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by Roshdy Ahmed (roshdy2k2@yahoo.com)

Rated:

Genre: Action/Adventure User Review:

FADE IN:

EXT. OCEAN - NIGHT

A small dark fancy yacht sailing slowly. Almost with no
lights on. A man on deck, smoking a cigarette in the fresh
air.

INT. BELOW WATER SURFACE - NIGHT

Going deep, so deep where no man can go. There is a small
submarine. Close to sea bed.

INT. INSIDE SUBMARINE - NIGHT

It's empty, not a single person on board. Only computerized
stuff and a silver cylinder shaped container.

EXT. YACHT'S DECK - NIGHT

Man who was smoking, is on the floor and his throat has been
cut. Fresh wound, still bleeding. Some one is dragging his
body to hide it.

INT. YACHT NAVIGATION ROOM - NIGHT

Many screens like it's a space ship and not just a yacht.
One man, Marine type, handles the navigation systems and
drinks beer. This man is TIMER.

Another young man walks in. Tall with strange blue eyes.
This is PETE. He stands a few feet behind TIMER's back.

PETE
Maverick said he doesn't need a
drink right now.

TIMER
Funny. He used to drink like a
fish.

PETE
How deep is our sub. now?

TIMER
Six thousand feet.

PETE
Can it really take that pressure?!

TIMER
Best unmanned sub. Most secured
way to transport nuc. stuff.

            PETE
      (hand on pistol's
       but in waist-band)
Secured!

As Timer turns around to Pete;

Bang! Bang! Timer receives 2 bullets in his chest. He falls
down.

TIMER
(dying)
Pete!!!

PETE
I am not Pete. Pete is dead. I had
a plastic surgery to look like him
and because of the bloody eye scan
security systems you use in
America. The doctors made an eye
exchange between me and Pete.

Timer is on the floor and bleeding. There is a big red
emergency button, a couple of inches above his head on the
wall. He makes a hopeless attempt to push the emergency
button but a bullet blows his brains out on the wall.

The killer moves to the computer. He tabs so quickly on the
keyboard.

On computer screen: Reprogram locator's chip. Change
submarine course.

The killer removes a micro-chip from the computer. Gets out
a cell phone and dials a saved number.

PETE
(in cell phone)
You can come now. Now only the
chip can locate it... No, even the
satellite lost contact with it.

INT. NSA - NIGHT

Big room, many screens, computers, telephones and a staff of
about forty. Some are military and the rest are dressed like
civilians. Too much activity, faces look seriously alerted.

A senior military official is watching them from his office
through a picture window and talking to a man wearing a
suit.

INT. MILITARY OFFICIAL'S OFFICE - NIGHT

MILITARY OFFICAL
Nothing yet?!!! Our Nuclear
shipment just disappeared!!! All
that because the bloody micro-chip
is gone!

SUIT MAN
Sir, the encryption system must
have been reprogrammed, that's why
our satellite can't track the
submarine any more. We need the
chip.

MILITARY OFFICAL
So... what if we couldn't retrieve
the chip?!

SUIT MAN
Well...then we will never find the
submarine.

MILITARY OFFICAL
Never...

The man nods his head as he tries to hide his fear.

MILITARY OFFICAL
You and your entire team are
FIRED...GET OUT...

SUPER: ONE WEEK LATER.

INT. CIA - LANGLEY - DAY

OFFICE ROOM

            CIA DIRECTOR
      (on phone)
...we received a tip from his
mistress. We'll clean the NSA mess
            (MORE)

CIA DIRECTOR (cont'd)
and retrieve the chip. Yes, Mr.
President...

EXT. SNOW MOUNTAINS - NIGHT

SUPER: UKRAINE

We see great mountains covered with snow, and a huge Palace.

Not so, far from the palace, there is a cliff. The cliff
leads to a frozen lake, 1000 feet below. On the side of the
mountain, there are beautiful giant glaciers leading to that
lake. The lake is covered with a thin layer of ice.

At the lake there is a white jet ski coming at high speed,
cutting its way through the ice layer covering the lake.
Heading towards the glaciers.

A man dressed in white with big backpack, special forces
custom and gear, riding it. This is:

Agent BRAD, CIA assassin and spy. Modern handsome HERCULES.

He reaches the glaciers, turns off the engine, opens a box
on the side of the jet ski, gets out some climbing gear. He
starts climbing the icicle like a professional.

He has a Raven pro ice axe in his right hand.

We see him climbing the icicle upwards.

DISSOLVE TO:

INT. CIA HEADQUARTERS - SMALL ROOM - NIGHT

BIG SCREEN showing Brad climbing. High angle view obviously
of a satellite monitoring Brad. Man watching and talking to
Brad through microphone.

This man is MARVIN, old CIA agent, with wolf eyes, grey
hair, silver Rolex on his wrist. Sitting at a station
equipped with cutting edge technology monitoring and
communication devices and computers.

MARVIN
(in mic.)
How is the weather?

BRAD (O.S.)
Come check it yourself.

MARVIN
Prefer to watch. You checked your
guns?

BRAD (O.S.)
No, I forgot them at home mom.

            MARVIN
      (looks at another
       screen)
Not bad.

The other screen shows the palace over the top of the
mountain, close to the top of the glaciers. It is heavily
guarded. Looks like a castle.

MARVIN
There are twelve guards.

BRAD (O.S.)
(sarcastically)
Really! where?

MARVIN
In your ass.

BRAD (O.S.)
No mom, I am in theirs.

MARVIN
The waterfall cliff's angle is
covering you from the upper side
for whoever is on the mountain,
can't see you from up there.

BRAD (o.s.)
I know that.

MARVIN
Keep going soldier.

ON BRAD

Still climbing like an athlete, as fast as he can.

He is now about 300 feet up .

CUT TO:

EXT. ANOTHER PART IN THE MOUNTAINS - SAME TIME - NIGHT

A white Hummer vehicle with special snow wheels, soaring
through the snow unpaved way in the mountain. Tough ride.

INT. INSIDE THE HUMMER - NIGHT

A man dressed like Brad. KEN CIA agent. Muscular neck, left
cheek scar, looks like an ex-convict. 40 years old. Enjoying
the rough ride at high speed.

            KEN
      (speaks over tac.
       radio)
Marv. I'm almost there.

MARVIN (O.S.)
Right on schedule, keep going.

KEN
Roger that.

RETURN ON BRAD.

EXT. THE GIANT GLACIERS - NIGHT

Brad now is about 700 feet high. Still using his axe.
Another stab in the icicle causes:

ICE CRACK

A crack line runs its way down. Its starting point is a hole
made by Brad's axe.

MARVIN (O.S.)
(tense)
Brad!!! Brad do something...

Brad holding to his axe with his right hand and going down
at very high speed with the icicle's non stopping crack
line.

Reaching with his left hand's tethered ice pick trying to
stop his descent, but it's no use.

The crack line stops. Brad's hand slips off the axe. He is
falling down to his death.

Brad draws out two sharp daggers and sticks them hard in the
ice. Still sliding down but slower, then slower, till he
stops.

MARVIN (O.S.)
Thank God!

BRAD
I'm okay now.

MARVIN (O.S.)
Screw you, just don't waste my
operation.

BRAD
Go to hell!

MARVIN (O.S.)
Should have used your parachute
asshole.

BRAD
(Sharp tone)
Didn't need it bitch.

Brad is climbing again, real fast, going up and up.

CUT TO :

EXT. ANOTHER PART IN THE MOUNTAINS - NIGHT

Ken opens a big electric fuse box attached to the ground.
Electric wires connected to it and going up to the trees
across the mountain.

            KEN
      (over tactical
       radio)
I am ready Marvin.

MARVIN (O.S.)
Wait for my word.

INT. MARVIN'S ROOM - CIA HEADQUARTERS - NIGHT

            MARVIN
      (in microphone)
Remember Brad, when you reach the
top, Ken will cut off the electric
current of the palace. The
surveillance cameras will stop for
fifteen seconds only until the
palace electricity generator
automatically switches itself on.
If you are not in, they will see
your ugly smiley face on their
            (MORE)

MARVIN (cont'd)
screens.

BRAD (O.S.)
(hyperventilating)
Thank you for reminding me mom.

RETURN ON BRAD

EXT. THE GIANT GLACIERS - NIGHT

Now Brad is about fifty feet from the top and the distance
is decreasing. Climbing quickly. Going up and up. Great
persistence as if trying to win a gold Olympics medal.
Higher and higher now about ten feet only to the top of the
one thousand feet high cliff.

            BRAD
      (hyperventilating
       - over tac. radio)
I am ready...

MARVIN (O.S.)
Stop and give yourself a break for
a couple of minutes.

            BRAD
      (hyperventilating,
       low tone - over
       tac. radio)
I don't need a break... I am ready
now.

DISSOLVE TO :

INT. MARVIN'S ROOM - NIGHT

MARVIN (O.S.)
(sharp tone)
You'll have to run to the back
door in five seconds only. Now
take a damn break unless your
position is unstable.

BRAD (O.S.)
Okay...

MARVIN
(in microphone)
Ken... when I start my count down,
on one you will cut off the
electricity of the palace.

KEN (O.S.)
Yes Marvin.

            MARVIN
      (in mic - very
       serious)
Soldier Brad... REMEMBER the
cameras will stop for ONLY 15
SECONDS till the palace back up
electricity generator starts
working.

            BRAD (OS)
      (so calmed- low
       tone)
I know it all Marvin.

MARVIN
(overrides)
Brad you will run to the backdoor
in five seconds maximum.

BRAD (O.S.)
(bored)
Yeah... yeah five seconds running
and opening in five... this is 10
seconds, only five will be left to
do the rest okay. I know, I sware.

MARVIN
(in mic. - angrily)
After you are in switch on your
radio signal distractor.

BRAD (O.S.)
(in tac. radio)
And why not?!

MARVIN
(in mic.)
Ken ARE YOU READY?!

CUT TO:

10.

EXT. ANOTHER PART OF THE MOUNTAIN - NIGHT

ken stands next to his vehicle. Has a machine gun with a
silencer. Aims it at a cable high over the trees. His finger
on the trigger.

KEN
I am ready.

MARVIN (O.S.)
Three, two, one.

Ken blows away the cable.

CUT TO:

INT. MARVIN'S ROOM - NIGHT

On the screen we see palace lights are out.

MARVIN
(in mic.)
Go Brad...

EXT. THE GIANT GLACIERS - NIGHT

Brad is still hanging on the ice wall, his head is only
one foot to the top. Jumps up from his position on the wall
to be over the top of it. Sprints like a track star. Heading
a little to the right side towards the palace's backdoor
which is about one hundred feet away with a camera over it.

            MARVIN (O.S.)
      (in Brad's
       earphone)
fifteen, fourteen...

Brad runs, pulls out from his pocket a shiny tiny metal tube
with a small box attached to it and a thermal heat scanner
small device.

            MARVIN (O.S.)
      (in Brad's
       earphone)
Thirteen, twelve, eleven...

By eleven, Brad reaches the door. Wooden and big with an
electronic metal locker on its left side. The moment Brad
reaches the door, he scans for body heat through the door.
Shows no one behind it.

11.

Brad is cutting through the door drawing a line above the
locker another on its right side and a third one below it,
using metal tube which is pouring thermite substance eating
the door, without touching the locker or the wall on the
left side of the door. So that the locker remains untouched,
he cuts only around it.

            MARVIN (O.S.)
      (in Brad's
       earphone)
remember coridor camera, nine...

Still cutting through the door.

            MARVIN (O.S.)
      (shouting in
       Brad's earphone)
Eight, seven. DAMN IT.

BRAD
(nervous)
Should've brought me laser!!!

            MARVIN (O.S.)
      (in Brad's
       earphone- Yelling)
6, 5 SECONDS THEN THEY SEE YOU ON
SCREEN.

Brad still cutting through the door.

            MARVIN (O.S.)
      (in Brad's
       earphone- Mad)
Four, three, two...

Brad opens the door and gets in. He shuts door behind him
and lowers night vision device goggles to be on his eyes.

INT. INSIDE PALACE - NIGHT

            MARVIN (O.S.)
      (in Brad's
       earphone-
       shouting)
One Second. Coridor camera!

By one Brad kicks in the surveillance room on his left while
pushing his night vision device up after it was on his eyes.
Two men on seats facing the monitors caught by surprise.
Room lights are back, Brad fires twice with his pistol which

12.

is equipped with a silencer. One bullet for each face. Two
brains blown out of sculls.

INSERT MONITOR SCREENS:

On the monitors of the surveillance room Brad is in; we see
on one of them the corridor and the door on the left is
getting shut, on another monitor next to it we see the back
door that Brad cut with thermite. The door is closed and
looks normal. We see many other places in the palace on
several monitors.

BACK TO SCENE

            MARVIN (O.S.)
      (In Brad's
       earphone-angrily)
Hope the corridor camera didn't
see you. And you FORGOT to turn
your radio signal dis-tractor on.
If one of them had the chance to
push on his radio button THEN your
silenced pistol bullets would be
heard through the radio by the
other guards. They could be on
their way to you right now.

            BRAD
      (so calm- looking
       at the monitors)
I don't think the corridor camera
saw me.

            MARVIN (O.S.)
      (in Brad's
       earphone)
You don't think!!! That's really
comforting Brad.

            BRAD
      (getting equipment
       out of his
       backpack)
And my shots would have got heard
if I was a slow ass shooter like
you are. They had no chance to
touch their radios. I am sure. Now
let me attach your tricky devices
to their radios so that you answer
their calls on behalf of them like
a secretary. Is your Russian still
rusty?!

13.

            MARVIN (O.S.)
      (in Brad's
       earphone-
       incredulously)
You are in a mood for jokes! Send
me their photos first to match
them with the voice frequencies I
have.

Brad gets out of his Backpack small cubic devices with wires
and attaches them to the radios of the guards. Then he gets
out of his backpack an automatic screwdriver. He sets to
work on the security panel below the monitors.

            MARVIN (O.S.)
      (in Brad's
       earphone)
They could be coming for you right
now.

BRAD
(cold as ice)
They could be coming for me right
now.

The screwdriver undoes the four screws and Brad lifts the
security panel away and gets out of his backpack a tiny
computer with two wires protruding from it. Brad connects
the wires into the heart of the security panel. Tabs on the
keyboard.

BRAD
(in tac. radio)
Okay Marvin, it's ready.

DISSOLVE TO :

INT. MARVIN'S ROOM - NIGHT

            MARVIN
      (in microphone-
       tabbing keyboard)
It's working... Seventy more
seconds and I will have control on
the computer connecting the two
surveillance rooms. Then in the
other surveillance room they will
see on the surveillance monitors
only what I allow them to see. I
have to record what I see now and
play it over again during the
short moments of your moving from
            (MORE)

14.

MARVIN (cont'd)
one place to another.

BRAD (O.S.)
Why don't you just freeze their
camers?!

MARVIN
This will freeze the time watches
that appear on their screens
idiot.

Marvin is facing two huge screens, each of them is divided
into many small screens. The first huge screen displays what
the cameras really show. The second displays what Marvin
wants them to watch. Marvin is working so quickly tabbing
and pushing buttons on his keyboard and other external keys
in other devices connected to his computer.

BRAD (O.S.)
Are you done?!

MARVIN
Almost...

BRAD (O.S.)
Time is up.

MARVIN
Done... Now get out and walk down
the corridor. They will only see a
record of the empty corridor.

DISSOLVE TO :

INT. INSIDE PALACE - NIGHT

Brad walks out of the surveillance room, closes its door in
complete silence, walks down the corridor. It leads him to a
big hall. He looks carefully around, he can see no one.

            MARVIN (O.S.)
      (in Brad's
       earphone)
It's clear. Proceed to the office.

The lights in the hall are not all on, we see a big curved
staircase on the left side, it leads to the upper floors.
The stairs are covered with a beautiful red carpet. Two big
rooms on the left and two other rooms facing them on the
right. Facing the staircase is the main entrance door.

15.

Brad moves in cautiously but fast, getting out of the
corridor we see him on the left side of the staircase. He
reaches the stairs, going up, then we hear the laughs of a
few men. The sound comes from a room across the hall.

            MARVIN (O.S.)
      (in Brad's
       earphone)
Take cover... Some one is getting
out of the dinnnig room.

Brad jumps over the staircase handrail and climbs to the
handrail of the upper floor. But as smoothly and as lightly
as a cat does. Making no sound at all.

A guy comes out from the room and walks towards the main
door, opens it and goes out, then closes it. Brad walks
towards a door on the second floor.

            MARVIN (O.S.)
      (in Brad's
       earphone)
No camera inside the office so
check it with body heat scanner
before you open its door. I have
no visual for what's inside it.

Brad moves his body heat scanner on the door, smoothly opens
the office's door. Then he gets inside it. It is dark. He
uses his night vision device.

BRAD
(in tac. radio)
If they noticed that a guard
walked out of the house and they
didn't see him on their
monitors...

            MARVIN (O.S.)
      (in Brad's
       earphone-interrupting
       Brad)
The moment you went upstairs they
saw the hall real scene again. So
they saw him walk out like I did.
And they didn't see you on the
second floor because I was showing
them an empty scene for it because
I knew you were going there. Now
shut up and find the microchip.
The safe is behind the portrait.

16.

BRAD
(in tac. radio)
Don't you think that's a little
too typical?!

            MARVIN (O.S.)
      (in Brad's
       earphone)
Just check it.

Brad gets out of his backpack a small device and scans with
it the safe's front.

BRAD
Negative. I'll check the desk.

Brad scanning the desk. Scanning the chairs, the portraits,
the walls.

            MARVIN (O.S.)
      (in Brad's
       earphone-out of
       patience)
Anything Brad?!

BRAD
Non... I am even scanning the
walls.

            MARVIN (O.S.)
      (in Brad's
       earphone)
No time for that. Head to his
bedroom on the third floor.

BRAD
Okay.

A helicopter's sound.

EXT. THE FRONT YARD OF THE PALACE - NIGHT

HELICOPTER LANDING

Guards are alerted, three Guards rush towards the
helicopter.

17.

INT. OFFICE ROOM - NIGHT

BRAD
(in tac. radio)
I hear a chopper.

            MARVIN (O.S.)
      (in Brad's
       earphone)
Shit, he is back.

