRS
                                                            
                       NICKY
WHO'S THAT? SEAN
                                                            
                       SEAN
      (OFF SCREEN)
YEAH
                                                            
                       NICKY
WERE DOWN HERE
                                                            
SEAN COMES JOGGING DOWN THE STAIRS TONY TAKES HIS BELT OFF
AND WRAPS IT AROUND NICKY'S NECK NICKY GOES TO GRAB THE BELT
FROM HIS NECK AND STRUGGLING TO BREAK LOOS FROM TONY'S GRIP
SEAN STANDS THERE IS IN A BIT OF SHOCK
                                                            
                       SEAN
TONY WHAT THE FUCK
                                                            
TONY SWINGING NICKY AROUND AND THROWING HIM ON THE FLOOR
FACE DOWN WITH HIMSELF ON TOP OF HIM SEAN PACES BACK AND
FORTH NOT KNOWING WHAT TO DO
                                                            
                       TONY
GRUNTING
                                                            
TONY'S FACE BEAT RED AND HIS TEETH GRINDING FROM USES SO
MUCH STRENGTH NICKY'S BODY FINALLY RELAXES TONY LETS GO OF
HIS HOLD TAKES HIS BELT OFF OF NICK'S NECK STANDS UP AND
STARTS TO PUT IT BACK THROUGH THE LOOP OF HIS PANTS SEAN
SITS DOWN ON THE STEPS WITH HIS ELBOWS RESTING ON HIS KNEES
BENDS HIS HEAD DOWN THEN BACK UP WITH OPENING HIS MOUTH AND
HIS HANDS IN DISBELIEF
                                                            

84.

                       TONY
      (A LITTLE OUT OF
       BREATH)
YOUR GIRLS UPSTAIRS RIGHT
                                                            
                       SEAN
YEAH!
                                                            
TONY GOES IN TO HIS POCKET TAKES MONEY OUT AND THROWS AT
SEAN
                                                            
                       TONY
TAKE THIS TELL HER NICKY WANTS HER
TO GO BANK AND GET CHANGE AND THAT
YOUR GONNA WATCH THE FRONT AS SOON
AS SHE LEAVES
                                                            
TONY HADNS SEAN HIS CAR KEYS
                                                            
                       TONY
GET MY CAR AND BRING IT AROUND
BACK
                                                            
SEAN TURNS AND JOGS UP THE STAIRS TONY TURNS AROUND AND
LOOKS AT NICKY WHILE ADJUSTING HIS CLOTHES
                                                            
                                         CUT TO
                                                            
 
EXT. AIRPORT PASSENGER PICK UP - DAY
                                                            
                                         CUT TO
                                                            
 
INT. CAR - DAY
                                                            
STEVE AND KEVIN SITTING IN A CAR WAITING FOR HEAVY KEVIN
LOOKING INTO THE CROWD
                                                            
                       KEVIN
IS THAT HIM
                                                            
STEVE LOOKING TO THE RIGHT MOVING HIS HEAD A LIITLE BIT
                                                            
                       STEVE
      (LAUGHING)
WATTA YOU THINK HE LOST FIFTY
POUNDS HE BEEN AWAY FOR A WEEK AND
A HALF
                                                            
                       KEVIN
NOT OVER THERE TO THE LEFT
                                                            

85.

STEVE LOOKING IN THE DIRECTION TO THE LEFT
                                                            
                       STEVE
O YEAH...... LOOK AT THAT THE
LIITLE FAT GUY LOST MAYBE TEN
POUNDS
                                                            
KEVIN SMIRKS
                                                            
                       STEVE
I'LL GO GET HIM
                                                            
STEVE BEGINS TO GET OUT OF THE CAR AND KEVIN QUICKLY GRABS
HIM BY THE ARM
                                                            
                       KEVIN
WAIT A MINUTE
                                                            
                       STEVE
WHAT WHATS THE MATTER
                                                            
                       KEVIN
LOOK AT THIS SHIT
                                                            
KEVIN POINTING WITH HIS HEAD STEVE LOOKING TWO GUYS IN SUITS
GRAB HEAVY BY HIS ARMS
                                                            
                       STEVE
SHIT
                                                            
STEVE AND KEVIN SLOUCH DOWN IN THIER SEATS A LITTLE BIT
                                                            
                       KEVIN
YOU FUCKIN BELIEVE THIS
                                                            
STEVE LOOKING RIGHT AT HEAVY
                                                            
                                         CUT TO
                                                            
 
EXT. AIPORT PASSENGER PICK UP - DAY
                                                            
THE TWO GUYS IN SUITS BEGIN TO ESCORT HEAVY AWAY HEAVY TURNS
HIS HEAD A BIT AND LOOKS THROUGH THE CROWD RIGHT AT STEVE
AND WINKS HIS EYE
                                                            
                                         CUT TO
                                                            
 
INT. CAR - DAY
                                                            
STEVE LOOKING IN HEAVY'S DIRECTION
                                                            

86.