BRAD
Damn it!

            MARVIN (O.S.)
      (in Brad's
       earphone)
Get out quickly...

BRAD
(in tac. radio)
I did not climb that ice-fall for
fun.

            MARVIN (O.S.)
      (in Brad's
       earphone)
You stand no chance... you can't
overcome a dozen of armed guards
single handed.

BRAD
(over tac. radio)
Yes I can if you fill me in with
their exact positions during the
battle. And you blind their
survellance too.

INT. THE MAIN PALACE HALL - NIGHT

The main door opens and three men walk in. An old Russian
man with military face wearing a fancy brown fur coat.
Accompanied by two men wearing dark coats armed with UZI
mahine guns, obviously his bodyguards. One of them is
holding a briefcase. Heading to the stairs. A huge
chandlier's light is swithced on.

18.

INT. OFFICE ROOM - NIGHT

BRAD
Show me everything my mobile
screen.

            MARVIN (O.S.)
      (in Brad's
       earphone)
Done...SHIT!!!

BRAD
(in tac. radio)
what?!

            MARVIN (O.S.)
      (in Brad's
       earphone)
A guard is at the back door which
you have cut with thermite to get
in. He is trying to use his radio
but I am blocking his radio signal
by intercepting with it through
the devices you attached to their
radios. I am breaking their
frequency.

EXT. OUTSIDE THE PALACE - AT THE BACK DOOR OF IT - NIGHT

A guard is alerted by the cuts in the door round the
electronic locker, he tries to use his tactical radio but no
signal. He opens the door and rushes in the corridor.

INT. THE CORRIDOR - NIGHT

The alerted guard opens the surveillance room and finds the
two dead guards.

INT. OFFICE ROOM - NIGHT

Brad looks at his cell phone.

INSERT

BRAD'S CELL PHONE SCREEN:

Showing the guard getting in the surveillance room on half
the screen. The other half showing the Russian old man going
upstairs.

19.

INT. PALACE - OUTSIDE OFFICE ROOM - NIGHT

OLD MAN WALKING UP THE STAIRS FROM THE HALL.

Brad gets out of the office and opens fire aiming at the
bodyguards with his machine gun - killing them. The old man
trembles while trying to avoid the fire, so he falls down
and rolls down on a few stairs.

At the same moment the guard who was in the surveillance
room went out of it, then out the corridor opening fire at
Brad. Bang bang bang but Brad is in a higher position. He
ducks and shoots the guard in his forehead. Blood pops out
from the back of the guard's head.

The old man crawls to hide behind the staircase on its left
side. He tries to make it to the kitchen with a pistol in
his hand. In the same moment four guards with AK 47 MACHINE
GUNS rush in through the main door and others on their way
down from upstairs third floor.

Brad jumps over the handrail facing the office door, to hang
with one hand to the huge chandelier while firing at the
guards coming through the front main door. Two are down and
bleeding but two untouched firing at Brad who is swinging to
the other side to land over the old man by a crazy acrobatic
move. The old man's gun falls from his hand. And Brad seizes
him from the neck by his left arm. Brad uses the old man as
a covering shield, like a hostage.

SPEAKING RUSSIAN

BRAD
(to old man)
Order them to cease fire or die
with me.

OLD MAN
You are a dead dog.

            BRAD
      (gun pipe to man's
       head)
Order them or join me in a grave.

            MARVIN (O.S.)
      (in Brad's
       earphone)
Corridor, three guards.

20.

Three armed guards with AK47s. Running in corridor to attack
Brad the moment they come out to face him. Brad alerted,
quickly aims his compact machine gun equipped with grenade
launcher. Fires the moment he aims at the corridor.

BOOM!!!

Explosion. Three guards down some body parts are out of the
corridor, torn and bloody. Brad's gun pipe back to previous
position pointed to old man's head again. During all what
just happened Brad kept the old man as a cover.

            MARVIN (O.S.)
      (in Brad's
       earphone)
Three guards are upstairs.

BRAD
(shouting)
Three armed gentle-men are
upstairs, better come down here,
join our party and try nothing
stupid or I WILL BLOW HIS BRAIN
OUT. RIGHT NOW GET DOWN HERE...

All guards look so tense. Brad's back is to the wall of the
left side of the staircase and still has the old man as a
human shield. No clear shot to his head even from upstairs,
old man might receive the bullet instead of Brad.

The three guards desperately come down to the hall adding to
the two who were there already. All aiming at Brad.

            MARVIN (O.S.)
      (in Brad's
       earphone)
Another one is still upstairs.

BRAD
(Shouting)
The idiot upstairs better get down
now.

The guard reluctantly obeys and goes down to the hall. Now
there are six guards in the hall.

BRAD
(to the guards)
Now all of you back off away from
the stair-case. MOVE BASTARDS OR
HIS DAMN DEATH WILL BE YOUR
RESPONSBILITY.

21.

Brad almost carries the old man and keeps him as a shield.
Going upstairs, moving cautiously but fast. His back to the
stairs. He is going up and his face to the guards. He gets
in the office - still with the old man - Brad closes the
door behind him after they are both inside the office.
Guards rush upstairs.

INT. OFFICE ROOM - NIGHT

Brad puts man's face facing the door almost smashed on it.
Locks door with an old sliding inner locker. Frisks the man
for a gun, finds non.

            MARVIN (O.S.)
      (in Brad's
       earphone)
One shot in corridor, two shot at
main door and three killed in the
explosion. Six down and six to go.
Two of them are outside the office
door and two are going upstairs
and two are getting out of the
main door.

OLD MAN
(to Brad)
You better surrender, my men must
have called more troops by now.
You stand no damn chance.
Surrender now, give me a reason to
spare your life...

            BRAD
      (to old man-
       interrupting him)
Where is the microchip?

            OLD MAN
      (turning around to
       face Brad)
What chip?!

BRAD
The locator's chip. I need it to
locate the bloody POLONIUM
SHIPMENT.

OLD MAN
(smiles)
I don't know anything about it.

22.

            BRAD
      (to old man)
Fine...
      (in tac.
       microphone - in
       English)
Show me soldiers behind the office
door.

            MARVIN (O.S.)
      (in Brad's
       earphone)
Done... On your mobile screen.
Fire two o'clock.

            BRAD
      (kicks old man's
       legs- speaks
       Russian)
Duck doggy.

Brad opens fire through the door killing the two guards out
side it.

            MARVIN (O.S.)
      (in Brad's
       earphone)
Great two more are down. Four to
go.

BRAD
(to old man)
Now you.

Brad shoots the old man's right foot once and puts his hand
on the man's mouth squeezing his mouth like a lemon. Old man
in severe pain, not even able to scream and the veins of his
face are popping out.

BRAD
(furiously)
I want it now.

Brad lets go of the man's mouth. Old man opens his watch on
his left wrist and gets a tiny shiny microchip out of it,
Brad grabs it quickly.

DISSOLVE TO:

23.

EXT. OUTSIDE PALACE WINDOW - NIGHT

A guard is hanging upside down with a rope from a window at
the second floor. Descending to reach the window of the
office room which Brad is in.

DISSOLVE TO:

INT. MARVIN'S ROOM - NIGHT

INSERT:

SATELLITE SCREEN SHOWING THE PALACE - UPPER ANGLE.

We see the guard descending on the wall of the palace.

MARVIN
(in microphone)
BRAD! BEHIND YOU.

DISSOLVE TO:

INT. OFFICE ROOM - NIGHT

Brad turns around in a spin and shoots the guard on spot in
the head the instant the top of the guard's forehead shows
outside the window.

BRAD
(in tac. radio)
Three to go.

Brad turns around to the old man as the old man pulls the
trigger of a pistol aimed at Brad's face. Brad barely avoids
it by bowing and Shoots the old man in the face. We see a
book opened on a shelf next to the old man. Obviously the
pistol was hidden in it.

            MARVIN (O.S.)
      (in Brad's
       earphone)
Brad! Do you copy?!

BRAD
(in tac. radio)
I do. My hostage is gone. But I
have the chip.

24.

            MARVIN (O.S.)
      (in Brad's
       earphone)
Oh! oh no! no!

BRAD
(In tac. radio)
What?!

            MARVIN (O.S.)
      (In Brad's
       earphone)
I am losing the surveillance
signal. I think the explosion in
the corridor affected the
connection.

BRAD
Never mind. I believe there is
still one upstairs and two went
outside but they could be back in.
Plus a chopper outside. Let's rock
and roll...

            MARVIN (O.S.)
      (in Brad's
       earphone)
What do u mean?! Didn't you hear
me?! I said I can't be your eyes
inside the palace any more.

A VOICE FROM OUTSIDE THE OFFICE, FROM THE HALL - IN RUSSIAN

GUARD
(rough voice)
You have no way out. RELEASE the
general now.

BRAD
(in tac. radio)
Show me on my mobile your
satellite vision of the palace. I
shall draw the guards attention to
one side of the palace and escape
from the other.

Brad reloads quickly and removes the pins of two silver
colored grenades, written on each of them C-4.

BRAD
(to himself)
One, two, three, four,
inescapable.

25.
By four Brad throws one grenade through the door and the other through the window of the office they both explode by five leaving no time for any one to escape from them the moment they become in sight. BOOM! Brad runs out of the office to the other side of the palace but on the same floor. Firing at the bleeding soldier who is at the hall still alive but wounded by the last explosion. Brad gets in a room shoots a window to weaken it, jumps through the window breaking though what's left of it, to land on the snow.


EXT. AT THE BACK YARD OF THE PALACE - NIGHT

THE SAME WAY HE USED TO COME TO THE PALACE LEADS TO CLIFF.

Brad lands on the snow. A guard firing at him from the top floor. Brad jumps and shoulder rolls on the snow trying to avoid bullets and opens fire at the source of the bullets raining down on him from the top floor. On his feet again. Exchanging fire while running to jump off the cliff. Brad reaches the cliff and jumps in the air, opens his parachute - escaping.

Going down next to the glaciers he previously climbed. A grenade is dropped over his parachute in a couple of seconds it explodes. BOOM! Parachute torn apart. Brad going down real fast from a lethal height. ICE CRACKS caused by the explosion. Brad falls sharply into the lake, goes deeply below water surface. So deep. Struggling to go up. Bleeding from his mouth.

Brad surfaces, barely breathing. The ice cracks caused by the grenade's explosion makes ice rocks fall down. Brad looks up, He can see huge ice rocks shattered and coming down to fall over his head. No time but to dive.

Brad diving and the rocks fall and slam into the water over Brad, Brad struggling to avoid the rocks that seem to be endless. Lots of rocks splashing over Brad.

BLOOD IN WATER.

Brad coming up to surface again. His ear piece and tactical radio are not on him any more. Brad's head busted. He is motionless.

26.

INT. MARVIN'S ROOM - NIGHT

Watches satellite screen: Brad is motionless in the river.

            MARVIN
      (in mic.)
BRAD!!! BRAD!!!
      (switches
       frequency)
KEN...

KEN (O.S.)
Here! No need to shout in my
bloody ear.

MARVIN
Go get Brad. He is at the lake.

INT. IN KEN'S SNOW VEHICLE - NIGHT

MARVIN
(in mic.)
I'll have to go around the whole
damn mountain!!!

MARVIN (O.S.)
Brad has the chip on him. He may
be dead, so you must bring it. Now
go. I have you too on my sat.
screen I'll guide you to him.

Snow vehicle speeds up.

EXT. LAKE - NIGHT

Brad's motionless body is on water surface. Writhes
suddenly. Brad opens his eyes. Still alive staring at the
face of death.

Brad barely gets to his jet ski that he previously left when
he first came before climbing up the ice-fall. He tries to
start its engine. It's not working. Brad tries again and
again.

HELICOPTER ROTORS.

Helicopter's sound. Jet Ski engine starts. Bullets rain down
over Brad on jet ski.

Brad rides at high speed. Craziest and toughest jet skiing
ever across an ice lake. Jet ski bumping in ice layer

27.
covering the lake shattering the thin pieces and stumbling over the thick ones. Sliding, bumping causes jumping. Very rough, very fast and very skillful riding with bleeding lips and head.

Bullets shower Brad and the jet ski he is on. Rough jump then steep move to make the nose of the jet ski dive, same move repeated by Brad again this time he succeeds in making the whole jet ski get below water surface for a second. He repeats it again but this time he lets the jet ski go up over water surface by itself and Brad remains below water surface.

The helicopter men are looking for Brad. They saw the Jet ski going below water surface with Brad over it, then it came up with very high speed of course because it is not designed to dive. It came up with out Brad. They open fire at the lake randomly.

Below water surface we see Brad using rocket launcher shooting the helicopter down. BOOM! Huge fire ball in the sky and the burning twisted metal wreckage falls in the lake.

Brad swims to reach his jet ski which is now about fifteen feet away from him, he gets over it and rides again, for a while till he reaches land. He gets off his jet ski and puts on his skiing gear.


EXT. SNOW COVERED FOREST - NIGHT

Brad skis through the pines.

A HELICOPTER ROTORS.

Brad turns his head to find an army helicopter equipped with machine guns and small missiles - coming at him. Bullets chase Brad, he skis between the thin trees in the forest, dodges fire everywhere. Adding to bullets rain there is a gun shooting fire flames and compact missiles.

Brad is barely surviving, skiing through the inferno - trees explode, snow is flying around but the fire flames are most obvious, glowing in the forest heating up the coldest area in the world.

EXPLOSION.

Explosion impact on Brad while skiing; Up he flies in the air against his will - lands down, real hard on his back. For quarter a second he is motionless in his place.

28.

He springs up to his feet. Again skiing. In zigzag between
the trees using them as a cover but that cover is not
covering enough, and Brad's name is getting carved on a
tomb. Brad forced out of the trees.

NO MORE TREES COVERING BRAD.

INT. MARVIN'S ROOM - NIGHT

Watching satellite screen: Helicopter chasing Brad.

MARVIN
(in mic.)
Hurry up Ken...

EXT. IN THE MOUNTAIN- SNOW VEHICLE - NIGHT

KEN
(in mic.)
So he is still alive...

MARVIN (O.S.)
In a few seconds he won't be. Go
left...

Snow vehicle makes a hard left turn, high speed 100 miles an
hour. A rock. Vehicle bumps into it. Flips over several
times. Until it stops. It's upside down now.

INT. MARVIN'S ROOM - NIGHT

Two screens. One shows Brad chased by helicopter. Another
shows Ken's vehicle turned upside down.

MARVIN
Shit!!! Ken!!!

EXT. MOUNTAIN CLIFF - NIGHT

Brad flies, goes airborne off a cliff. One hundred feet down
he lands on the snow, splashes on a steep side of the
mountain. Brad passes next to a wooden cottage and goes in a
curve.

MISSILE LAUNCH

Misses Brad but blows away the cottage. Brad skis with very
high speed bullets chasing his life but he is still strong
enough, he doesn't freak out. He passes next to a tree, he

29.

reaches out to the tree on his right using his long ski
stick, smashing it in the tree using it like it was an axe.

He looses it but it helps him to make a U-TURN so the
helicopter passes over his head and tries to make a U-TURN
too, Brad's opportunity to make it taste his bullets while
it is making a U-TURN too.

The helicopter is a big size target slowing down for a
sudden U-TURN. Brad opens fire at it, kills one of the men
in it. But not enough the helicopter fires back at Brad,
heavy fire chasing Brad again down the steep snow road.

Brad slides over a high rock, flies with a master acrobatic
spin. Lands on snow, goes left then right, just dodging
fire.

Missile launch. It explodes so close to Brad. Explosion
impact sends Brad flying in the air. Barely lands on his
feet to continue skiing at high speed.

BLOOD

Left side of his back bleeding even though his bulletproof
vest is still on him. Reaches trees again but smashes in
there branches like a thunder bolt during the chase. Brad is
down. The helicopter slows down and aims a missile at Brad.

Brad helpless, on his back, bleeding from several parts.
Barely breathing.

INT. INSIDE HELICOPTER - NIGHT

THE THUMB OF THE PILOT ON THE RED BUTTON TO LAUNCH MISSILE.

EXT. OUTSIDE HELICOPTER - NIGHT

MISSILE ATTACKS HELICOPTER.

Blows away the helicopter. It's Ken.

Unfortunately the helicopter's missile is also launched but
passes over Brad to smash and explode forty feet away.

Ken runs towards Brad. He reaches Brad and leans on him,
checking his pulse.

KEN
Brad! Can you hear me?!

30.

Brad lying motionless, hardly moves his hand to get the
micro chip out of a pocket on his chest under his bullet
proof vest, and hands it over to Ken.

            BRAD
      (faint voice of a
       dying man)
It's intact.

MARVIN
(smiling)
More intact than you are.

SUPERIMPOSE: ONE MONTH LATER.

INT. SHOOTING RANGE - DAY

Brad and another man who has the eyes of a demon are
blasting targets. Competing in speed and accuracy.

Ken walks in the frame.

KEN
Brad! Jack wants to see us now.

BRAD
Alright!
(to his competitor)
Sorry! I have to go...

Competitor doesn't reply. Eyes look straight ahead focused
on targets.

BRAD
(pissed)
Alex! I said I have to go.

            ALEX
      (expressionless
       face)
Then go.

Brad walks with Ken.

BRAD
What's wrong with this guy?!

KEN
He is the number one assassin and
you are the number one spy. There
will always be a competition
between the two of you.

31.

INT. CIA HEAD QUARTERS - DAY

Four men sitting in a meeting room at a table, watching
pictures on a big screen. Those men are Brad, Marvin, Ken
and the CIA DIRECTOR Mr. JACK. He is about 60 years old,
grey hair, firm eyes. Face features show power combined with
reason. Smokes his cigarette with intermittent exhalations.
Wearing an elegant suit. Think Jack Palance.

CIA DIRECTOR
Gentle-men I present to you THE
EMPEROR. Tony Antonachi. The
ugliest arms dealer that ever
existed. Most people think he is
just a fat business man.

On the screen we see several consecutive shots for the
Emperor. He is an old fat man, very fancy clothes and
diamond rings. Some shots show him talking with famous
nowadays politicians.

CIA DIRECTOR
The chip retrieved by Brad helped
us to locate the submarine but the
polonium was gone. Nowadays the
Emperor is trying to sell
polonium.
(one long puff)
I want the polonium and the
Emperor ALIVE.