                       STEVE
HE LOOKED RIGHT AT ME
                                                            
                       KEVIN
THIER COMING?
                                                            
                       STEVE
NOT THE FEDS HEAVY (PAUSE) HEAVY
LOOKED RIGHT AT ME (PAUSE) COME ON
LETS GO
                                                            
KEVIN BEGINS TO PULL AWAY
                                                            
                                         CUT TO
                                                            
 
INT. SPA - DAY
                                                            
SEAN AND MARIA STANDING BY THE COUNTER TALKING TO A MAN AND
HIS WIFE PEOPLE WALKING PAST IN THE BACKROUND KEVIN AND
STEVE ENTER KEVIN WALKING UP TO MARIA KISSING HER ON THE
CHEEK THEN TURNING TO SEAN
                                                            
                       KEVIN
HEY EXCUSE ME GUYS SEAN YOU GOT A
MINUTE
                                                            
SEAN LOOKING AT KEVIN AND STEVE NOTICING HEAVY AND WITH THEM
                                                            
                       SEAN
YEAH COME ON WE'LL GO TO MY OFFICE
                                                            
LOOKING BACK TOWARD MARIA AND THE COUPLE
                                                            
                       SEAN
EXCUSE ME
                                                            
SEAN BEGINS TO WALK AWAY FOLLOWING KEVIN AND STEVE
                                                            
                                         CUT TO
                                                            
 
INT. SEANS OFFICE SPA - DAY
                                                            
KEVIN STEVE AND SEAN ENTER SEAN CLOSES THE DOOR THEN GOING
TO THE SMALL WINDOW AND CLOSING THE BLINDS
                                                            
                       KEVIN
THEY GRABBED HEAVY AT THE AIRPORT
                                                            
SEAN TURNING AROUND
                                                            

87.

                       SEAN
      (LOUD)
FUCK
                                                            
SEAN THROWS HIS ARMS UP WITH HIS HANDS OPEND SHAKES HIS HEAD
THEN COMING DOWN SLAPPING HIS HANDS ON HIS DESK RESTING THEM
THERE AS HE BENDS OVER
                                                            
                       SEAN
WHERE?WHAT?WHAT HAPPENED
                                                            
                       STEVE
WE WENT TO PICK HIM UP(PAUSE) WE
WERE WAITING FOR HIM...THEY
GRABBED HIM ON THE WAY TO THE CAR
                                                            
SEAN LETS OUT A BREATH AND SITS IN HIS CHAIR LOOKING
STRAIGHT
                                                            
                       KEVIN
NOW WHAT
                                                            
SEAN LOOKS AT KEVIN
                                                            
                       SEAN
WATTA YOU MEAN NOW WHAT? (PAUSE)WE
WAIT
                                                            
THERES A MOMENT OF SILENCE AS SEANS THINKING
                                                            
                                         CUT TO
                                                            
 
EXT. MCC - DAY
                                                            
TRAFFIC PASSING BY PEOPLE WALKING UP AND DOWN THE STEPS IN
AND OUT OF THE BUILDING HORNS BLOWING ECT.
                                                            
                                         CUT TO
                                                            
 
INT. INTERGATION ROOM MCC - DAY
                                                            
HEAVY SITTING IN A ROOM WITH ALL WHITE WALLS AND NO WINDOWS
LOOKING AT HIS NAILS TWO FEDS WALK IN WITH YELLOW ENVOLOPES
IN THERE HANDS ONE OF THE FEDS PULL A CHAIR UP AND TAKES A
SEAT FACE TO FACE WITH HEAVY
                                                            
                       AGENT SATORA
MR.PUCHIO I'M GONNA INTRODUCE MY
SELF AGAIN I'M AM AGENT SATORA
                                                            
SATORA LOOKS UP AT SULLIVAN
                                                            

88.