KEN
What is Polonium?!

            CIA DIRECTOR
It is a rare and highly
radioactive metalloid and it
occurs in URANIUM ores.
      (one long puff)
He wants 300 million dollars as an
advance. I personally contacted
him through the internet
pretending to be a terrorist.
      (one long puff)
Brad will be the buyer and meet
the Emperor at a hotel in Sweden
after 48 hours, to close the deal
with him.

BRAD
Why don't we just bring him in?

32.

CIA DIRECTOR
He has connections with very
important people in many
countries, especially in ours.
(a short puff)
We need evidence against him. We
need to close the deal with him.

MARVIN
He might send one of his men to do
it on behalf of him.

CIA DIRECTOR
The operation is too big. I am
sure he will be there himself.

            BRAD
      (pointing at the
       screen)
Who is that asian guy?

On the screen; an elegant sharp looking Asian tall guy. Late
thirties. Eyes dead like a vampire.

            CIA DIRECTOR
      (short puff)
An ex Chinese intel. agent. Code
name was COLD VENOM, but his real
name is Chang Lee. Emperor's
personal assassin and bodyguard.
      (long puff)
No one knows anything about the
operation. Just me and the three
of you. The special ops. team that
will back you up won't know
anything about it either, until
they are at the hotel.
      (long puff)
Prepare yourselves, you'll travel
tonight.

MARVIN
How many men will back us up?!

CIA DIRECTOR
You will need about three mobile
teams in vehicles. One helicopter.
Two boats because Sweden is Venice
of the north. Plus ten men in the
hotel in different rooms.

On the table there is a black box. The CIA director opens it
and gets some stuff out of it.

33.

            CIA DIRECTOR
      (pointing to eye
       lenses)
A pair of contact lenses for Brad,
another for Ken. Those are
trackable by our satellite.
      (pointing to a few
       diamonds)
And these, are diamonds injected
with a very special radio active
material that our thermal scanners
can detect, can see them through
walls. An injected diamond will be
put at the bottom of the diamonds
in each sack.

KEN
Why don't we put tracking pins in
the sacks?

CIA DIRECTOR
Because the Emperor is not a fool.
He will scan the diamonds.

KEN
So we put the tracking pins in the
sacks and the briefcase.

CIA DIRECTOR
He will be sure to remove the
diamonds from our briefcase and
sacks, and put them in a case of
his own but after he checks some
of them first.

MARVIN
And the lenses?!

            CIA DIRECTOR
Brad will meet the Emperor first
at the hotel. Maybe he will bring
the Polonium with him and maybe he
will take Brad to another place
where he has the polonium.
      (takes a puff)
In case the polonium is at another
place, then you Ken will stay with
the diamonds and Brad will go to
bring the polonium because it will
be impossible to check the
polonium radio activity in the
Carlson room at the hotel, so it
will be either in the Emperor's
suite or limousine or at another
            (MORE)

34.

CIA DIRECTOR (cont'd)
place.
(short puff)
Now in case the Emperor scans Brad
or Ken for wires or tracking
devices he sure won't scan the
eyes. That's why your tracking
devices are in the contact lenses.

KEN
So you can't just inject us with
locator needles tracked by
satelite?

CIA DIRECTOR
Any body scanning will show them
and the Emperor knows of course
that only governments use such
locating and tracking needles.

MARVIN
That diamond thermal scanning,
does the satellite do it
efficiently?!

CIA DIRECTOR
Yeah, it's not just scanning. It's
thermal imaging. The same system
of laser guidance thermal imaging
used in combat for what is called
"smart" bullets that blast targets
behind physical barriers.
(a deep long puff)
Securing the diamonds is a top
priority. This entire operation is
on my personal responsibility. If
for any reason the Emperor stole
the diamonds I will be fired and
probably sent to trial.

MARVIN
Don't worry sir, I shall put a
perfect plan to secure the
diamonds at all times.

EXT. SWEDEN - STOCKHOLM - DAY

A beautiful view of Stockholm. We see the beauty of its
buildings and architecture, its abundant open water and many
parks. We see architecture that dates back to the 1600s. The
buildings in Stockholm are characterized by its unique

35.

location between Lake M�laren and the Baltic Sea. We see
what is sometimes referred to as Venice of the North.

Getting closer we see Grand Hotel InterContinental
Stockholm. The hotel is opposite the royal palace. Occupies
a prime location on the city's waterfront. We also see that
the Old Town, Stockholm City Hall, Vasa Museum, Millesg�rden
and the Museum of National Antiquities are nearby.

We see the nearest bus stop, which is by Kungstr�d g�rden,
is about 200 meters from the hotel.

INT. AGENT MARVIN'S PLACE - NIGHT

Living room with ordinary furniture. Sitting on arm-chairs
and drinking.

KEN
What are we doing here?!

MARVIN
Ken my friend! Where do you see
yourself in twenty years from now?

KEN
With your wife.

MARVIN
Fuck you.

KEN
Then get to the point.

MARVIN
(low voice tone)
I have a business proposition for
you.

KEN
What are you talking about?!

MARVIN
The arms dealer... I know him.
I've been doing business for him
for years.

KEN
So...

MARVIN
He is very generous.

36.

KEN
How generous?! You know me I don't
take risks for small figures.

MARVIN
I can assure you that there are no
small figures in dealing with this
man, my friend.

KEN
So what do you exactly have on
mind?

MARVIN
We will help him disappear, by
faking a death incident for him
and his man Venom.

KEN
What about captain Brad?! He is
like a snake you will never fool
him.

MARVIN
I won't only fool him but I will
also put the blame on him for he
will steal the diamonds and
disappear.

KEN
(incredulous)
Man! Are you listening to
yourself?!!!

            MARVIN
I have a perfect plan. As agreed
securing the diamonds is a top
priority so according to plan A if
we abort mission Brad walks out
the front door and quickly gets in
our blue Van, with the diamonds.
So imagine this.
      (takes a deep
       breath)
Picture this....

INT. HOTEL - DAY

While MARVIN talks, we see what he's referring to:

We see Bard in the lobby with the briefcase of the diamonds.
Smoke grenades suddenly fill the place with smoke.

37.

            MARVIN (V.O.)
      (in Brad's
       earphone)
Abort mission Brad.

Brad walks out the front door and quickly gets in the blue
Van, with the diamonds briefcase.

INT. INSIDE VAN - DAY

Guy next to driver turns around to Brad and shoots him in
the face, dropping him dead.

KEN (V.O.)
The van will be followed by the
Satellite eye in the sky.

We see the van getting in a parking garage. We see the
screen of the Satellite showing the van getting in the
garage but unable to see inside the garage.

KEN (V.O.)
Then the director will check the
tapes of the recordings of the
garage cameras later on to see who
got out of the van exactly, to see
who was with Brad and of course he
will see Bard coming out dead.

BACK ON MARVIN AND KEN.

INT. AGENT MARVIN'S PLACE - NIGHT

MARVIN
The van will park at a spot, blind
for the cameras.

KEN
What if that spot was taken
already by another vehicle parking
in it?

MARVIN
There are four different spots
where the cameras don't see. I
checked it all myself.

KEN
And the basic agents who drive the
van, are they in with us already?!

38.

MARVIN
Of course not. The Emperor's men
will kill our drivers and steal
the van. Then drive it. Then Brad
gets in it. Then the rest of what
I just explained for you.

KEN
What if they double-crossed us and
took the diamonds for themselves?

MARVIN
The Emperor's men can't run away
with the diamonds. They know he
will hunt them down.

KEN
What if he refused to give us our
share and escaped?

MARVIN
We are the men who will fake his
death for him and help him
disappear. He needs a lot from us
so that the CIA stops chasing him.
Plus he knows we will make our
boss believe that Brad is working
for him, for who else but the
Emperor's men would throw the
smoke grenades and steal the van
and dump the bodies of our men?

KEN
The Emperor might think that our
boss could believe that Brad hired
men of his own to help him get
away with the diamonds and the
Emperor has nothing to do with it.
So our boss the CIA director won't
hunt the Emperor for the diamonds
because he will think that Brad
took them by himself.

MARVIN
Brad hired men in Sweden to help
him. Brad brought men of his own.
How and where from?
It doesn't make any sense. If this
is going to be pulled off then it
must be by the help of the
Emperor's men who are already in
the same area. Plus the rest of
the plan requires that the
Emperor's men know the exact
(MORE)

39.

MARVIN (cont'd)
positions of our men to get rid of
them so that we be able to fake
his death.

KEN
Then what?!

MARVIN
Then the Emperor can't screw with
us because when Brad disappears
with the diamonds, unless the
Emperor is dead our boss will hunt
him down for the 300 million
dollar diamonds, which he
personally is responsible for.

KEN
I don't know Marvin. It's too
risky.

MARVIN
There is always a risk but not
always three hundred millions. The
share of each of us is one hundred
millions.

KEN
ONE HUNDRED MILLION!!! Count me in
mate.

INT. HOTEL'S ROOM - DAY

Brad is getting ready for the meeting with the dealer and
agents Marvin and Ken are there with him in the room. Marvin
is watching many places in the hotel on laptops monitors. We
see the clock it's 20 minutes to 3 pm. We see on a table an
opened brief-case full of diamond sacks.

MARVIN
Brad do you have any questions
regarding our plan?

BRAD
No, you explained it all five
times so far. That's enough for
me... I am ready for it.

MARVIN
Remember securing the 300 million
diamonds is a top priority.

40.

BRAD
I know if anything goes wrong I
secure it by taking it to team A
outside the hotel. If unable to
get out of the hotel I take it to
team B, to Ken. If ken is down I
take it back to you here
personally.

MARVIN
Good. Because our boss is afraid
that the Emperor might send his
men to steal it.

KEN
You can see everything in the
hotel on your monitors Marvin?!

MARVIN
I hacked to the hotel's system and
can see all what the hotel's
surveillance cameras see.
(to Brad)
Check your earphone. It has a very
sensitive microphone. I can hear
you clearly.

BRAD
Checked and if I suspect that some
one will scan me, I'll get rid of
it. I remember everything. See you
later.

Bard closes the brief-case and holds. Walks out the room.
Marvin watches Brad on the monitors. Brad walks to the
elevator and gets in it.

MARVIN
(to Ken)
It will all be over soon.

INT. HOTEL LOBBY - DAY

We see Ken sitting on an arm chair. Watching Brad, who is
sitting at the Carlson room while pretending to be reading a
newspaper.

INT. CARLSSON ROOM - DAY

Brad is sitting at one of the fancy tables covered with silk
sparkling sheets.

41.
EXT. OUTSIDE THE HOTEL IN A NARROW STREET - DAY

Close to the hotel, we see a blue van, in it two men at the front seats. An old lady approaches them from the left side, the driver's side. Asking for directions. The men turn their heads to her.

From the other side, the right side, a guy shoots a needle in the back of the neck of the guy in the passenger seat - The guy faints instantly and his head hits the dash-board. The driver alerted turning to the right he receives a needle too at the back of his neck from the old lady.

Quickly two guys get in the back of the van and pull the driver and the guy in the passenger seat to the rear of the van from inside, while the old lady and another guy are standing outside covering the windows with their bodies for a moment. The whole process happened in a few seconds.


INT. A HOTEL ROOM - DAY

Three men wearing suits. Checking their guns. We see American eagle on the holster of one of them. We see smoke getting into the room through the air-conditioner openings. Small amounts of smoke not clear to the eyes. The men start feeling dizzy and fall down.

We see the same at four other rooms.


EXT. NOT SO FAR FROM THE HOTEL - DAY

Two big vans full of armed special forces men. Four vehicles surround them, open heavy fire at them. Using machine guns with silencers.


EXT. IN THE WATER - DAY

Two boats under attack in the same way of the two vans.


EXT. FAR FROM THE HOTEL - DAY

Helicopter on land. Blown to pieces by missile.


INT. CARLSON ROOM - DAY

Brad is still at the table. Smoke grenades suddenly fill the room. Brad alerted.

42.

            MARVIN (O.S.)
      (in brad's
       earphone)
Abort mission Brad. I REPEAT ABORT
AND SECURE BRIEF-CASE.

BRAD
I don't want to blow the whole
operation. The Emperor is in the
hotel we could lure him to the
diamonds some how.

Brad is running in the smoke which is getting thicker and
thicker.

            MARVIN (O.S.)
      (in brad's
       earphone)
Negative FOLLOW THE SECURITY
PROCEDURES. SECURE THE DIAMONDS.

Heading to a door that leads him to the fire exit stairs.

BRAD
I am coming.

INT. MARVIN'S HOTEL ROOM - DAY

MARVIN
(in mike)
BRAD!!! BRAD YOU BLOODY MANIAC.

            MARVIN
      (changing radio
       frequency)
KEN! Brad is coming to me. I can't
see him on any of the monitors.
The smoke is blocking the view of
the camera in the Carlson room.

KEN (O.S.)
He didn't walk out the Carlson
room and it's full of smoke now. I
can't see if he is still in it.

Brad enters the room suddenly. Marvin is stunned to see him.

BRAD
How come our special forces team
is not responding at all?! I tried
contacting their leader even by
mobile phone. NO REPLY AT ALL.

43.

MARVIN
I don't know, I lost contact with
them too. Wait a minute. How did
you contact the special ops.
team-leader?!

BRAD
We were colleagues in the marines.
So I contacted him to check out
what's happening?

At this moment Ken opened the room's door, coming at Brad
from behind pointing a pistol to Brad's head. Brad can see
him in a mirror on the wall, on his right.

KEN
They are all dead. So you are...

            MARVIN
      (looking at Ken -
       whispering to
       himself)
No fool!

Brad kicks Ken's gun with a stunning back kick move while
turning around to Ken and drawing out his pistol from the
holster under his jacket and hitting Ken's head with the
brief-case. Marvin aims his Mac 15 at Brad's back.

MARVIN
Drop it Brad.

Ken takes Brad's pistol and also the back-up pistol on
Brad's ankle. Throws them on the bed.

BRAD
How could you...

Ken suddenly hits Brad hard on the back of his neck, which
brings Brad down to his knees. In-front of Brad's face is
Marvin's laptop on a table. Behind the table Marvin standing
holding his mini Mac machine gun.

Suddenly Brad strikes the table from below. The table flies
at Marvin's upper torso. Bullets fire from Marvin's machine
gun. The same instant Brad pulls Ken's legs throwing him at
Marvin. Ken and Marvin scramble and fall on the floor.
Marvin fires at Brad. Brad jumps away and blasts through the
room's door smashing it on his way out and bullets from
Marvin's Mac- still firing.

Ken gets up and runs to pursue Brad.

44.

INT. IN THE CORRIDOR - DAY

Brad hits a room service table, takes from it a few knives
and throws them at Ken, one knife hits Ken's thigh. A flesh
wound, while Ken is firing bullets from his automatic at
Brad. Brad goes round a corner getting to the elevator's
doors. Looks at the small screens above the elevators. They
show that an elevator is at floor number three, another at
the seventh floor and the third elevator is at the ground
floor. Elevators are at other floors. Brad is out of luck.

Brad grabs fire extinguisher gives himself cover using its
smoke. Ken has a limp now but about to reach the same
corner.

Brad opens the elevator's door by using one of the knives,
by putting it at the top of the door in a certain way that
opens the door even though the elevator isn't there. Ken
comes round the corner too. Ken fires at Brad. Brad jumps on
the ropes that hold the elevator. Bullets ricochet at the
wall. Brad slides down the ropes in the shaft. Ken shoots at
Brad from above.

Brad reaches the elevator's top. Opens it's top, the hatch.
Ken's bullets around him. Brad gets in the elevator. Then
ken gets on the ropes as well but as he reaches the elevator
it stops and it's door opens so Brad gets out of it. Then
Ken gets in the elevator through the hatch. Then out of the
elevator to continue chasing Brad.

INT. MARVIN'S HOTEL ROOM - DAY

Marvin's laptop is on the floor. Marvin holds it up and
checks it.

On the screen; NO SATELLITE SIGNAL.

            MARVIN
Damn I hope the cameras signal is
still working.
      (pushing a few
       buttons)
Yeah, it's working.

He puts it on the bed and holds his mike which was also on
the floor. He alters the frequency.

MARVIN
VENOM, Brad is at the third floor
and Ken is after him. Find them
and when you do fire at Ken and
not at Brad. Make sure you miss.
This is just so that it appears on
(MORE)

45.

MARVIN (cont'd)
the monitors and the surveillance
tapes that Brad is really the one
cooperating with the organization.
Do it or deal is off.

VENOM (O.S.)
Okay.

MARVIN
They are coming your way now
Venom. Ken you heard? right?!

KEN (O.S.)
Yeah.

BACK TO CHASE.

Brad is running and Ken is after him. Ken is firing at Brad.
Bang bang bang. Brad is running. Passes past Venom.

VENOM
(to Brad)
Go on. I'll cover you...

Brad stunned. Ken's bullets force him to continue running.
Venom fires a few rounds at Ken and Ken fires back at Venom.

            MARVIN (O.S.)
      (in Venom's
       earphone.)
Take cover to reload. Get in the
elevator that's opening it's door
now.

Venom escapes the scene using the elevator.

            MARVIN (O.S.)
      (in Ken's
       earphone.)
Finish off Brad.

Brad jumps out a window and lands in the swimming pool. Ken
about to jump after him but his leg is killing him. He is
unable to jump. He keeps on firing at Brad who is in the
pool.

EXT. OUTSIDE THE HOTEL BUILDING- IN THE POOL - DAY

46.

BELOW WATER SURFACE

Brad now below water surface. Brad's POV: we see a part of
the pool's wall made of glass, behind it we see a bar and
people having drinks at it.

Brad takes off his watch and plasters it on the glass wall.
It explodes in one direction, blowing the glass wall away.
Ken lands in the pool at the same instance. Swims towards
Brad. The water in the pool floods in the bar along with
Brad and some swimmers too.

Ken almost gets sucked in the bar too with the flood. But he
is struggling in the water trying to reach the ladder. He
succeeds. He climbs out of the pool. The water still
flooding in the bar creating a huge mess.

KEN
I lost him Marvin. DO YOU COPY?!
Damn it the microphone is gone.

Ken grabs a cell phone that's on a table.

KEN
(to lady)
I am sorry. Emergency.

Dials a number.

KEN
Marvin I lost him.

MARVIN (O.S.)
FUCK! I am on my way to the
garage. Meet me there quickly.

INT. HOTEL'S GARAGE - DAY

Marvin and Ken are exchanging fire with the Emperor's men
and the garage cameras are recording the battle. The
Emperor gets into his car while his men are covering him by
exchanging fire with Marvin and Ken. Venom gets in the car
too but at the front seat. They get in from the left side
and out from the right.

The camera in that area can only see the left side
partially. We see that on Marvin's cell phone screen. Ken
fires at the gas tank of the car. It explodes. The whole car
is burning. The Emperor and Venom get in another car parked
in a blind spot for the garage cameras. The rest of the
Emperor's men get in a 4 wheel drive car and speed up while
Marvin and Ken are firing at them.

47.

KEN
(to Marvin)
Our plan worked after all.

MARVIN
You blew it Ken... You acted like
a cowboy you fool. If I didn't
come up with Venom's shooting idea
we would have been facing hell
now.

KEN
I want my share now.

MARVIN
Fuck you. In our recorded tapes
Brad entered the room with the
diamonds briefcase and fled out of
the room with out the brief-case.
It's all recorded and our boss
will watch it all.

KEN
NO WAY!

MARVIN
Wake up Ken it's over... It didn't
go the way I planned. It's over.
Now we should collect our stuff
and disappear because the police
will be here in any minute.

EXT. ON THE STREET NEAR THE HOTEL - DAY

We see Brad running, soaking wet. He tosses his cell phone,
earphone and contact lenses on the curb. Reaches the bus
station which is only 200 metres away from the hotel. He
gets on bus. The bus is moving now. People stare at Brad
whose clothes are soaking wet.

A few minutes later, he notices sub-way station. He jumps
off the bus. A jump that would kill any man but Brad. He
goes into the Central Station on Vasagatan.

INT. SUBWAY STATION - DAY

He avoids the cameras in the subway station. He buys a
ticket using Corona currency - Swedish currency - and gets
on a train.

48.

The train stops at the following station. On the wall
written "Gamla Stan." Brad gets off and heads towards a pay
phone in the station. He has some change from the
discrepancy of buying the ticket.

BRAD
Hello! Uncle Fred. It's Johnny.
Elsa's cousin. ELSA sends her
regards. ELSA misses you so much.

FRED (O.S.)
Really!!!

BRAD
Uncle, I have just been married.

FRED
Oh!

BRAD
ELSA and I will be at your
coffee-shop. Your COFFEE-shop.
Bye.

Brad hangs up. Looks disappointed and depressed. Gets on
train again. Gets off on the next station "Slussen". Gets
out of the sub station.

EXT. ON THE STREET - DAY

Walking on the pavement then he stops a young guy. A
teenager.

            BRAD
      (in Swedish
       Language)
Good day! Would you like to make
some quick cash?!

            TEENAGER
      (in Swedish
       Language)
What?!

            BRAD
      (Holding a sum of
       cash)
Take this buy me a coat and a hat
and take 50 Coronas for yourself.

TEENAGER
Why can't you buy them yourself?!

49.

BRAD
I am soaking wet and they didn't
let me in the store. Hey I am
freezing here alright.

TEENAGER
I'll take a hundred.

BRAD
Fine just get over with it. Any
coat and any hat.

The boy takes the money and gets in the store, then comes
out with the stuff in a plastic bag and the receipt in his
hand. He hands them over to Brad plus some cash.

            BRAD
      (handing over the
       cash)
Here is your hundred.

Brad walks to the train subway station again. Wearing the
hat and the coat.

INT. SUBWAY STATION - DAY

Brad gets on train. Several stations pass. Gets off train.

EXT. ON STREET - DAY

Brad gets into a store. Comes out wearing a different coat
and a different hat.

He gets on bus. The bus goes towards the city's southern
suburbs past unsightly high-rise blocks. The bus goes for
about twenty kilometres from the city centre. Reaches a
forest. An extremely beautiful land scape. A street board on
it written "TYRETA".

Brad gets off the bus. Walks through the forest which is
thickly covered by pine, spruce and birch. All around lie
trees in various stages of growth and decay � a hallmark of
a primeval forest. Brad goes between the trees and starts
running. He reaches an open area. A nice cottage that seems
abandoned. He breaks in through the window.

INT. A VILLA - DAY

50.

SUPERIMPOSE: CIA OFFICE IN SWEDEN.

Marvin, ken and the CIA director in an office.

CIA DIRECTOR
I WANT TO KNOW WHAT THE HELL
HAPPENED THERE?!

MARVIN
It was a big mess sir. Brad
betrayed us.

CIA DIRECTOR
(astonished)
Brad betrayed us!!!

MARVIN
It's the truth. He ran away.

CIA DIRECTOR
He just ran away... Is that what
you are TRYING TO TELL ME?

MARVIN
It's all on the surveillance
recording sir.

Marvin connects his laptop to a big screen.

            MARVIN
      (points at the
       screen.)
You see sir after those smoke
grenades exploded he disappeared.
Instead of following the plan to
secure the diamonds he used the
fire escape stair-case where there
are no cameras in that hotel so I
that I don't see him. He suddenly
showed up on the sixth floor. As
you can see here sir. He broke
into my room suddenly.

On screen: Brad busts in Marvin's room and closes the door
behind him. We see the corridor and the closed door.

CIA DIRECTOR
No camera inside your room of
course.

MARVIN
No camera inside any bedroom in
the hotel sir. Any way, he came in
pointing a gun to my head but
(MORE)

51.

MARVIN (cont'd)
luckily Ken also came to the room
at that moment and stopped him,
it was a bloody fight sir.

CIA DIRECTOR
If he wanted to betray us why
didn't he just walk out the hotel
instead of coming back to your
room?

MARVIN
Maybe he wanted to get the
surveillance records first.

CIA DIRECTOR
But he left the briefcase with the
DIAMONDS in your room.

MARVIN
He threw it at Ken during the
fight because Ken was about to
nail him. Let's continue watching
the surveillance record sir, if
you please... You see this part
sir, I'll play it back for you in
slow motion.

On screen: Brad is running and Venom has a good chance to
shoot him but he doesn't fire at Brad, he only fires at
Ken.

MARVIN
I think it's all clear for you sir
now.

CIA DIRECTOR
(to Ken)
What made you go to the room
upstairs where Marvin was? How did
you know that Brad was heading to
it with all that smoke around,
how?

KEN
I didn't know that. I only went
back to the room because in a case
like that the operation should be
called off.

52.

MARVIN
Why didn't you ask Marvin first?
Didn't you have a God damn radio
on?

KEN
I did have it on sir, but suddenly
it stopped working, as if the
frequency was gone. They must have
had a device to intercept with our
frequency. They must have brought
with them an expert in such
things. I also tried to call
Marvin on the cell phone but I had
no signal.

CIA DIRECTOR
And you couldn't find a land line
phone in the lobby?

KEN
With the smoke around me it was
almost impossible, plus sir I
couldn't wait I had to act quickly
and cautiously.

MARVIN
I think it's all clear for you sir
now.

CIA DIRECTOR
No it isn't, I want to see the
rest of it.

Watching the part in the garage.

CIA DIRECTOR
Marvin. You knew from the monitors
in your room that the dealer and
his men were heading to the
garage, correct?

MARVIN
Yes, sir. Exactly.

            CIA DIRECTOR
      (Staring eagerly
       at Ken's face)
But how did you Ken know that? You
were chasing Brad. You were not
watching the monitors.

53.

KEN
I called Marvin on the cell phone
and he told me to meet him at the
garage.

CIA DIRECTOR
(shouting)
You said you had no cell phone
signal because the Emperor's men
used devices to intercept with it
and with your radios.

KEN
Inside the hotel building I had no
signal, but I was at the pool when
I lost Brad, when I called Marvin.

CIA DIRECTOR
And you Marvin?

MARVIN
I wasn't in the hotel building
either, I was getting in the
garage when Ken called me. So I
believe I was outside the range or
scale of their devices sir.

MARVIN
(to Ken)
So why didn't you follow Brad to
the bar?

KEN
As you can see sir the water was
flooding into that bar area and I
couldn't just jump in it. So I
decided to try calling Marvin
again and Marvin told me that he
needs me to meet him at the
garage.

CIA DIRECTOR
This investigation is not over
yet. Probably it never will be.

EXT. THE FOREST - NIGHT

We see through binoculars a SUV vehicle coming towards the
cottage. A man about fifty years old, gets out of the car.
Gets a suitcase from the car trunk and marches to the
cottage. Opens the door and walks in.

54.

Brad on a tree hiding scanning the area with the binoculars.
He climbs down. Heads to the cottage. The man comes out of
the cottage and looks ahead in the distance to see Brad
coming at him.

BRAD
Hi, Fred. How are you?

            FRED
      (with European
       accent)
Still cautious my friend.

BRAD
I am so sorry for dragging you in
this.

FRED
(smiles)
Let's go inside my friend.

INT. INSIDE THE COTTAGE - NIGHT

FRED
Some tea amigo.

BRAD
Thank you... Listen you don't have
to help me. I just need...

FRED
(interrupting Brad)
You kept my secret 8 years ago. I
shall keep yours amigo.

BRAD
I wouldn't have blamed you if you
didn't show up.

FRED
Stop that and tell me who married
you? I mean who double-crossed
you? What happened exactly?

FRED
My partners double-crossed me to
steal 300 million dollar diamonds
and help an arms dealer escape.

FRED
On the news it is said that a car
blast in the continental garage
killed the Billionaire Tony...
(MORE)

55.

FRED (cont'd)
Tony something. It's a funny name.

BRAD
His body is burnt up to hell,
right?!

FRED
His and his driver's too. Yeah,
they said the car's gas tank must
have been full and so the
explosion was so big. It totally
fried the bodies.

BRAD
Of course. No one has a dental
record for him or DNA sample,
neither for his driver.

FRED
So, you think they are still
alive?!

BRAD
(angrily)
Of course. But won't be for long.

FRED
So if you go back, it will be your
word against your partners word.

BRAD
Not just words...

Brad recalls the moment when Venom didn't fire at him and
fired only at Ken. There was a camera in that area.
Recording that.

FRED
Hey! Brad! Focus on what matters
now. You need a new identity to
get out of town. I'll make you the
best new face you will ever have.
Then you tell me your whole story.

Fred gets out of the suitcase some disguising equipments and
tools. Brad's face changes step by step, he becomes an old
totally different man. Fred holds a camera and takes a few
shots for Brad.

FRED
Tomorrow I'll bring you a passport
and you will fly to another
country. There is some clothes
(MORE)

56.

FRED (cont'd)
here for you. Try to make yourself
comfortable.

BRAD
I don't know how to thank you?!

FRED
Just send my regards to Elsa.

They both laugh.

INT. WHITE HOUSE - DAY

The president is shouting madly at the face of the CIA
director. They are both on there feet. The president behind
his desk and the CIA director is in front of him.

PRESIDENT
You disgraced the United States of
America. Our disclosure is the
main news on all channels. The
Swedish police found many dead
bodies... American dead agents in
several places.

CIA DIRECTOR
Sir, I...

PRESIDENT
You what?!!! You conducted an
operation on foreign land with no
permission from me. And where the
hell did you get 300 million
dollar diamonds from?

CIA DIRECTOR
That was the confiscated fortune
of a drug lord that we recently
hunted.

CIA DIRECTOR
Hunted! What do you mean by
hunted?!

CIA DIRECTOR
He was trying to escape with his
fortune so we confiscated it.

PRESIDENT
And who authorized you to use what
was confiscated?! No one
authorized you to do this. It all
(MORE)

57.

PRESIDENT (cont'd)
happened behind my back.

CIA DIRECTOR
Mr. President I was only trying to
prevent having radio active
material in the hands of
terrorists. I had to be discreet
about it.

CIA DIRECTOR
DISCREET!!! For God's sake... Then
how did all our men get killed
there? I want you out of the
agency. You created diplomatic
crisis. Now the whole world thinks
that we conduct operations on
foreign land with out letting the
government ruling that land know
about it. We broke all
international laws and agreements.
You are FIRED... FIRED.

CIA DIRECTOR
Mr.President I need to continue my
investigation to find out exactly
what happened? Sir, It's my fault
and I shall take care of it.

PRESIDENT
Your hands have the BLOOD of our
men who died in Sweden in vain.
There will be an investigation but
not by you. It's over for you. Get
out and don't let me hear anything
about you again but don't try to
leave the country without a
permission.

SUPER: TWO YEARS LATER

INT. BEDROOM - DAY

Brad lies down on a bed and chats on-line using a laptop.

INSERT: LAPTOP SCREEN

The words written by the one chatting with Brad, appear
first as numbers then they transform into letters.

58.

ANONYMOUS
Marvin retired and he moved to
Paris.

BRAD
Good. I shall follow him.

ANONYMOUS
What do you need?

BRAD
I need some passports.

BACK TO NORMAL SCENE.

Brad closes his eyes for a moment.

BRAD (V.O.)
(to himself)
Sorry I have to leave you Belgium
but Paris awaits.

EXT. FANCY STREETS OF PARIS - NIGHT

A fancy hotel and a fountain in front of it with blue lights
coloring the water of the fountain.

INT. UNDERGROUND FANCY FIGHT CLUB - NIGHT

An arena, an enclosed oval shaped area. It is surrounded on
all sides by tiered seating for spectators. The event space
is the lowest point, allowing for maximum visibility.

Very rich people wearing fancy clothes and jewels are
sitting and watching the bloody fight. Two fighters are
fighting like wild tigers in a jungle. One of them is
wearing a mask. It's Brad. He is exchanging punches and
kicks with a giant kick-boxer. It's too wild and ugly but
the uglier it gets, the more the crowd cheers.

Brad receives a series of punches; Jab, straight, hook. Brad
is dizzy. The finishing blow about to strike Brad's head but
he ducks. Punches his opponent's ribs heavily. Then seizes
his neck and head-butts him so hard. Blood comes out of the
kick-boxer's eyebrow. The crowd cheers. The kick-boxer
replies with a devastating uppercut punch, slams Brad's
chin. Pushing Brad away from him. Brad kicks the
kick-boxer's chin.

59.

Boom! Brad headbutts the kick-boxer between the eyes. Lifts
him up and makes a perfect wrestling slam dunk move with the
kick-boxer's body. The crowd cheers loudly.

THE CROWD
RAYMOND...RAYMOND...RAYMOND...

            BRAD
      (Whispers)
Idiots.
      (to the kick boxer)
It's over...If you get up I'll be
forced to break your neck.

The kick-boxer is lying down and looks helpless.

EXT. AN OLD SUBURBAN HOUSE - NIGHT

A sedan car arrives. It parks in the garage of the house.

INT. INSIDE THE HOUSE - DAY

Brad sitting at a table. Using a laptop. Web chatting by
typing.

INSERT: ON LAPTOP SCREEN

The words written by the one chatting with Brad appear first
as numbers then they transform into letters.

BRAD
Are you sure this is secured?

ANONYMOUS
Definitely. You still fight to
earn your living?

BRAD
I am trying to make enough money
to buy enough weapons.

ANONYMOUS
Marvin contacted a sharp lawyer
here in Paris. He is well
connected to organized crime
lords.

BRAD
He could lead us to the Emperor.

60.

ANONYMOUS
We can't be sure of this.

BRAD
Then I will simply kidnap Marvin
and force him to talk.

ANONYMOUS
No, you should remain in the
shadows. There are many agents
looking for you all over the
world. You are on the Interpol
list.

BRAD
Then watch him for a while first.
Give me his address.

On screen: File recieved. Brad clicks it open. A picture of
a man with sharp loolking eyes about 60 years old. 2
addresses data below it.

SUPERIMPOSE: 3 MONTHS LATER.

INT. BEDROOM - NIGHT

Brad lying down, using his laptop.

WEB CHAT ON LAPTOP SCREEN - SAME WAY WE SAW PREVIOUSLY

ANONYMOUS
Still fight for cash?

BRAD
To earn my living and afford the
weapons. Did you find out anything
new?

ANONYMOUS
Marvin made a contact with a
lawyer who works for top
organization crime lords. So I
surveilled that lawyer for a
while. He visited a man in a
palace here in Paris. That palace
doesn't belong to any crime lord.

BRAD
I think I know who lives there.

61.

ANONYMOUS
I did some digging. I found out
that a rich man started living in
it after the Sweddish operation
mess.

BRAD
I need to see it.

ANONYMOUS
Soon you will.

INT. FIGHT CLUB - NIGHT

Several shots for Brad fighting in the club. He is always
winning. Brad's mask gets torn in one of the fights.

SPECTATOR
(whispering)
Oh my God! It's Brad...

INT. CIA HEADQUARTERS- LANGLEY - DAY

A new CIA director sitting at his desk in a big office. A
man on his feet is talking to him.

MAN
Sir, we have just recieved a tip
from one of our agents in Paris.
The rogue agent Brad was seen in a
fight club there...

NEW DIRECTOR
Bring me Alex.

INT. BIG TRAINING COURTYARD - DAY

Big martial arts training. Three muscular trainers training
a number of tough young guys. On their left side there is
Man about thirty years old. Wearing black training trousers
and holding a samurai sword. Practicing like he is about to
go through war with the Japanese imperial samurai legions.
This man is ALEX. He looks like a dragon in human flesh.

He looks at the muscular trainers and laughs.

TRAINER # 1
(warning)
If you laugh again...

62.

ALEX
I am sorry man, I didn't mean it.

TRAINER # 2
Punk coward.

TRAINER # 1
(to ten trainees)
Attack us again. ALL OF YOU NOW.

10 trainees attack the 3 trainers. The 3 trainers handle the
attack very well but also very brutal. They knock down the
10 trainees like they were fighting in a prison yard behind
the bars.

TRAINER # 2
You see that's how you should
be...

ALEX
(yelling)
PUNKS!!!

TRAINER # 2
Who the hell do you think you
are?!

ALEX
I am the modern samurai.

TRAINER # 3
Without your sword you are
nothing.

TRAINER # 1
Do you use it in real action?!

Alex puts the sword in the sheath. Places it on his handbag.
Alex walks with steady foot steps towards them.