                       AGENT SATORA
AND THIS IS AGENT SULLIVAN
                                                            
HEAVY LOOKING AT SATORA
                                                            
                       AGENT SATORA
ALRIGHT(LICKS HIS LIPS)I SEE WE'RE
NO GONNA BE FRIENDLY SO WE'LL GET
STRAIGHT TO THE POINT
                                                            
SULLIVAN HANDS SATORA THE ENVOLOPES SATORA OPENS IT AND SHOW
THE CONTENTS TO HEAVY HEAVY JUST LOOKS AT THEM
                                                            
                       AGENT SATORA
DO YOU KNOW WHAT YOUR LOOKING AT
                                                            
HEAVY LOOKS AT HIS NAILS AGAIN
                                                            
                       AGENT SATORA
I TELL YOU WHAT YOUR LOOKING.YOUR
LOOKING AT LIFE POSSABLY THE DEATH
PENALTY IF YOU DONT START TALKING
                                                            
HAEVY YAWNS THEN THERES A MOMENT OF SILENCE
                                                            
                       AGENT SATORA
OK(PAUSE) HOW ABOUT YOU AT LEAST
TELL ME WHY ON THREE DIFFERENT
OCCASIONS YOUR CAR WAS CAUGHT BY A
RED LIGHT CAMERA FOUR TO FIVE
TIMES A DAY FROM THE HOURS
                                                            
MAKES A WISE LOOKING FACE
                                                            
                       AGENT SATORA
LETS SAY NINE AM TO MAYBE AROUND
THREE PM PARKED IN A SPOT RIGHT AT
THE INTERSECTION OF MAIN ST AND
THE DRIVEWAY OF A DINER THATS SITS
DIRECTLY ACROSS THE STREET FROM A
BANK WHERE THERE WAS A AMORED
TRUCK HIEST THAT LEFT ONE OF THE
GUARDS BY COINCIDENCE THAT HAPPENS
TO BE A COUSIN TO A FRIEND OF
YOURS THAT NORMALLY DOES'NT CARRY
A LOADED WEAPON DEAD
                                                            
HEAVY IN A DEAD STARE AT SATORA
                                                            
                       AGENT SATORA
AND YOU WANNA KNOW THE BEST PART
(PAUSE)THE SHOOTER(PAUSE) HE WAS
FAT
                                                            

89.

                       HEAVY
I'M SORRY YOU SAID YOUR NAME WAS
SATORA
                                                            
                       AGENT SATORA
YES SATORA AND SULLIVAN
                                                            
                       HEAVY
AM I UNDER ARREST
                                                            
                       AGENT SATORA
WELL(PAUSE) WERE GONNA GO GET A
BITE TO EAT AND GIVE YOU SOME
ALONE TIME TO THINK ABOUT WHAT WE
SPOKE ABOUT AND WHEN WE COME BACK
WE'LL MAKE OUR DECISION
                                                            
SATORA STANDS UP THEN HEAVY STANDS UP
                                                            
                       HEAVY
I GOT ONE BETTER
                                                            
                       AGENT SATORA
AND WHATS THAT
                                                            
                       HEAVY
I'M GONNA LEAVE AND GO GET MYSELF
SOMETHING TO EAT AND YOU GUYS CAN
SIT HERE AND THINK ABOUT WHAT YOU
SPOKE ABOUT
                                                            
HEAVY BEGINS TO WALK OUT SATORA STILL LOOKING STRAIGHT AND
SULLIVAN TURNS TO WATCH HIM
                                                            
                       AGENT SATORA
CAN I ASK YOU SOMETHING
                                                            
HEAVY TURNS AROUND
                                                            
                       HEAVY
WHY WOULD I STOP YOU NOW
                                                            
                       AGENT SATORA
WHY DID YOU AGREE TO COME WITH US
FOR QUESTIONING
                                                            
                       HEAVY
THERES ONE THING I LEARNED GROWING
UP IF SOMEONE IS WILLING TO TALK
YOU CAN GET SMART BY
LISTENING...GOOD NITE GENTLEMEN
                                                            

90.

HEAVY WALKS OUT THE DOOR SULLIVAN WATCHES SATORA THROWS THE
PICTURES
                                                            
                                         CUT TO
                                                            
 
EXT. TONY'S CONSTRUCTION SITE - DAY
                                                            
SEAN LEANING UP AGAINST THE HOOD OF HIS CAR AND TONY WALKS
OVER
SEAN LEANS UP OF HIS CAR AND THEY START WALKING SLOWLY
THROUGH THE SITE
                                                            
                       TONY
YOU DONT LOOK GOOD WHATS A MATTER
                                                            
                       SEAN
THE FEDS GRABBED HEAVY WHEN HE GOT
OFF THE PLAIN YESTERDAY
                                                            
                       TONY
AND WHAT HAPPENED
                                                            
                       SEAN
I HEARD HE GOT OUT A FEW HOURS
LATER BUT WE HAVENT HEARD FROM HIM
YET
                                                            
                       TONY
DID YOU CALL HIM
                                                            
                       SEAN<