ALEX
Attack me... ALL OF YOU...

TRAINER # 1
Really! All of us?!

Alex approaches trainer#1.

ALEX
If you dare.

Trainer #1 throws a hook punch with his right slamming
Alex's chin. Alex laughs again. Trainer #1 throws another

63.

punch, intercepted with Alex's left leg that kicks the fist
away then VAAAM Alex's right fist knocks out Trainer #1.
Every one is stunned.

Trainer #3 rushes to check the pulse of Trainer #1 who is
lying on the floor motionless. Trainer #2 launches a massive
attack on Alex. Throwing punches and kicks so furiously but
doesn't even touch Alex. Alex is moving so well like a
ballet dancer. So light and so swift like he is floating
around the blows.

Trainer #2 engages too, attacks Alex from behind with a kick
but Alex ducks and keeps on dodging blows. Then Alex spins
in a blink of an eye, his feet are off the floor. The right
slams trainer#2 jaws and left ankle smashes in trainer#3
forehead. Trainer#2 is down but Trainer#3 is still on his
feet. Though he is so dizzy he makes a hopeless attempt to
grab Alex.

Karate deadly blow on Trainer#3 neck by Alex's left hand.
Trainer#3 passes out. His heavy body slams down on the
floor. Trainer#2 is getting up.

TRAINER # 2
(to ten trainees)
Attack him now, or I'll submit you
all to the water-boarding
exercise. NOW BASTARDS...

Tension is so high, seen in the eyes of the trainees.

TRAINER # 2
NOW...

They move towards Alex cautiously. They look scared of Alex
who is standing tall like a fearless knight in his battle
field of glory.

2 trainees attack Alex. Single right kick from Alex like
thunder lightning, it hits the heads the 2 trainees,
bringing them down to their knees. The other 8 trainees move
to attack Alex.

Alex avoids a blow and strikes a throat with a kick. Another
attacks with a stick but Alex kicks it, breaks it and the
ribs of the guy using it with the same move. We hear the
cracking of the ribs getting broken. Alex avoiding blows and
striking back so fast, hard to follow his moves with human
eyes.

64.

Punches a chin, kicks a stomach, receives a punch, hits back
receives more blows but strong like a bull. Fighting back
instinctively. His fist smashing like a hammer, his fingers
like tiger claws and his legs like sledge hammers.

He is striking in combinations at least 2 strikes at a time.
Back fists a chin while kicking another. Elbow striking a
throat while headbutting another guy's head. Back kicking a
face while slamming a neck with his wrist. Twisting an arm
while kicking the spine of another guy. All this while
receiving blows and getting bruised.

A lion fighting a number of wild wolves. Attack and
counter-attack. So fast and devastating. Alex goes in
circles to cover all directions. He is trying to cover 360
degrees. Makes a back dive jump with a double kick knocking
down 2 guys in front of him and one behind him smashing his
face with a back head butt while rolling in the air. He
lands on his feet then blasts forward flying, slams his
forehead in the midsection of a muscular torso. Blood pops
out of the muscular guy's mouth coming from his guts up to
the throat, then out through the mouth. The muscular torso
slams down on the floor. Alex rolls over it and gets up on
his feet again while kicking a knee on his left side,
smashing it.

More guys are down, struggling to get up but useless. The
fight goes on. Alex has the upper hand till they are all
down. Alex still on his feet, bleeding eye-brows and lips.
Bruised face and body.

Alex back fists and double kicks... Deadly combinations
while receiving blows but Alex has the upper hand. The
trainees are going down one after another.

Trainer#2 jumps Alex from behind locks his muscular arms
round Alex's neck and his legs round Alex's waist. Alex
can't breath and his face is turning red. Pulling himself
together and gathering his strength. Closes his right fist
tight, pulls it back preparing it like a missile. VOOM
CRACK... Fist smashes elbow of Trainer#2. Trainer#2 screams.
Alex frees himself from the deadly lock and twists the arm
with the broken elbow to increase the pain.

TRAINER # 2
(aching)
Ahhh! Stop, please...

Alex throws a demolition punch. Blood and broken teeth come
out of Trainer#2 mouth.

65.

ALEX
(smiles)
Blood, sweat and teeth not tears.

A man wearing a suit approaches Alex, the same man who was
talking with the new director.

MAN
That's enough Alex. Mr. Derek
wants to see you.

INT. DIRECTOR'S OFFICE - DAY

Alex standing tall in front of the director's desk.

NEW DIRECTOR
Alex... My God... You will never
learn. You are in a mess again.

ALEX
It was routine training sir.

NEW DIRECTOR
I'll take care of this later. Now
I have an assignment for you.

ALEX
A special hit?!

NEW DIRECTOR
No. Not a hit.

ALEX
Sir, I am CIA hit man. I don't do
spying work.

NEW DIRECTOR
I know that... But still you are
going to handle this job. You will
bring some one from Paris. A
traitor. I want him alive. Details
in the file. Dissmiss.

INT. PARIS FIGHT CLUB - NIGHT

Same arena we saw earlier but with 4 new wooden towers. 12
feet high, with inner ladders. Alex among the crowd, dressed
in a suit. Brad fighting a giant wrestler 7 foot tall. Brad
has the upper hand.

66.

            PRESENTER
      (Speaks French in
       microphone)
Raymond always wins in one to one
fights...so let's make it two
fighters Vs. Raymond...

Another fighter gets in the arena. Runs to attack Brad. Brad
turns to face him while chalking the giant fighter with his
right arm. Pulls the neck so hard and throws the giant at
the second fighter, scrambling both fighters. A third
fighter gets in the arena. He runs towards Bard's back. Brad
turns around and as he reaches Brad, they exchange fast
kicks and punches, for 2 seconds then Brad knocks him down.

#2 kicks Brad's back spine. #1 jumps and lands with both
hands on Brad's head. #3 still on the ground but kicks
Brad's leg. Brad is down on his chest. Trying to get up.
Kicks from the 3 fighters all over his body, particularly
targeting his neck and head. Brad's face bruised and
bleeding. Looks hopeless.

Brad's body writhes. Brad makes a push up move throwing his
body upwards and punches #3 in the knee, breaking it
instantly. #3 is going down, before his body reaches the
floor Brad rolls over and get up on his feet again.

Like a wounded beast Brad fights so viciously. Exchanging
heavy blows with #1 and #2. #1 throws a punch at Brad's
cheek while Brad is kicking #2 in the ribs dropping him
down. The punch caves in Brad's face but still Brad manages
to grab the wrist and twists it so hard, pulling #2 down and
bending him over and smacks his forehead with a knee strike.
Turns to #1 and kicks him in the face. Back to #2 Brad's
elbow lands over #2 spinal cord like a hammer.

Now seizing both necks of #1 and #2 who are on their knees,
chalking to death. Fourth challenger walks in the arena
holding a blade.

CROWD
(warning)
Raymond... Behind you... Behind
you... Rayyy...

Brad can not hear the crowd, his mind is focused on the 2
men he is chalking. The blade on its way to stab Brad's
back. A huge shadow of a giant eagle like, is casted over
the body of the fourth fighter who is about to stab Brad in
the back. The eagle is Alex. His arms spread like eagle
wings. Brad can see now the shadow on the floor and the
shadow of the blade and the fighter behind him but too late.

67.

STAB...

Blade's tip getting through flesh. Eagle lands over its prey
dropping the blade in a nick of time. Blade was quarter a
second away from finishing Brad's life. Brad's back bleeding
from a flesh wound. Pain causes Brad to close his fists so
tight with the fighters necks in them. CRACK 2 necks are
crushed.

Fourth fighter on the floor so dizzy to get up. Brad turns
around to Alex. They lock eyes for a moment. Fourth fighter
reaches for the blade which is also on the floor. Alex
instinctively hits fourth fighter in the neck with his right
foot, crushing the neck like it's some roach on the floor.

Brad stretches his arm to shake hands with Alex. They shake
hands. Swiftly with light speed Alex removes Brad's mask
with his left hand. Brad stunned. Brad frowns.

ALEX
Langley wants you back.

BRAD
(incredulously)
So... You saved my life just to
take me back.

PRESENTER
(in french)
Who is our new warrior? Identify
yourself monsieur s'il vous plait.

ALEX
(overrides)
I am here to take you back ALIVE.

BRAD
So, I guess there are others
covering all exits, right?!

ALEX
No, I do everything single-handed.

VROOM!!!

Brad kicks Alex away.

ALEX
The hard way suits me most.

Alex leaps in the air, makes a double kick. Brad
successfully avoids the first kick but gets caught in the
jaws by the 2nd kick.

68.

PRESENTER
Great. Ladies and gentle-men place
your bets quickly...

Brad is throwing punches and kicks at Alex who moves so well
around Brad's blows, astonishing Brad and the crowd.

ALEX
I guess you never saw such a style
before in your entire life.

Brad attacks again, Alex ducks and strikes Brad's throat
with his right hand stretched fingers. Brad coughs but
regains his strength immediately. Alex kicks Brad's head
with his right then his left, then with his right leg again.
Brad swept off his feet. Falls down on his back. Alex
approaches him.

ALEX
You see...

Sudden leap from Brad and he is on his feet again. Alex
attacks with swift kicks but this time Brad covers himself
well.

BRAD
Now I understand your style. I
feel it.

ALEX
We shall see.

Brad moves his left leg but attacks with his right. He hits
Alex's stomach. Then hammer's Alex's face with his fist,
knocking Alex down. Brad jumps to land over Alex with his
knee but Alex spins and rises up, instantly kicks Brad's
head. Brad replies with a punch slamming Alex's face. A
series of kicks and punches from Alex to Bard. Brad is down
again. Gets up and Alex is launching another attack with a
series of kicks but Brad grabs Alex's leg and headbutts Alex
twice. Then swings Alex in the air before tossing Alex on
the floor so hard.

Alex is up again. They exchange massive blows. Alex with
Japanese style and Brad with wrestler's style. They are
even.

GUN SHOTS...

Piercing the floor between Alex and Brad. The fight stops.
Presenter is holding a gun.

69.

PRESENTER
Enough! I have a better idea.
Tonight we prepared a battle
between the Medieval team and the
Viking team. But instead both
teams will fight the 2 of you.
Select your weapons.

ALEX
What the hell?!

BRAD
Better select a weapon jerk.
(in french)
Give me the big axe.

A big screen positioned higher than the arena displays very
bloody shots for the medieval knights and the viking, blades
cutting and stabbing. Men fighting like wild animals.

            ALEX
Cool! you convinced me.
      (to presenter- in
       French)
Throw me a sword. A samurai sword.

Weapons thrown down to Brad and Alex. The axe is so big,
only a dinosaur can carry it. But it seems suitable in
Brad's hands.

ALEX
We will finish this later.

BRAD
If you survive this crab darling.

#3 whose knee is broken belly crawls out of the arena as the
teams walk in. 5 Vikings and 5 medieval warriors.
Armors,swords, axes, spheres..... They are very muscular,
big and look insane...blood thirsty...

BRAD
Vikings are the ancestors of the
Swedish. Ironic I didn't meet them
in Sweden. I get to meet them in
Paris.

The biggest viking holds an axe and an armor. The biggest
medieval warrior holds a sword and an armor. The medieval
warrior attacks Alex and the viking warrior attacks Brad.
Alex swings his sword and before you know it, he stabs the
medieval warrior in the heart. Brad engages with the viking
and swiftly cuts off the Viking's head with his axe. The cut

70.

off head, falls off the shoulders while the body is going
down. The cut off head rolls on the floor, like a ball it
reaches Alex's feet who kicks it like a football. He kicks
it so hard it bolts and slams a Viking's face, smashing it
so hard that blood pops out of the face...

HELL DOORS BREAK LOSE...

PRESENTER
(in french)
Four vikings and four medieval
warriors Vs. the SAMURAI and
HERCULE...

The crowd is cheering...blood everywhere...cut off arm
flying, holding a medieval sword in it. Brad's axe
splitting a Viking's head in two halves. Now 6 to go.

The most vicious battle in history... Brad and Alex covering
each others backs while fighting for the lives. Alex blocks
a sword that's about to cut off Brad's head from the back
while Brad swings his axe through a medieval warrior's
waist. 5 to go, 2 medieval warriors and 3 vikings.
A sphere on it's way to cut through Alex's back... Brad
blocks it with his axe. Alex cuts a Viking's throat. 4 to
go.

2 medieval warriors and 2 vikings are still fighting Alex
and Brad. Viking sword slashes Alex's chest splashing blood
from a flesh wound. Brad's torso receives a cut on the right
side with a blade. Alex grabs another sword from a dead guy
and Brad grabs the armor. Cuts, stabs and slashes. BLOOD
splashes everywhere. Brad and Alex are exhausted...4 other
men sneak into the arena during the bloody fight, climbing
up the 4 wooden towers in the arena.

Brad and Alex are fighting so well though they are covered
with blood. Some of it belongs to them and some of it
belongs to the the men they are slaughtering. Brad and Alex
are the last men standing.

BRAD
At last...

Hook scratches Brad's head...

BRAD
Ahhh!!!

That's a hook tied to a rope and a man swinging it from one
of the wooden towers. Each tower has a man in it now. 4
towers. #1 using the hook, #2 using shooting arrows, #3
blowing fire and #4 slashing the flesh with a whip.

71.

ALEX
Damn...

Whip slashes Alex's back as he avoids an arrow and fire
flames. Brad leaps and rolls over on the floor using his
armor to cover him from the fire flames blown at him. The
hook about to strike Brad's head again, it locks with his
axe. Brad pulls it so hard, so the rope pulls the man
holding it and drops him down to the arena from the tower's
20 feet height. He falls down so hard, get smashed on the
floor. Alex cuts off the whip with his sword and throws the
other sword as if it was a sphere at the man blowing fire.
It kills him instantly as it goes through his neck.

One man left to take out. The archer. He is so accurate.
Alex and Brad are trying to avoid the arrows. Brad using his
armor and Alex using his Samurai sword to break the arrows
on their way to him. Brad goes to the tower's foot and Alex
covers him and himself. Brad hits the tower with the axe so
hard in consecutive blows. An arrow scratches Alex's
shoulder. More blows to the tower... it's breaking... it
goes down. It breaks and the man in it gets tossed out of it
as it smashes on the floor. The crowd is cheering and
clapping like crazy.

INT. FANCY ROOM - NIGHT

Doctors taking care of the wounds of Alex and Brad. The
presenter walks in.

PRESENTER
(in french)
You two made a lot of money
tonight.

ALEX
(in french)
I need to have a word with
Raymond. Private talk.

PRESENTER
Why not?!

Alex and Brad walk to the end of the room.

ALEX
You are coming with me.

BRAD
Here they don't like government
employees like you. Unlike me who
is a convict living on the run.

72.

ALEX
Why would they beleive you?

BRAD
(holding a wallet)
Your wallet. You dropped it during
the fight. You better leave before
I change my mind. And you can wait
for me outside but I will mingle
with the crowd and I might use a
secret back door. You can wait for
me outside and search for me all
night long but I challenge you to
find me again.

ALEX
What happened at Stockholm, Brad?

BRAD
What do you think happened?! I was
double-crossed.

ALEX
Easy for you to say.

BRAD
If I betrayed my country, then why
am I working here to earn my
living?! If I betrayed then the
Emperor must have paid me a
fortune.

ALEX
You failed to steal the diamonds
and he died. who will pay you
then?!

BRAD
Then why don't I just get rid of
you too?!

ALEX
Maybe you think you can use me to
make the CIA believe your bullshit
stroy.

BRAD
The Emperor is alive, and his man
Venom. I will prove it.

ALEX
The CIA has their bodies.

73.

BRAD
But doesn't have dental records or
DNA samples for them to match them
with the bodies.

ALEX
If your partners are the bad guys
then why did they bring back the
diamonds which you tried to steal?

BRAD
To have credibility because the
cameras of course recorded my
escape with out the diamonds.

ALEX
Then you should come with me to
tell your story by yourself.

BRAD
I need to have a proof first. Now
leave or I will show them your CIA
ID card.

ALEX
We will meet again Brad.

SUPER: AFTER ONE DAY.

EXT. ON A MAIN CROWDED STREET - PARIS - DAY

Brad in a citroen follows the lawyer in a Mercedes. Keeps a
safe distance between them. The Mercedes leaves the urban
area and heads to the suburbs. Brad still after it.

EXT. SUBURB FOR BILLIONAIRES - DAY

The Mercedes gets through the gate of a huge fancy palace.
Heavily guarded like Fort Knox.

INT. BRAD'S HOUSE BEDROOM - DAY

Uses laptop. Web chat.

LAPTOP SCREEN:

BRAD
I need all information for this
address.

74.

ANONYMOUS
What else?

BRAD
Blue prints for it and for the
lawyer's office.

ANONYMOUS
I already hacked the lawyer's
phone lines. I intercepted his
cell phone messages. He will meet
Marvin tomorrow in a casino.

EXT. OUTSIDE A HOTEL - DAY

Alex comes out of a hotel's front door. Walks on the
side-walk. It's a beautiful morning. Alex stands in front of
a big glass window. An exhibition for 2011 cars. A great
variety of brands and models. European, American and Asian.
In the reflection of a Bentley's windshield - that is so
shiny like a mirror - Alex POV: 100 yards away a SNIPER in a
4 wheel-drive vehicle aiming at Alex.

Instinctively Alex dives behind the cars parked next to the
street pavement he is on. The bullet misses Alex and crashes
through the show room window glass and hits the windshield
of the Bentley. People alarmed. The sniper's vehicle and
another sedan speed up towards the pavement Alex is
crouching on behind parked cars. Alex opens fire at the 2
cars with his pistols but quickly rapid fire replies at him
from the 2 vehicles. Bang bang bang... People terrified and
running away. Bullets spraying Alex forcing him to jump
inside the exhibition show room. He leaps through the broken
glass.

The 2 cars are closing in on Alex with non stop bullets. The
bullets are chasing Alex in the show room. He is leaping and
running between cars. The cars are in a mess now, bullets
destroying them. Broken glass, flat tires and BOOM... A
car's gas tank goes off.

People running for their lives. Screaming and hurling
everywhere puzzled and terrified to death. Alex jumps in a
Cadillac after taking the keys dropped by the dealer that
was showing the car before fleeing away the scene. The
Cadillac is a 4wheel drive black pearl beauty. So big and so
elegant.
BANG...BANG... BANG...

Engine ignition, Cadillac starts. Alex slams it into gear.
Pins gas pedal under his foot. Switches off air bags option
button. Bullets attack Cadillac. Cadillac wheels roll so

75.

fast, tires smoking on the shiny floor. Going like a
missile, speed accelerating. 2 sports vehicles ahead and
their front hoods facing Alex. A red Ferrari and a silver
Lamborghini. Alex rockets Cadillac using the Ferrari and the
Lamborghini like jumping ramps. Cadillac runs over them,
leaps into the air flying through the glass and lands on the
sidewalk outside the showroom.

Cadillac on the sidewalk, racing. On its left there are
parked cars then the killers vehicles on the street. Going
so fast and firing at Alex. Bullets piercing Cadillac's back
and left side. Bullets penetrate the seats and Alex's back
is saved by the bullet proof vest he is wearing under his
clothes.

Baby held by its grandma on the sidewalk about to get run
over by Cadillac. Grandma frozen stiff looking at a 1 second
away certain death. Heavy fire at left side of Cadillac.
Alex takes a hard left, slamming into a parked Peugeot
sedan, pushing it in the way of the killer's sedan which is
racing on the street and firing at Alex.

COLLISION...

The killer's sedan is racing and suddenly finds the Peugeot
in its way so it smashes in it so hard that it flips over
it, rising into the air and landing on its roof like a
turtle on its back. BOOM!!! The gas tank of the Peugeot goes
off.

4 wheel drive with the sniper in it still after Alex,
squeezing off shots at him. Cadillac maneuvers between cars
making precise shooting hard for the sniper.

IN CADILLAC.

Bullets piercing the seats and the dash-board. Glass
shattering in back wind-shield and side windows. Glass piece
flies at Alex's head and cuts his right ear severely.

ALEX
(ear bleeding)
Ah! DAMN IT...

Again a bullet pierces the back of Alex's seat. It
penetrates it to hit Alex in the back.

ALEX
(mad-in pain)
No...

76.

Alex unintentionally steers the driving wheel left. Cadillac
hits a lorry next to it. Cadillac shakes a little but Alex
controls it.

ALEX
Thank God for the vest.

ANGLE ON THE STREET.

Alex races down the street.

IN SNIPER'S CAR

SNIPER
(using cell phone)
Now can you see us?!

ANGLE ON STREET

Speedy BMW silver Sedan and red convertible Porsche enter
the main street from the right side. Alex's Cadillac bolts
in front of them. They follow it and open fire with small
machine guns. Now 3 cars are after the Cadillac. Alex
driving in zigzag between the cars on the street, racing his
way out of this mess. Cadillac turns right in a narrow
street. Speeds up...

The sedan follows Alex in the narrow street, the other 2
race round the block to cut off Alex's way at the end of the
narrow street. Porsche is going faster than the sniper's
4wheel drive. It's ahead of it in their race round the
block.

IN NARROW STREET.

Sedan BMW is after the Cadillac. Alex hits the breaks. Tires
screaming. Sedan's front slams into the rear of Cadillac.
The sedan air bags come out, blocking the view of the driver
and the man in the passenger's seat for a moment. BANG BANG
BANG. Alex in his Cadillac turns his upper torso around and
opens heavy fire with both pistols at the men behind the air
bags. He let his guns off on them with rapid fire. Bullets
fly through the air bags and kill the men in the sedan. Air
bags pop up and blood comes out of the holes in the 2 faces
and 2 chests behind the air bags. It all happened in a
couple of seconds and Cadillac speeds up again.

Cadillac blasts out of the narrow street to a main street
from the right side. Porsche is a few meters away. Alex
notices it on his left. He turns left so hard against
traffic flow direction. Meets Porsche and catches it by
surprise. He literally runs it over. Cadillac rockets over
convertible Porsche like it was a jump ramp. Crushes sculls

77.

and necks of the driver and the man in the passenger seat
under it. Heads look like mash potatoes.

Traffic is in a mess, horns blurring, people losing control
on their vehicles. Sniper's 4 wheel drive is on its way to
face Alex whose Cadillac is getting over Porsche. Closing in
on Alex the sniper targeting Alex's head.

Sniper's POV: Alex's face with cross hairs aiming at it.
Finger on trigger. Pulling it as Alex turns his driving
wheel to make a hell of a U-turn. Bullet misses Alex.

Alex is driving in the normal traffic direction now and the
sniper's 4 wheel drive is pursuing him. Cadillac soars the
street.

IN SNIPER'S CAR

SNIPER
(on cell phone)
Funny where are you now?! Only
Micky showed up.

FUNNY (V.O.)
I am closer now I guess. I have
here with me the .50 cal. I
believe the R.P.G. guys are on
their way too.

POLICE SIRENS SCREAMING.

SNIPER
(on cell phone)
Police is after me!

FUNNY (V.O.)
Relax I can see them.

ON STREET

A yellow Hummer vehicle H1 with black windows is racing. In
it 2 guys with drug addict faces. Strange silky shirts and
gold watches. In the back seat there is a big machine gun
.50 cal. The guy in the passenger seat moves to the back
seats and cocks the machine gun. Opens the hatch in the
roof. He stands up. Most of his upper torso is out of the
hatch, with the machine gun. He opens massive fire at the
police cruisers.

Hell doors break lose. BANG BANG BANG BANG. Very heavy. Lots
of bullets penetrating the Citroen police cars. Piercing the
cruisers like they are made of butter instead of metal.
BLOOD pops out of holes made by bullets penetrating the

78.

vehicles, the seats and the bullet proof vests, tearing
apart the cops bodies. Cruisers are sprayed with blood from
inside. Everything is painted in red now.

One cruiser's gas tank explodes and the other cruiser
crashes into a Mercedes limousine. The street is in a big
mess. People terrified and cars are crashing in each other.
Now Sniper's Audi 4 wheel drive and the Hummer vehicle are
after Alex. .50 Cal. rounds almost take out Cadillac's huge
back door from its place. Sniper's car is closer to Alex and
opening fire at him. Cadillac looks like Swiss cheese but
still running.

Alex turns his upper torso around and fires at the last
piece of metal holding the back door while positioning
Cadillac in front of the Sniper's Vehicle which is speeding
up towards the rear of Cadillac. Due to air pressure coming
through the front smashed wind shield of Cadillac, to the
back door. The back door flies and slams into the front wind
shield of the sniper's car. Flying door like a huge ninja
star. It cuts through the glass then cuts off the driver's
head and splits the jaws of the sniper while smashing into
his face.

SIRENS WAILING AGAIN.

3 police cruiser vehicles chasing the Hummer. Open fire at
it. Hummer tries to avoid the police fire but still after
Alex. The .50 Cal. barks again at the 3 cruisers, sprays
them with death rain. First cruiser explodes and makes a
hell of an accident with 2 other civilian vehicles.
Civilians getting killed in other cars due to the random .50
Cal. shooting which is spraying in many directions killing
civilians while attempting to kill cops.

Three civilian cars and a van are scrambling in each other
and the chase is still on. In Cruiser #2 bullets tear apart
2 officers at the front seats. The car smashes into a side
walk street cafe. It smashes seats and tables. People try to
get out of its way but too late for some get run over. BOOM!
Gas tank goes off. Glass, seats, tables and human beings
scramble together. Blood is everywhere.

Cruiser #3 disappears for a second. It seems like it gave
up. Hummer is after Alex with no cops bothering it. Firing
at Alex. Suddenly cruiser #3 is in hot pursuit again. Cop in
passenger's seat shooting 9 ml. rounds at the Hummer. Aiming
at the tires but misses.

IN HUMMER

HUMMER DRIVER
Behind us man.

79.

ON STREET

Hummer shooter turns around to cruiser #3 reloads quickly.
Alex makes a swift U-turn. Drives against traffic direction.
Heading at the Hummer. The Hummer shooter didn't see him and
he starts firing at cruiser #3.

HUMMER DRIVER
He is coming at us. Shoot him.

Shooter's upper torso out of hatch, shooting and his ears
can't hear what the driver is saying. The Hummer driver
draws his gun out of the holster but Alex fires at him. Gets
him in the face and gets the shooter in his back, saving the
cops. Alex makes another U-turn and drives off to escape the
whole scene. Passing an intersection and the cruiser is
trying to catch up. Traffic flow comes between them and Alex
flees away.

ALEX
At last...

BANG BANG BANG...

Another Hummer chasing Alex. Man at passenger's seat firing
with M16 at Alex. A guy at the back seat preparing R.P.G. He
is aiming at the Cadillac, which is 100 feet away from the
Hummer.

R.P.G. LAUNCHES...

It hits a FUEL TANKER TRAILER. Huge FIRE BALL.

FIRE LIKE A BEAST EATING EVERYTHING IN ITS WAY. Spreading in
all directions 360 degrees and so fast while the street is
jammed with cars at a road intersection. Cars flying as
their fuel tanks explode. All kinds of vehicles exploding.
The fire reaches another FUEL TANKER TRAILER.

KABOOM!!!

Another MASSIVE FIRE BALL. Traffic mess. Even those who
don't explode, run and crash. Buildings windows glass break.
People flying from balconies. People on the sidewalk blown
away. A phone booth is torn apart, cafe is totally
demolished. Parked cars and cars in motion are all on fire.
Stores are burning to hell. Massive destruction created.

One of the killers cars doesn't make it. BOOM!!! It goes sky
high. Sirens heard, fire fighters, police and ambulances.

80.
IN HUMMER

Hummer gauge speedometer rises 80,90,100....

IN CADILLAC

Alex hits the brakes...

ON STREET

Suddenly Hummer is next to him on his left side. Cadillac makes a hard left at the Hummer. Cadillac's full fledged huge engine horse power smacks Hummer's right side so hard, shaking the men in Hummer. M16 gun falls out of the window. We see a tunnel less than a 100 yards ahead.

Hummer tries to return the favor. Coming from the right to the left to hit Cadillac. Alex slams the breaks. Tires squeaking. Hummer misses the Cadillac and finds itself in front of it. Alex pins the gas pedal. Cadillac's front bumper smashes Hummer's rear left angle while Hummer is still pushed by its own power going from left to right.

Hummer spins and misses the tunnel entrance while Cadillac goes smoothly in it.

TRAFFIC JAM IN TUNNEL...

The tunnel is jammed with traffic. Alex forced to stop. Hummer gets in tunnel at high speed. It is next to Alex. Opens fire at Alex. Alex drives backwards and gets his Cadillac on the other side of the tunnel. Escaping their rapid fire. Hummer tries to turn to follow Cadillac, but the place is so crowded so while Alex's Cadillac is getting out of the tunnel one of the men in the Hummer fires a bazooka at Alex's Cadillac. Cadillac is turning. So the bazooka's blaster hits a school-bus instead of hitting Alex's car. BOOM! The bus turns over and slams on its right side. The front part of the bus is burning and the driver is dead. Now the fire is moving across the bus's floor to the gas tank. The fire is eating the metal. The tank will explode at any second. Kids on bus are screaming. Alex stops his car in the middle of the street. He jumps out of his car and bursts into the bus. He is getting the children out of the bus. The Hummer comes out of the tunnel and is heads to the bus. Alex inside the bus. He fires at the Hummer with 2 pistols, killing it's driver. The men in it doesn't have enough time to control the wheel and the Hummer collides into the front

81.

of the bus at very high speed that it flips over the bus.

It shakes the bus like hell. So now the Hummer is turned
upside down and it is over the bus which is also turned but
on it's right side. Alex hears a gun magazine getting
replaced by some one in the hummer.

He opens fire from inside the bus. His bullets piercing the
roof of the hummer and ripping into the occupants. Blood
comes pouring through the holes made in the car roof and the
bus. Alex is back to getting the children out, some people
from the street are helping him. At the moment he is getting
the last 3 kids out of the bus.

The bus's gas tank explodes as he gets out of the bus in a
nick of time, it was a very critical moment. Then the gas
tank of the Hummer explodes as well.

A muscular man whom we have seen earlier in the hummer. Now
his face is burnt. Now the man is running towards Alex's
back with a big blade to stab him in the back and in the
instant the blade starts cutting in Alex's back, Alex turns
around to face this man. His back is wounded a little but he
twists the man's arm and almost drops the man's big blade
but the man is very muscular.

He pulls Alex, lifts him up and throws him at the burning
bus. Alex almost got burnt but he manages not to get burnt
by kicking hard the bus with his legs (while he was thrown
and about to be in the fire of the bus) he kicks hard the
bus to push himself away from it.

Then Alex gets up while the man was about to kick him, and
he kicks the man, punches him several times but the man is
still on his feet. The man swings his blade at Alex, tries
to cut Alex's throat. Alex moves so well and the man's blade
doesn't even touch him.

Alex takes one of the shattered pieces of the vehicle's
glass(When the bus and the Hummer exploded their glass got
shattered into many pieces and those pieces are on the
ground of the street so Alex picks up one of those pieces
and starts cutting the man with it). Alex keeps on cutting
the man's face with very high speed. The man falls down. He
is helpless.

ALEX
(n French)
Who sent you after me? WHO?

82.

            THE BLEEDING MAN
      (in French-faint
       voice)
I don't know his name.

ALEX
You better tell me or I swear I'll
tear your eyes with this piece of
glass.

THE BLEEDING MAN
Fuck you.

ALEX
Fine.

Alex is cutting off the left eye lid. Bloody mess. The man
is struggling but unable to stop Alex.

THE BLEEDING MAN
(screaming)
MARVIN. His name is Marvin.

Alex stops the cutting process.

ALEX
Where can I find him?

THE BLEEDING MAN
La Fleur casino.

Alex cuts off the man's throat.

ALEX
(to the dead body)
Sorry... But if I didn't kill you,
you would've told him about our
friendly chat.

Helicopter rotors. Assassin in it fires at Alex. BANG BANG
BANG. Alex runs and jumps in his Cadillac again. Cadillac
speeds up again. Bullets piercing the ceiling, piercing
around Alex.

Barely controlling the car in zigzag trying to avoid the
bullets. Gets on a bridge, still being chased.

Forced out of the bridge smashing the bridge's hand rail and
getting airborne to land over a truck's trailer. Truck
driver panics. Chopper firing at Alex.

Alex hits the gas pedal and sprints, flying off the truck
and landing roughly like hell, bumping in other vehicles and

83.

running at high speed, accelerating to 160 miles per hour.

Goes under the bridge for cover, no use. Reaches a very
high vehicles garage, 10 story high.

Alex blasts in it, going up and up but helicopter is flying
next to him going up too and firing at him. Alex barely
avoids other moving vehicles and dodging bullets and
grenades explosions.

Cars on fire and explode. Alex turns and drives to go down
the same way he came up. Helicopter tries to stay with him,
going down to keep Cadillac in its fire range. Cadillac
reaches the fifth floor.

Cadillac turns around and goes up again. Helicopter is going
up too.

Cadillac is at the eighth floor. Alex is trying to puzzle
the pilot. He repeats his trick goes down and up again.

On the ninth floor he hits cars lot pushing 3 vehicles out
of the Garage trying to drop any of them over the chopper,
he succeeds. 1 vehicle hits the choppers back fan while the
chopper is going up.

Helicopter is losing balance, while the pilot is trying to
regain control, Alex's Cadillac pushes another car to fall
out of the garage. The falling car lands over the upper fan,
smashing it. The helicopter goes down at high speed with the
vehicles falling on the ground from such a 9 floor height
and exploding.

The chopper goes down to smash and explode, creating a fire
ball.

ALEX
Yeah! No body can beat us darling.

Alex kisses the Cadillac's symbol, carved in the driving
wheel.

INT. BRAD'S BEDROOM - NIGHT

Brad preparing himself to go out disguised as an old wealthy
man.

84.

INT. CASINO - VERY FANCY - NIGHT

La Fleur written in big bright glowing silver letters. The
place is so elegant. Only the highest class people are
allowed in.

Brad is sitting at the bar - disguised. Brad sees Marvin
with the lawyer and some other men.

BRAD
(to himself)
I can't believe my eyes. Marvin!
You are here too. Oh it's my lucky
night... Following a dirty lawyer
leads to a lot.

Alex walks in the Casino disguised too. Big grey beard and
moustache. Eye glasses. Wrinkled forehead. He sits at the
bar too.

ALEX (V.O.)
Old man at the bar has his eyes
set on you Marvin. Damn! It's you
Brad. Those aren't the fists of an
old man.

Marvin goes to the rest room and Brad follows him to it.

IN RESTROOM

Marvin enters a restroom stall. As he tries to close the
door. BAAM! Brad kicks the door open. Punches Marvin,
breaking his nose. Getting in the stall while forcing the
door to close behind him. The place is small for two big men
to fit in it.

            BRAD
      (removing disguise
       skin)
Hi Marvin. Delighted to see me?!

MARVIN
(stunned)
What do you think yourself doing?!

BRAD
I am here just to kill you.

A man walks in the restroom. Brad hears the door opens. He
quickly puts his left hand on Marvin's mouth and his
silenced pistol muzzle against Marvin's throat.

85.

BRAD
(whispering)
You are coming with me.

Marvin smiles ironically. Brad removes his left hand off his
mouth to let him speak.

MARVIN
What about the men outside?!
They'll kill you, when they see me
with a stranger like you....
They'll sense that something wrong
is happening...

BRAD
I know that and to get to the back
door they will also see us
together.

MARVIN
You have always been a loser.

Brad puts his left hand on Marvin's mouth again. And with
his right elbow. VOOM! He hits Marvin on the side of his
neck. Marvin in unconscious. Brad ties Marvin's hands to the
toilet with a thin metal string. Frisks Marvin and takes his
guns. Opens the door a little and when he finds no one in
the rest room, he closes the door again. Locks it from
inside. Jumps over the stall's door.

OUTSIDE THE RESTROOM

Brad walks towards the electricity fuse box of the casino.
He opens it. A security man of the casino's tries to stop
him but VOOM. Brad knocks him out with a single side kick to
the chin. Brad pulls down the lever. Lights are out. The
place is so dark. Brad puts on his night vision device.

Some people use there lighters to have some light and some
others use their cell phones. Brad draws out 2 automatic
pistols. Unloads his pistols at the men sitting around
Marvin's table. With every shot Brad fires the place blinks
with light. Men drawing out their guns but Brad's bullets
are ripping into their bodies so quickly. It's a dark blood
bath.

LIGHT IS BACK...

A gun behind Brad about to kill him. Thunder blade cuts off
the hand holding the gun. Brad takes off night vision device
and turns around to see Alex removing his mask after saving
Brad's life. Brad fires one head shot at the guy with torn
hand.

86.

Brad runs back to the rest room. Alex follows him.

INSIDE REST ROOM

Brad kicks the stall door open, revealing Marvin
unconscious. Brad carries him on his shoulder. Turns around
and finds Alex right behind him.

ALEX
It's me Alex. Your guarding
angel...

BRAD
Thank you angel. Let's get out of
here... What brought you to this
Casino?!!!

ALEX
You tell me your whole story, then
I'll tell you mine.

BRAD
In the car. Let's go.

EXT. ON A DARK STREET - NIGHT

Marvin thrown in a car's trunk. Brad and Alex get in the
car. Take off at high speed.

INSIDE THE CAR.

Brad is driving and Alex is in passenger's seat.

BRAD
Thank you for saving me but our
ride is over. I'll drop you round
the corner.

ALEX
Why did you spare my life after
the viking fight?!

BRAD
What do you mean?

ALEX
Why didn't you reveal my identity
to them and have me killed?! It
was a piece of cake that night.
There was a bunch of armed guards
and I had no gun because they have
metal detectors so I left my guns
at the car. You knew that I had no
(MORE)

87.

ALEX (cont'd)
gun, otherwise I would have used
it. So why the hell did you spare
my life?!

BRAD
I can not have your blood on my
hands. You are only doing your job
for your country.

ALEX
What about the men in Sweden?!

BRAD
You really think I am responsible
for their death?!

ALEX
I don't know what to think any
more... You spared my life and you
didn't try to leave Paris even
though you knew that the CIA is
looking for you in Paris.

BRAD
I have unfinished business in
Paris.

ALEX
I see that. I am afraid it doesn't
make sense that you spare my life
then send men to kill me outside
the hotel where I am staying.

BRAD
I didn't send any one to kill you.
I don't even know where you are
staying?

ALEX
Have you seen Paris inferno on the
news?

BRAD
You were behind that!!!

ALEX
I was only defending myself.

BRAD
You demolished half of Paris.

88.

ALEX
Not on purpose. All this means
that there is another mole in
Langley. Some one who knew where
to send assassins to me.

BRAD
I beleive Marvin can tell us.

ALEX
May I participate in questioning
him?!

EXT. DESERTED VILLA - NIGHT

Two story old villa, surrounded by bushes. Dark and cold. A
perfect place for a carnivore creature.

Brad's car arrives.

ALEX
What the hell is that?!

BRAD
Where I have been living lately.

ALEX
Nice..You buried any one inside
yet Mr. Dracula?!

BRAD
Maybe...

INT. VILLA - BASEMENT - NIGHT

Close on Marvin's face. Opening his eyes.

Marvin's POV :

Vision is not clear enough. Getting clearer. He sees Brad's
face.

SLAP!!!

MARVIN
Ahh...

Another angle:

We see Brad standing in-front of Marvin who is sitting on a
wooden chair with his arms tied behind his back. Alex is

89.

sitting on an old armchair a few feet from Marvin on the
right side. A single light bulb is on. It is hanging from
the ceiling.

MARVIN
What do you think you are doing?!

BRAD
I'll beat the truth out of you and
record it to prove that you framed
me.

MARVIN
You really think that Langley will
buy it?! Confession of a tortured
man!

BRAD
Of course not, but you will call
Ken and follow a nice dialogue
that I prepared for you. I'll
record it and it will prove that
the two of you framed me. You will
do it under my pressure on you but
he will do it spontaneously with
no gun pointed to his head in the
USA. Our labs will analyze the
call, voice tones and everything.
It will prove that Ken wasn't
under any threat during the call.

MARVIN
I'll call no one.

Brad takes a can off the table behind him. Shows it to
Marvin. GASOLINE written on it.

Brad pours gasoline on Marvin's knees.

MARVIN
(panicking)
Wait a minute! This is against the
rules!

BRAD
(stops pouring)
Rules?! What rules?!

MARVIN
CIA's... You should take me to the
agency and the interrogation takes
place there.

90.

Brad gets a lighter out of his pocket. Click! It is lit. The
flame is reflected in Marvin's eyes like they were mirrors.

MARVIN
(to Alex)
Are you going to let him do
this?!!! It will ruin your
coureer...

            ALEX
      (cold blooded)
I hope you don't have needle
phobia...
      (opens a box)
Do you know what nerves are?

MARVIN
Nerves!!!

ALEX
Nerves are part of the electrical
wiring system that carries
messages between the brain and the
rest of the body.

MARVIN
(sweats)
I know what they are.

ALEX
(overrides)
Sensory nerves carry messages
between the brain and different
parts of the body to signal PAIN,
pressure, and temperature.

MARVIN
Think carefully young man. You are
not authorized to do this.
Brad lost his life already but you
still have a future to live.

ALEX
(overrides)
There are Five major facial
branches of nerves. I swear to God
that I'll stick a needle in each
one of them... after the needle is
heated up with fire. It will burn
your nerves but you will remain
alive. Your nerves will MELT...

91.

MARVIN
Okay! But you will regret it.

Brad is holding a sheet of paper. Alex takes it from Brad.
Reading with his eyes only.

ALEX
Better change it. Give me a pen.

BRAD
What for?

ALEX
I have a more convincing idea.

Alex writes a little and hands it over to Brad. Brad's eyes
read.

BRAD
Perfect.

ALEX
But wait a minute... What if they
only communicate through encrypted
web chat?

BRAD
He will tell Ken that it's an
emergency. I disappeared and you
also disappeared so he had to call
him directly. No time to waist. I
know Ken he listens to Marvin like
a kid listens to his Mom. Plus it
will be quick. No time to think
and analyze.

Brad unties Marvin's hands and gives him the cell phone and
the paper which has the script. The cell phone is connected
with a wire to the laptop on the table. Brad tabs on the
laptop keyboard and puts on headphones.

BRAD
Call him now.

Marvin doesn't respond.

Suddenly Alex is holding a 3 inches needle in his right
hand, shinning before Marvin's eyes as if about to pop
Marvin's right eye with it.

Marvin pushing phone buttons.

Phone ringing.

92.

KEN (O.S.)
Yeah...

MARVIN
It's Marvin...

KEN (O.S.)
How are you doing?

MARVIN
Listen! I have no time. Alex
disappeared after he killed the
Emperor's men I sent after him.

KEN (O.S.)
Marvin! This is an ordinary phone
line.

MARVIN
It's secured. Listen we have no
time... You must find out where
Alex could be now and inform me as
soon as you find out.

KEN (O.S.)
I'll try... How the hell did he
beat them any way?!

MARVIN
I don't know. But I must find him
before he finds Brad and finds out
that we are responsible for the
Sweden mess.

KEN
You are right.

MARVIN
I have to go now.

Hangs up. Brad removes his head-phones.

ALEX
Brad I'll insert the call in the
CIA web. Your user name and
password won't work on it of
course but mine sure will. Let me
do it with your laptop.

BRAD
Thank you. I also want to make a
few copies of it.

93.

MARVIN
Now what?!

BRAD
You will give me exact details for
the Emperor's Mansion.

MARVIN
I've never been to it before.

ALEX
I'll prepare the needles.

MARVIN
It's the truth I swear... He never
met me so that no one ever finds
him... Does it make sense that I
and him get together in one place
after what happened in Stockholm?!

BRAD
(holding a syringe)
Well! Then I should sedate you
now.

ALEX
Sweet dreams.

MARVIN
You have lost already. Even if I
go down, the whole world will go
down very soon as well.

ALEX
The whole world won't stand trial
for treason but you will.

            MARVIN
The whole world will go to war. Do
you think that the Emperor is
really after a few hundred million
dollars only?!
      (Laughs)
He owns private military companies
and arms factories. Since the
Eleventh of September and security
has been so tight. No more
terrorism attacks on our nation.
Which means no more need for war
on terrorism. At least not needed
the same way it was after the
attack. Especially with the
economy crisis. Governments don't
need to buy new arms or hire
            (MORE)

94.

MARVIN (cont'd)
private military soldiers.

BRAD
And selling radio active stuff
will change all that?!

MARVIN
If a terrorism attack is made by
using nuclear radiation, two
countries will be suspected to be
behind it. Iran and North Korea.

ALEX
We will be forced to go in war
with at least one of them.

BRAD
More of our soldiers will die. The
people will protest because their
sons will die in this war.

ALEX
So our government will need to
hire soldiers from the private
military companies.

MARVIN
Private military services include
risk advisory, training of local
forces, armed site security, cash
transport, intelligence services,
workplace and building security,
war zone security needs, weapons
procurement, armed support, air
support, logistical support,
maritime security, cyber
security... etc...

BRAD
Because of the war on Iraq and
Afghanistan those so called
security firms have been receiving
annual contracts in the 10 to 20
billion range.

MARVIN
They will earn much, much more
because of my master mind scheme.
I by the way own thousands of
stock shares in Blackwater.

95.

ALEX
All those billions will be paid to
war lords while the people are
suffering the worst economy crisis
in history.

MARVIN
(laughs)
What do you think caused the
crisis in the first place?!

Voom!!! Brad back fists Marvin's left cheek and sticks the
needle of his syringe in Marvin's neck.

MARVIN
You are going to regret this and I
shall live to spend billions of...

Marvin fades away. He falls off the chair. Brad drags Marvin
to a wooden column and ties his right arm to it with a metal
string. He does the same to the left arm but he ties it to
another column on the opposite side. Marvin's arms are
stretched so hard as if he is being crucified.

ALEX
Are those strings strong enough?

BRAD
(nods his head)
And sharp enough too. If he tries
anything he will cause more
pressure and the strings will cut
through the veins in his wrists
and still he won't be able to get
them off.

ALEX
Suitable enough.

BRAD
Come on Alex, I'll show you
something upstairs.

INT. VILLA GROUND FLOOR - NIGHT

What used to be a fancy big dinning room. Now is covered in
dust. There is a big chart on the wall. It shows the
Emperor's palace and the neighborhood surrounding it. On the
table there are many blue print charts.

96.

Alex and Brad are looking at a map that shows the Emperor's
Palace with a hill behind it. Brad is pointing at the hill
behind the palace.

BRAD
We can make great use of this
hill.

ALEX
I am sure he has snipers watching
the hill, keeping his back safe.

BRAD
We will get rid of them and
instantly we launch a tank attack.

ALEX
What tank?!

BRAD
A big lorry loaded with
explosives.

ALEX
Really!!!

BRAD
Yeah! Lucky for us he doesn't let
his servants sleep at his home. He
only trusts his guards so no
innocent people will be harmed.

ALEX
So I attack from behind and you
attack the front.

BRAD
Or vice versa.

ALEX
Oh no... It's your battle not
mine. I will only be covering your
back. I am not ready to get killed
for your cause.

BRAD
(staring at Alex)
Don't worry if you get killed, it
will be for fighting a terrorism
trade Emperror.

97.

ALEX
(smiling)
Yeah! You are right but still I
will attack from behind, distract
their attention and you attack the
front.

BRAD
That suits me. We should make them
think that a number of men are
attacking them.

ALEX
You know where to get lorries
from?

BRAD
Stolen trash lorries.

ALEX
You stole! Thought stealing was
against your principles.

BRAD
The lorries insurance will cover
it until I clear my name and pay
for their cost myself.

            ALEX
      (very sarcastic
       voice tone)
Yeah right! Also it will be their
small contribution in helping
great captain Brad to get the
world rid of the most dangerous
terrorism Goldfinger.

BRAD
It's my duty.

ALEX
After all what happened to you
from the CIA?!

BRAD
There are traitors in all systems.

ALEX
Why did you join the CIA?

BRAD
Why?!!!

98.

ALEX
Why? All this shit for what?

BRAD
Because I was qualified. My father
was an ambassador in Europe. I
lived with him in Europe so I
learned several languages then I
joined the marines and because I
was always a top performer, when I
applied for the CIA I was
accepted.

ALEX
Damn it! Couldn't your rich daddy
send you to a fine college to
become a lawyer or a doctor or
even a diplomats man?

BRAD
You sound like him. But I chose to
serve my country with my blood,
with my soul, with my whole
life and with honour.

ALEX
And look to what all this silver
tongue expressions did to you. You
will die fighting terrorism and no
body will even Know about it.
Maybe you will get a star that no
one will ever see.

BRAD
(shouting)
If that's what you think, then why
the hell did you join the CIA?!

ALEX
I grew up in a very poor and dirty
neighborhood. Guys with BLADES
cutting each other was the
ordinary life style.
(Beat)
My parents died because they
refused to pay half of what they
earn to the upper hand man, who
was by the way a cop.

BRAD
Sorry to hear that.

99.

ALEX
Then an old Japanese man found me.
He considered me brave and
talented. He almost spoke to no
one in the neighborhood but me. He
made of me the finest samurai in
the world. We used to perform in a
circus to earn our living.

BRAD
Many men had rough childhoods.

ALEX
(overrides)
While he was dying with cancer he
told me why he made no
relationships with any one?

BRAD
Why?

ALEX
He told me that he escaped from
Japan to America. He was a cop and
he was double-crossed by his own
partner and best friend... For the
sake of a drug dealer.

BRAD
So close to what happened to me.

            ALEX
Yeah! After he passed away, I
decided to get even with our ugly
world. I took my sword and
finished off the whole gang that
was controlling my neighborhood. I
was arrested because their leader
was a cop. I was guilty of first
degree murder. Mass murder...
DEATH PENALTY, because I killed 23
murderers.
      (beat)
A wise CIA important official read
about my massacre in the papers
and admired my talents. He gave me
a new identity and he made a CIA
assassin of me. I learned French
at the agency not like you in
European schools.
      (beat)
I think I'll retire before I get
double-crossed. It's better to
double-cross then to get
            (MORE)

100.

ALEX (cont'd)
double-crossed. I didn't apply for
this shitty job. I want to be an
Emperor too. An Emperor in the
past had Samurais serving him and
getting killed for him. I prefer
to be the Emperor.

BRAD
So, for you being a CIA agent is
only a way of earning your living,
a pay check.

CIA DIRECTOR (O.S.)
Still...

ALEX turns around to see in-front of him Jack the former CIA
director. His eyes can't believe it.

CIA DIRECTOR
(overrides)
He does his job perfectly.

ALEX
You are in this too?!!!

CIA DIRECTOR
Yes... Brad's father was like a
brother to me. After what happened
at Stockholm Brad contacted me
through an old encrypted web
channel that we were using in the
past. You see I started training
Brad even before he joined the
CIA.

ALEX
And you are going to back him up
all the way to the end?!

CIA DIRECTOR
Yes.

ALEX
Brad wants to attack the Emperor
tonight. I say it's impossible.

            CIA DIRECTOR
It's not. We have to take care of
this tonight before he disappears
again.
      (lights a Cuban
       cigar)
Especially after Paris inferno and
            (MORE)

101.

CIA DIRECTOR (cont'd)
the casino massacre. Those are
enough to make him decide to go to
a safer place.

ALEX
We are only two men.

CIA DIRECTOR
Three... I am in too. It will be a
pleasure to join the best men I
have ever recruited in my entire
life.

Alex doesn't look affected by the words of the director.
Brad pushes the left eye of a statue next to the wall. A
secret door in the wall opens.

CIA DIRECTOR
That's our arsenal.

They walk in the room which is dark.

INT. INSIDE THE ROOM - NIGHT

Brad turns the lights on. We see a large table covered with
all sorts of weapons and special forces equipments. Rifles,
machine guns, pistols, grenades, Bullet-Proof stuff. Behind
the table there is something big covered with a big piece of
dark cloth.

ALEX
(stunned)
Wow! How did you get all this?!

BRAD
Since the Emperor is in Paris, the
black market is truly enriched.

ALEX
Still... We are only three men.

CIA DIRECTOR
Oh! no. Not with my special
weapons, we are not just three
men.

ALEX
Really!

102.

CIA DIRECTOR
Me and you Alex will use DSR 50
sniper rifles.

ALEX
Is it the scaled up version of
German DSR-1?

CIA DIRECTOR
Yeah... Made by the same company,
but with improvements to handle
powerful .50 caliber ammunition,
which include hydraulic recoil
buffer in buttstock and special
blast compensator barrel
attachment, which serves as a
muzzle brake and also reduces
flash and sound of the muzzle
blast.

ALEX
Impressive.
(holds rifle)
And the trigger is two-stage
ajustable too. Perfect.

CIA DIRECTOR
We will also use the M202
multishot rocket launcher.

ALEX
Four-barreled re-usable smootbore
loaded with M74 rockets. I love
it.

CIA DIRECTOR
The launcher can be fired up to 4
times, with practical rate of fire
as high as one round per SECOND,
before you even need to reload it
with a new clip.

ALEX
Each of us will carry M202
multishot rocket launcher.

CIA DIRECTOR
Just me and you Alex. Brad will
use different weapons on his bike.

ALEX
what bike?!

103.

Brad removes the cloth off a huge piece of art. A beautiful
shiny black Harley Davidson equipped to be a small tank.

BRAD
It's covered with shields and it
also provides cover for a single
rider from all directions.

ALEX
Such shields must be heavy and
will slow it down.

CIA DIRECTOR
The shields are made of Famostone
plates.

ALEX
What is Famostone?!

BRAD
Famostone is an ultra-light
ballistic hard armour. It is
considerably lighter than any
other material available in the
world today.

ALEX
I hope it's as good as it sounds.

CIA DIRECTOR
The high strength Polyethylene
fibre used has been shown to be
ten times stronger than steel,
making it the strongest and
lightest fibre in the world today.

BRAD
Hope you didn't hate science at
school.

ALEX
I didn't go to school.

CIA DIRECTOR
I added the FN Minimi machine guns
to the bike with my own hands.
It's a lightened version of the FN
M249 SAW with Picatinny rail
adapters.

ALEX
I know it. Two hundred rounds a
belt. No magazine feed module as a
weight-saving measure. The belts
(MORE)

104.

ALEX (cont'd)
are fed from special two hundred
rounds plastic boxes that are
clipped beneath the receiver.

BRAD
Not bad Alex.

CIA DIRECTOR
On the bike we will also place 2
compact Mk.19 mod.3.

ALEX
You serious?!

CIA DIRECTOR
Yes. It's necessary because it's
ammunition is the 40mm M430 high
explosive, dual Purpose round,
which can penetrate up to 50mm of
rolled homogenous armor. It also
provides effective anti-personnel
fragmentation effect with damage
radius of about 15 meters. It will
help us a lot tonight.

BRAD
We also have special bullet proof
jackets with neck and groin
protection for threat level 3A.

ALEX
And the common beauty M16A1 rifle
equipped with underbarrel 40mm
M203 grenade launcher.

CIA DIRECTOR
Never go to battle without it.

ALEX
And I never go to battle without a
samurai sword.

CIA DIRECTOR
I know. I brought one for you.
I almost forgot to mention that
our rounds are all ARMOR PIERCING
bullets. We also have Bullet-Proof
Helmets, Bullet-Proof Goggles and
Anti-Slash Gloves.

105.

ALEX
What for?! Entering heaven doesn't
require bullet proof stuff
tonight.

Brad and the director laugh a little.

BRAD
What is the sword going to do you
in tonight's war?

ALEX
The sword is what I am.

CIA DIRECTOR
No more talking. Let's work.

EXT. EMPEROR'S PALACE - HEAVILY GUARDED - NIGHT

OVER THE HILL WHICH IS HORSE SHOE SHAPED BEHIND PALACE.

Alex sneaking at the right side of the hill and Jack at the
left side. They lay down on their bellies positioning on the
ground with their sniper rifles. Their telescopic zoomers
show 4 guards on the roof of the palace.

CIA DIRECTOR
(in tac Mic.)
Alex are you ready?

ALEX
Yeah. Each of us should take out 2
heads, right?!

CIA DIRECTOR
On my count. One, two, three...

PALACE ROOF.

Blood pops out from 2 heads. 2 guards down. Other 2 alerted
but in the same instant the alerted guards' heads are also
hit with bullets. 4 guards are down.

HIGHER LEVEL OF THE HILL'S MIDSECTION.

Brad in a lorry hiding in the bushes, holding binoculars. He
slowly drives the lorry to the edge and places a stick at
the gas pedal to push it hard. Brad jumps out of the lorry.
Lands smoothly on the ground. Quickly gets over his Harley
tank. The lorry goes down the cliff. Heading towards the
back of the Palace's huge and high fence. It comes down so
fast and smashes into the fence opening a way through it and

106.

keeps going... Guards alerted and firing at the lorry. It
explodes as it smashes into the back of the palace. HUGE
MASSIVE FIRE BALL.

CIA DIRECTOR
(in tac mic.)
Lovely C4. Alex now BLASTERS.

Alex and Jack rain the guards with blasts from their grenade
launchers while they are hiding in the bushes. The guards
are too many even though the lorry explosion killed many and
the blasts are killing more, still there are many guards
alive and firing back at the bushes randomly with all kinds
of machine-guns and rifles. It's only a matter of time till
they hit Alex and Jack.

OVER THE HILL - IN THE BUSHES

Heavy bullets rain and bazooka missiles are sweeping the
hill. Alex and Jack are surrounded with death. Some tree
branches shatter and fall down. Trees blown away and ditches
created by explosions everywhere. DOOM NIGHT.

THE PALACE FRONT

Another lorry does the same trick at the front gate but as
it breaks through the gate before it hits the palace front,
bazookas blast it. The bazookas explosion combined with the
C4s on the lorry create an INFERNO. Hell doors are literally
broken lose and nothing can close them.

Explosion killed some more guards. Opportunity for Alex and
Jack. They seize it and fire at the guards with everything
they have.

Brad on the street riding his Harley tank at full speed.
Uses the remains of the burning lorry at the front as a
giant jump ramp. It launches Brad's tank in the air 30 feet
high. He opens fire with his .50 CAL Armor piercer heavy
rounds and the blasters too. Killing every living creature
in his way. Brad's bike lands with grace as guards fire back
at it. He is killing many men but he can't fire at 360
degrees even though he is trying by spinning around. Alex
and Jack are giving him good coverage but still bullets are
almost eating his tank and grenades are thrown at him too.
90 miles speed tank fighting in all directions. He bursts
into the PALACE.

107.

INT. PALACE GROUND FLOOR - NIGHT

He is wrecking everything in his way. What used to be a
duplicate of Versaile is turning into a grave yard in
Harlem.

VOOM! Missile blasts the front of the bike.

Brad flies in the air and crashes down on the Porcelain. His
bullet proof jacket is torn apart. He quickly shreds the
launcher's body with bullets from his sub-machine gun. Then
holds a blaster that was attached to the bike with his left
hand and one of the big machine guns with his right. He is
searching the palace like a maniac.

            BRAD
      (crying out with
       agony and anger)
EMPERORRRR... EMPERORRRRR...

EXT. OUTSIDE PALACE - NIGHT

Battle still going on between Alex and Jack on the hill and
the guards outside the palace.

JACK'S BLOOD...

Explosion throws Jack's body 15 feet away. Alex hurls to
help him. On his way to reach him he dives and shoulder
rolls, pauses, shoots at the palace guards and runs again.
Till he reaches Jack. Jack looks real bad. His bullet proof
jacket is torn apart. Covered in his own blood... Alex on
his knees, leans on Jack.

CIA DIRECTOR
(faintly)
Alex...

ALEX
It's over... We should get out of
here...

CIA DIRECTOR
(barely talking)
I am happy I am dying with honor
in battle field... Clear our
names... Mine and Brad's...

Flash back

Alex standing next to the bed of a dying old Japanese man.

108.

JAPANESE MAN
I am only sad because I am going
to die while my name is still
disgraced. I couldn't clear my
name.

INT. PALACE - NIGHT

Brad is killing more men with his big machine gun and
blaster. Suddenly they are out of ammo. He drops them and
uses his M60 machine gun.

He is a crazy destructive force. Trashes everything and
takes every human life in his way. MASSACRE BLOOD BATH.
Shoots the chain holding a huge pearly chandelier and it
falls down crushing 2 guards under it. He blows 3 guards
behind walls and 4 behind doors while shooting randomly in
every direction. Shooting from below the staircase making
holes in it by big caliber bullets penetrating stairs and
killing 4 men on the stair case.

Brad goes up and down the stories in the palace. Still can't
find the Emperor. He goes down again. He finds a huge door.
He kicks the door open and stands behind the wall before he
walks in, then he starts walking in, at that moment a man
opens fire at him. Brad jumps on a strange rounded shape
stair-case which he finds exactly before him and while his
body rolls on it, he fires at the man and kills him. Then he
stands on the floor which he was led to by the stair-case.
He walks a little and then the floor gets opened as if it
was split in two halves.

DISSOLVE INTO

INT. DUNGEON - NIGHT

Brad falls on his back and finds him-self before the Emperor
and some of his men. The place is huge, obviously built a
century ago, high big columns. Part of the place is a
garage. Rolls Royce, Ferraris, Cadillacs and 4Wheel drive
GMC vehicles. Lots of boxes full of all kinds of guns and
explosives.

EMPEROR
So... You wanted to see me.

Five men are aiming their machine guns at Brad.

109.

BRAD
(in pain)
Yeah... At last we meet. You will
die tonight for real.

BANG BANG BANG...

Venom fires at Brad's machine gun which is on the floor. The
bullets push it about 5 feet away from Brad's reach.

EMPEROR
So... You were saying...

IN THE PALACE - GROUND FLOOR.

Alex walks in the palace. Walks over dead bodies. Blood is
everywhere and shredded bodies. Walks over to the door that
leads to the stair-case that leads to the dungeon.

ALEX (V.O.)
(to himself)
I hope you forgive me Brad.

IN THE DUNGEON.

EMPEROR
You are my hostage. If the troops
surrounding my palace don't stay
out of my way I will burn you
alive.

A machine gun is thrown in the dungeon through a secret door
in the wall. Alex walks in alone with his hands up in the
air.

Some of the Emperor's men are aiming their guns at him.

ALEX
You think there is a whole team
outside?! Very frankly... I tell
you no...

Brad's face is astonished. Alex walks towards the Emperor,
passes by Brad who is till on the floor.

EMPEROR
You think you can fool me! I am
sure...

ALEX
If you don't believe me send one
of your men outside to see if
there are any troops. There was
the former CIA director. He is
(MORE)

110.

            ALEX (cont'd)
dead.
      (turns his eyes to
       Brad)
Yes, Brad. He is dead. It's over.

EMPEROR
So you volunteer to die?!

            ALEX
      (ironing out every
       word)
No. YOU NEED ME alive to help you
disappear again.

EMPEROR
I don't need anybody I have
connections with much more
important men in the CIA .

ALEX
Who will get arrested after one
hour if I don't do something to
stop it?! You see your imperial
highness my dying partner and I
recorded a beautiful phone call
between your men Marvin and Ken.

Brad's eyes can't believe he is getting double-crossed for
the second time. In his head he remembers : we see flash
backs of Alex's conversation with Brad before they attack
the palace.

FLASH BACK

ALEX
Let me send the recorded call for
you, I'll submit it directly into
the system. Fastest and most
secured way because your access to
the system, user-name and password
must be cancelled.

ANOTHER FLASH BACK

ALEX
I think I'll retire before I get
double-crossed. It's better to
double-cross then to get
double-crossed. I didn't apply for
this shitty job. I want to be an
Emperor too. An Emperor had
Samurais serving him and getting
killed for him, I prefer to be the
(MORE)

111.

ALEX (cont'd)
Emperor.

BRAD'S THOUGHTS STOP BY :

Alex plays the phone conversation for the Emperor.

ALEX
There is another copy on Brad's
cell phone. The most important
copy is in the main frame of the
CIA inbox in Langley.
(smiling)
You see if I don't walk out of
here alive. Soon enough the CIA
director will listen to the Marvin
and Ken latest hit.

EMPEROR
What do you want exactly?

ALEX
100 Million dollars.

EMPEROR
You are out of your mind.

ALEX
Time is running and if I don't
tell the CIA director that it was
Brad who tried to kill me in Paris
and that he was living in this
wrecked palace instead of you, the
CIA will come after you again. You
need me more than air.

EMPEROR
I still don't trust you.

ALEX
I'll kill my partner for your
majesty right now.

BRAD
(rises up)
In your dreams.

Brad attacks Alex with a dagger and Alex draws out his sword
with lightening speed. Alex's sword blade is much longer
than the dagger's. So Alex has the upper hand...

112.

BLOOD...

Brad falls down on his right side, covered in his own blood.
A cut from his chest to his stomach. Brad is dying.

Alex leans down on Brad and gets Brad's cell phone from one
of his pockets. Brad's blood drips from Alex's sword. Alex
walks towards the Emperor.

ALEX
(to the Emperor)
Now! I WANT YOU TO WIRE MY MONEY.

EMPEROR
You got it but let us get out of
here.

Alex still moving but closer to a huge column.

ALEX
One more thing. I Alex am the
greatest SAMURAI the world ever
known...

EMPEROR
Who cares?!

ALEX
(carries on)
Do you know what does a heart
surgeon cut to operate on the
human heart?! Middle of the chest.

Alex draws out a human heart that had been squeezed.

KABOOM...

Flash bang explosion in the dungeon.

In the same instant Alex cuts off 3 heads with his sword
with one sword swing while his eyes are closed. The Emperor
and his men are blinded for a moment because of the flash
bang. Brad gets his machine gun and jumps behind another
column as he opens fire, killing some men. Alex takes a
machine gun and dives behind a column.

Alex and Brad are exchanging fire with 4 guards. The Emperor
is hurling towards his Rolls Royce. Brad firing at an
explosives box close to the guards exchanging fire with him
and Alex.

BOOM!!!

113.

Massive fire ball. The 4 guards are toasted. Only the huge
columns that Brad and Alex are behind, saved them. Brad is
off after the Rolls Royce. The Rolls is speeding up with
tires on fire and broken windows.

Brad's POV: Rolls on its way to get out of an open metal
garage door. On the wall next to Brad there are buttons.
Brad hits the closing button as the Rolls tries to make it
out.

The huge door rolls down over the car's hood, forcing it to
stop. The car is stuck and the Emperor is in it behind the
driving wheel. Brad fires a few warning shots from his
machine gun so close to the Emperor's head, who is shaking
with fear.

Venom hiding behind a big box and aiming at Brad's back.
Alex kicks Venom's gun in the air and places his sword's tip
against Venom's throat.

VENOM
(smiling)
At least let me show you how I use
the sword... Tell me how did you
pull your trick on us?

ALEX
I saw that Brad is down so I took
the heart from one of your dead
men. I kept it and during my
lightning speed sword swings I
splashed its blood on Brad while I
was actually cutting his chest.
Just the upper layer of flesh. The
middle of it. That's the part the
surgeon cuts to operate. No
nerves. I placed the flash bang
bomb in his pocket while I was
getting his cell phone out.

Alex lowers his sword and Venom picks up a Chinese sword off
the wall. The fight begins. Alex has the upper hand. Venom
picks up another sword. Now Venom has 2 blades against
Alex's single blade. Then suddenly a 3 inches blade is
protruding from each of Venom's shoes. This makes 4 blades
for Venom and 1 blade for Alex.

ALEX
If you think that you've just
changed the odds to your favor
then you are... ahhhh.

Alex's chin is bleeding.

114.

VENOM
You were saying...

Alex in a samurai pause as if pausing for a painter to draw
a portrait for him. Venom swings his blades and as he
attacks Alex... BLOOD!!!

Alex's sword is up and Venom is falling down. Bleeding from
the chest.

ALEX
This my signature as a samurai.

Venom looks glances at his wrist watch.

ALEX
What?! Late for a meeting or
something?!!!

Venom smiles though blood is coming out of his mouth.

ALEX
BRAAAD!!! There is a time bo....

KABOOOM!!!

Basic columns explode. The ceiling is coming apart. Bricks
falling over their heads. Alex running for cover. The heroes
are now trapped mice in the dungeon.

Brad comes hurling, holding the Emperor like a spoil of war
over his left shoulder - Emperor's arms are tied behind his
back- and in Brad's right hand, there is a silver cylinder.

BRAD
I have the Polonium.

ALEX
Good! I always wanted some of it
in my grave. The place is sealed
on us asshole.

BRAD
I have an idea!

ALEX
Usually I am not pessimistic, but
when it comes to your ideas I am.

BRAD
I found C-4s in the back. We will
blow our way out of here.

115.

ALEX
We are under the palace and it's
hanging by a thread now ABOVE our
heads. The slightest explosion
will burry us alive.

EMPEROR
You are both dead rats.

Brad slams the Emperor on the floor. Back broken. Too much
main that he can't even scream.

BRAD
You start a car's engine and I
will set the explosives on the
sealed door.

Alex doesn't respond until a huge brick falls right before
his feet.

ALEX
Convincing enough.

Brad heads to the door and Alex to the cars. A stone falls
over Alex's head. Alex falls down. He is out. Brad hears it,
turns around to see it.

BRAD
Shit! No!

Brad sets the charges on the door with the crushed Rolls
Royce under it. Brad grabs Alex and puts him over his right
shoulder and the Emperor on his left shoulder while holding
the cylinder in his right hand. Tosses them all in a
convertible Starts engine. Shoots one round at the
explosives at the door.

BOOOM!

Place rocked like their is an earthquake. Brad pins the gas
pedal. Sprints through the huge hole but the palace is
sinking. The convertible races its way out as the palace
sinks down to bury the dungeon. All the ammo in the dungeon
is under too much pressure that it goes off. Convertible
vehicle is speeding up in a tunnel lead to by the hole in
the wall.

Alex opens his eyes to see massive fire ball expanding in
the tunnel chasing the vehicle he is in.

ALEX
If you can drive a little
faster...

116.

Dead end. Big garage door. Brad pins the gas pedal.
Convertible bolts through it.

EXT. IN A FOREST - NIGHT

The convertible car breaks out through the dead end and
finds itself in a forest. The car's front is totally smashed
and it's tail is on fire. The car screeches to a stop. Brad
and Alex get out of it along with the Polonium and the
Emperor. The car explodes as they get away from it.

INT. CIA LANGLEY - DAY

Brad and Alex are having some coffee and watching T.V.

INSERT: T.V. SCREEN.

The United States President is in the middle of a speech.

PRESIDENT
...by this the CIA great former
director sacrificed his life to
protect the world from the
terrorism...

Brad switches off the T.V.

BRAD
At last a real hero is mentioned
on T.V.

ALEX
This gave the agency a good image
after the disaster in Sweden.

BRAD
You saved my life, you helped me
clear my name and retrieved Jack's
reputation. How shall I ever repay
you?

ALEX
Buy me a week in playboy mansion.

BRAD
I'll buy myself one too.

117.

ALEX
I'll go back to Paris to make
money at the under ground fights.
You can introduce me to the man
running it.

BRAD
I'll be damned!

ALEX
You are always damned...

INT. PRIVATE JET PLANE - DAY

Alex and Brad are wearing fancy suits. We see the sky
through the window. They are high in the air.

ALEX
Nice accommodation from the
agency... Private jet to Paris...
I like it.

BRAD
Did I forget to mention Korea?

ALEX
What?!!!

BRAD
I asked the director not to sign
your resignation until we are back
from Korea.

ALEX
(stunned)
Are we going to Korea?!!!

BRAD
Now remember that according to the
Asian warriors code... We are
blood brothers.

ALEX
I'll force the pilot to take us to
Paris.

BRAD
There is no pilot. There is only a
computer in the cockpit. Don't you
love technology?!

118.

ALEX
For your sake, I hope there are
attractive girls at Korea.

BRAD
Sure and they are going to love
you after you wrestle the
crocodiles...

EXT. PRIVATE JET - DAY

We see the jet plane flying.

BRAD (O.S.)
Alex. Calm down. Why are you
holding your sword?

ALEX (O.S.)
Guess why?!!!

FADE OUT.

Feedback

From thundereagle	Date 5/14/2014
awesome script,mind if i make it into a movie

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